“The Hurt Locker” sweeps the National Society of Film Critics Awards

The National Society of Film Critics has bestowed another big awards win on the Iraq war thriller, “The Hurt Locker,” which won’t hurt its Oscar possibilities.  As with the two other most prestigious critics groups — the Los Angeles and New York film critics — the highly praised tale about a bomb disposal unit during the chaotic early days of the U.S. invasion won the group’s best picture award scroll.

The Hurt Locker

Ironically, according to Peter Knegt of Indiewire, the last time a single film swept the best picture prize from all three groups was when Curtis Hanson’s outstanding “L.A. Confidential” managed the coup in 1997. It lost the Oscar to James Cameron‘s sentimental and spectacular romantic melodrama, “Titanic” — one of the most widely disagreed with Best Picture winners in recent history. With “Avatar” becoming a wide popular favorite and a gigantic hit, a repeat of this scenario is not outside the realm of possibility.

“The Hurt Locker” also won major prizes for director Kathryn Bigelow and star Jeremy Renner, who edged out Jeff Bridges, currently a favorite the win the Best Actor Oscar for “Crazy Heart,” as well as Nicolas Cage for “Bad Lieutenant: Port of Call New Orleans.” For Best Supporting Actor, once again “Inglourious Basterds” break out bad guy Christoph Waltz took the top prize, with another former unknown, Christian McKay, getting the second largest number of votes from critics for “Me and Orson Welles.”  The best screenplay nod went to the Coen Brothers’ ultra-dark black comedy, “A Serious Man.”

Mo'Nique in In something of an upset that, I’m guessing, might not be repeated at the Oscars, Yolande Moreau, of the French language biopic “Seraphine,” beat Meryl Streep in “Julie and Julia” by one vote for Best Actress. Once again, however, talk show host and comedian Mo’Nique added to a truly impressive number of wins with her work in “Precious,” taking yet another Best Supporting Actress prize.

You can see the complete list of winners at bottom of the Indiewire article I linked to above.

  

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New York and L.A. Film Critics make their choices

The two most noted critics groups both gave their awards today and the results are pretty interesting. Just released, we have the winners from New York. Somewhat to my surprise, even though it’s received very positive reviews so far, “Avatar” won for best picture.  Last year’s winner was not “The Dark Knight,” which however did make it into the top 10, but the politically-themed biopic, “Milk.” Genre movies and blockbusters rarely win critics awards.

Avatar

Also, the suddenly more geek-friendly critics group actually gave the most awards to “Inglourious Basterds” which picked up a cinematography award for the always superb Robert Richardson, a best screenplay nod for Quentin Tarantino and, of course, a Best Supporting Actor award and also a Best Breakthrough Performance award for Christoph Waltz’s movie-stealing work as the evil but magnetic “Jew hunter,” Colonel Hans Landa. Another unusual war film, “The Hurt Locker,” picked up the Best Director award for Kathryn Bigelow and, not at all surprising, “Up” won the award for best animation.

Meryl Streep won for Best Actress for “Julie and Julia” and Jeff Bridges won for the not yet released country music drama, “Crazy Heart.” Mo’Nique from “Precious” picked up the Best Supporting Actress award. “The Cove” won Best documentary. ComingSoon.net has the complete list of winners. It’s a pretty interesting group.

The Hurt Locker

Just a bit earlier, the Los Angeles Film Critics, on the other hand, gave the top prize to “The Hurt Locker” (“Up in the Air” was the runner up) and Kathryn Bigelow took another Best Director prize for the thriller. Jeff Bridges, Christoph Waltz and Mo’Nique once again got the Best Actor, Best Supporting Actor, and Best Supporting Actress prizes respectively. The L.A. crickets took a different path entirely, however, on the Best Actress category and gave it to Yolande Moreau for the French-language biopic, “Séraphine.” (The runner up was Carey Mulligan, whose work in “An Education” has been generating a great deal of buzz.)

They also, interestingly, diverted from the New Yorkers in the area of animation, giving the top prize to “Fantastic Mr. Fox,” another succès d’estime for Wes Anderson. However, they followed the NYC reviewers in giving the nod to “The Cove” for Best Documentary. In a nod to genre, “District 9” got a “New Generation” award for writer-director Neill Blomkamp as well as a production design award. Eugene Hernandez of Indiewire has the complete list.

Oscar-buzz fans take note, critics’ awards are not super-reliable indicators of Academy Awards, which tend to be less genre-friendly but also more prone to award big commercial hits. On the other hand, I think it’s safe to say that Kathryn Bigelow, Jeff Bridges, Mo’Nique, Christoph Waltz, as well as “The Hurt Locker”, “Inglourious Basterds,” and perhaps “The Cove” got a big boost today. (The documentary category is notoriously fraught.) Also, I haven’t mentioned its awards, but the little seen black political comedy and festival hit, “In the Loop,” picked up awards from both groups and could, I imagine, get a very helpful nomination or two in possibly the writing and the newly expanded “Best Picture” category.

  

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