TCA Press Tour, Summer 2010: Day 3

Day 3 of the TCA Press Tour continued with the CBS family of networks, offering us a split day between Showtime and The CW…and if I’m to be honest, my enthusiasm was decidedly higher for the former. I’ve made this comment before, but The CW so unabashedly caters to an audience that’s far younger and prettier than myself (or, really, almost anyone I interact with on a regular basis) that it’s hard for me to get but so excited about their shows…but, of course, that doesn’t mean I won’t be reporting on them, anyway. First up, though, is Showtime, which I am excited about. Seriously, it’s reached the point where I’m pretty sure I prefer Showtime to HBO.

There, I said it…and it feels good.

Showtime Introductory Remarks

Matthew C. Blank, Chairman and Chief Executive Officer of Showtime, took the stage to welcome the assembled throng, then launched immediately into a series of announcements and remarks, including the following:

“Weeds” guest stars: Richard Dreyfuss, Alanis Morrissette, Jennifer Jason-Leigh, Mark Paul Gosselaar, Peter Stormare, and Linda Hamilton.

“Dexter” guest stars: Julia Stiles, Peter Weller, Maria Doyle Kennedy, Shawn Hatosy, and Jonny Lee Miller.

“Californication” guest stars: Carla Gugino, Rob Lowe, Tommy Lee, Zoe Kravitz, Michael Ealy, and Callie Thorne.

Liam Neeson will be joining his former “Kinsey” co-star Laura Linney for an episode of her new Showtime series, “The Big C.” Also guesting on the show: Cynthia Nixon and Idris Elba.

The network has committed to ten episodes of “Web Therapy,” a comedy developed by and starring Lisa Kudrow.

“Nurse Jackie” and “United States of Tara” will be both be returning for third seasons, as will “Secret Diary of a Call Girl” for Season 4.

Producer John Wells is premiering his new Showtime series, “Shameless,” starring William H. Macy and Emmy Rossum, on January 9th. Also coming in 2011 is “The Borgias,” starring Jeremy Irons and created and executive-produced by Neil Jordan, who’s directing the series’ first two episodes as well. The trailer for “Shameless” looks like the start of another great dysfunctional-family drama for Showtime, and…well, actually, I guess you could say the same of “The Borgias,” although they haven’t really filmed enough of it yet for us to get much of a feel for it. Most of what we were shown was interview clips with Irons and Jordan and footage from the photo sessions for the series, so all I can really confirm is that it looks awesome…but, then, what else would you expect from the network that brought you the gorgeousness of “The Tudors”?

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Red Carpet Chatter: Mike Nichols Gets His AFI Lifetime Achievement Award

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Born in 1931 in what was very soon to become Hitler’s Germany, young Michael Peschkowsky was living in Manhattan by 1939. It was great luck both for the future Mike Nichols and for the country that accepted him.

Nichols is, of course, one of the most respected directors in Hollywood, and for good reason. He’s the original, craftsmanlike, and emotionally astute directorial voice responsible for such sixties and seventies classics as “Who’s Afraid of Virginia Woolf?,”  “Carnal Knowledge” and, of course, “The Graduate” (the source of his only directorial Oscar so far) as well as such eighties, nineties, and oughts successes as “Silkwood,” “Working Girl,” “The Birdcage,” and “Closer.” Even if some of the later films are not on the same level of quality as his earlier films — and several, especially his 1988 box office hit, “Working Girl,” stray into mediocrity — it’s still one of the most impressive and diverse careers of any living director in Hollywood.

That’s just on the big screen. On television, Nichols has rebounded in the eyes of many critics, directing two of the most acclaimed television productions of the last decade, 2001’s “Wit” with Emma Thompson, and the outstanding 2005 miniseries adaptation of Tony Kushner’s brilliant and mammoth epic play, “Angels in America.” With his 80th birthday just a year and a half away, he’s still working hard with two thrillers movies planned, including an I’ll-believe-it-when-I-see-it remake of Akira Kurosawa’s “High and Low” currently being rewritten by the decidedly counter-intuitive choice of Chris Rock.

Before he directed his first foot of film, Mike Nichols was a noted theater director. That in itself is not so unusual a root for directors to travel. What is different is that, before he was a noted theater director, he was half of one of the most influential comedy teams in show business history, Nichols and May. (His comedy partner, Elaine May, went on to become an important, if less commercially successful, writer and director in her own right.)

Still, from the moment he directed his first major play, Neil Simon’s “Barefoot in the Park,” Nichols mostly abandoned performing. Today, his highly regarded early work is mostly known only to fairly hardcore comedy aficionados.

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The Return of Bullz-Eye’s TV Power Rankings

Ever since the writers’ strike, the television industry has been in a state of flux. Most networks still can’t figure out what works from what doesn’t, while the current economic climate has forced others to simply give up. Whether or not “The Jay Leno Show” is a success for NBC is debatable, but by surrendering the 10 p.m. time slot, they’ve greatly decreased their chances of bringing in new viewers. We would be exaggerating if we said the decision affected Bullz-Eye’s latest edition of the TV Power Rankings, but our Winter 2009 list does seem suspiciously familiar. Still, it isn’t without its surprises, as a longtime favorite returned from an extended hiatus to claim the top spot, while buzzworthy rookies like “Glee” and “FlashForward” also made impressive Top 10 debuts. At the end of the day, however, the real winner is HBO, who walked away with three of the four top spots, thus reestablishing themselves as the best network around.

A few examples from the piece:


5. Glee (Fox): There isn’t a show on this list that we love and hate with the same enthusiasm that we have for “Glee.” It contains some of the best-drawn characters in Fox’s history (aspiring diva Rachel Berry, adorable germaphobe Emma Pillsbury, cantankerous alpha female Sue Sylvester), and the iTunes chart-burning musical numbers, lip synching aside, are deliriously fun. Imagine, then, if they didn’t make these characters jump through such ridiculous hoops. Will’s wife is actually going to take her fake pregnancy to term? Emma agrees to marry Ken, but only as long as they never tell a soul? (Those plot threads brought to you by Bad Idea Jeans.) Yet for each blunder the show makes, they come up with something as brilliantly funny as Finn’s technique for not climaxing (he thinks about the time when he hit the mailman with his car), or the drama queen freak show that is Sandy Ryerson (a pitch-perfect Stephen Tobolowsky). Getting Josh Groban to do a cameo as a horndog version of himself, meanwhile – and hit on Will’s drunk mother – was a moment of “Arrested Development”-style genius. Yes, it’s made mistakes, but “Glee” gets a spot in our Top Five because no other show on TV sports dialogue like “mentally ill ginger pygmy with eyes like a bush baby.” But man, it would be a wonderful world if they did.David Medsker

15. Dexter (Showtime): Like “The Sopranos,” Dexter always has a theme that is explored within a season as a backdrop to the episodic progression of the show. Last season, it examined friendship within the context of Dexter’s secret world, and Jimmy Smits was brilliant as his first and only pal. This year explores the facets of intimate relationships, and balancing work and the rest of your life as it relates to it. Dexter (played with brilliant sincerity and conviction by Michael C. Hall) is struggling to find balance between his work as a blood splatter analyst, a new dad of an infant, stepfather to his wife’s kids, and his hobby of killing and dismembering other bad guys, while his entertainingly foul-mouthed sister Deb implodes the most stable relationship of her life when she sleeps with returning lover and retired FBI agent Frank Lundy. John Lithgow is also scary good as the Trinity Killer, the latest object of Dexter’s attention. When Trinity kills Lundy and wounds Deb while making it look like another killer’s signature, Dex is commanded by the ghost of Harry to seek revenge, making this season as entertaining as any in the past – no easy feat considering how consistently good this show has been.R. David Smola

Honorable MentionCougar Town (ABC): Yeah, yeah, we know: the title’s a bit dodgy. But Bill Lawrence, who co-created the show with Kevin Biegel, has said, “The roll of the dice I’ve made is that the title is noisy and that people will be aware of this show.” True enough, though the fact that the series stars Courtney Cox would’ve probably done a pretty decent job of putting it on people’s radar, anyway. The pilot alone was strong enough to suggest that “Cougar Town” could prove to be the perfect series for female viewers who’ve outgrown “Sex and the City,” but with enough of a dysfunctional family element to fit perfectly into the closing slot in ABC’s new Wednesday night comedy line-up. Although the show continues to hone its comedic formula, the trio of Cox, Christa Miller and Busy Philipps clicked immediately (particularly the latter two, with their characters’ diametrically opposed personalities), and the relationship between the teenaged Travis and his man-child of a father rings true with its blend of unconditional love and complete embarrassment. Now that Jules’s fling with Josh is over, however, we’re curious to see who’ll be next on her slate to date — and how long this one will last.Will Harris

Returning in 2010Lost (ABC): Here we are, folks. After five seasons of confusing viewers with one of the most elaborate mythologies on television, “Lost” is finally in the home stretch. Want to know what the heck that smoke monster really is? How about the weird statue? Heck, what about the Dharma Initiative itself? All will supposedly be revealed in the sixth and final season of one of the smartest, most fearless shows network television has ever bothered to offer. Of course, this being “Lost,” we still have something to bitch about – namely, that the goddamn Olympics will interrupt the show’s final 18 episodes – but if we’ve waited this long to determine the ultimate fate of our favorite island castaways, what’s a few weeks of curling and cross-country skiing? We’ve all had our issues with the way “Lost” has unfolded over the years, and the show isn’t the phenomenon it was in its first couple of seasons. To cop one of the fall’s most popular phrases, though, this is it – and if there’s ever been a serialized drama with the guts to stick the landing and make its finale truly count, we’re betting it’s “Lost.”Jeff Giles

Check out Bullz-Eye’s TV Power Rankings in their entirety by clicking here or on the big-arse graphic you see before you. Also, be sure to check out the accompanying interviews with folks associated with the various shows, including David Goyer (“FlashForward”), Kurt Sutter (“Sons of Anarchy”), Jonathan Ames (“Bored to Death”), and Bryan Cranston (“Breaking Bad”).

Did any of your favorite shows miss the cut? Let us know by replying below!

  

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Bullz-Eye’s TV Girlfriends, Round Five: Married to the Job

Married to the Job

You’ve exercised your right to vote through the first four rounds of Bullz-Eye’s TV Girlfriends, choosing your favorites from the Hot and Smart, Pretty, Vacant, Girls Next Door, and Coworkers with Benefits categories…and now it’s time for round five: Married to the Job.

Your mission, should you choose to accept it, is to survey our shapely (and professionally driven) lineup of potential TV Girlfriends — a list that includes more recent hotties like Nancy Botwin of “Weeds” and Veronica Mars, as well as classics like Mary Richards — and pick the one you’d most like to spend your weekends with. Will it be Chloe O’Brian of “24”? Sarah Connor? Elaine Nardo from “Taxi”? Or another of our fine choices? Take a look and cast your vote!

  

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2009 Summer Television Preview

TV.com put together a nice preview of what’s in store for us this summer on the tube.

“Weeds,” “Eureka,” “The Closer,” “True Blood” and “Leverage” are returning, while “Nurse Jackie,” “Hung,” and “Dark Blue” are just a sampling of the new shows that are debuting this summer.

  

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