The announcements have been made, and the nominations for the 67th Golden Globe Awards are now officially a matter of public record, but just in case you haven’t caught them elsewhere (which, to be fair, is highly possible), here’s my look at the TV series, mini-series, and movies which received nods, along with my personal picks for who should take home the win for each category.

Best Television Series – Drama

• Big Love (HBO)
• Dexter (Showtime)
• House (Fox)
• Mad Men (AMC)
• True Blood (HBO)

My pick: “Mad Men.” Regular readers of Premium Hollywood had probably already narrowed my pick down to two entries, anyway, since I’m the designated blogger for both “True Blood” and “Mad Men,” but while “True Blood” had a strong season that was tarnished slightly by an unsatisfying finale, “Mad Men” offered up a full-fledged game-changer for the conclusion of their third year. The most notable omission from this list, however, is “Sons of Anarchy,” which you could almost write off as being too harsh for the voters if you didn’t have a drama about a serial killer in the mix.

Best Performance by an Actress in a Television Series – Drama

• Glenn Close, “Damages” (FX)
• January Jones, “Mad Men” (AMC)
• Julianna Marguiles, “The Good Wife” (CBS)
• Anna Paquin, “True Blood” (HBO)
• Kyra Sedgwick, “The Closer” (TNT)

My pick: Julianna Marguiles. I know full well that it’s a dark horse pick that almost certainly won’t pay off, but “The Good Wife” has been my favorite drama of the new season, and Marguiles offers a multi-layered performance as Alicia Florrick, a woman having to struggle with the media shining the spotlight on her husband’s infidelity and political and legal misdealings while she’s trying to return to a career as a litigator. And am I the only one who scoffed somewhat at January Jones’ nomination? Of the three primary “Mad Men” actresses, she’s the last I would’ve nominated, and this is one case where I think most would agree with me.

Best Performance by an Actor in a Television Series – Drama

• Simon Baker, “The Mentalist” (CBS)
• Michael C. Hall, “Dexter” (Showtime)
• Jon Hamm, “Mad Men” (AMC)
• Hugh Laurie, “House” (Fox)
• Bill Paxton, “Big Love” (HBO)

My pick: Hugh Laurie, “House.” God love Jon Hamm, but I said of the “House” season premiere back in September that it was “strong enough to warrant giving Hugh Laurie an Emmy nomination no matter what else he may do on the show during the course of the season’s subsequent episodes,” and I stand by that.

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Jolly Carl DiOrio, my favorite box office prognosticator, appears to be taking the weekend off, and Variety isn’t getting specific. However, it’s not like even someone as bad at guessing these things as I am really needs a guru to figure out that, barring the sudden disappearance of all females between the ages of 10 and 40 from our nation, “The Twilight Saga: New Moon” is about a certain a bet as ever exists to win the weekend for Summit Entertainment. And, judging from the boffo early worldwide receipts as reported by Nikki Finke, it’s likely to be a very big win domestically.

Now, this is usually the point where I discuss the reviews of the week’s most high profile new release, but I’m not sure what the point is because this series was proven review proof long before the first movie. In fact, it seems to be impossible to find an adult of either gender who will admit to reading the books, except as a guilty pleasure. Vampire-human intra-species love might be a critical favorite when it comes via author Charlaine Harris and Alan Ball in HBO’s “True Blood,” or Joss Whedon’s “Buffy, the Vampire Slayer,” but not so with the “Twilight” series.

Our own David Medsker is fairly tolerant of this inevitably PG-13 entry, but “New Moon” at this point has nearly halved the lukewarm 49% “fresh” rating of the first film with a 27% RT rating. It’s doing somewhat better with the usually slightly tougher “top” critics for whatever reason — interestingly that was also the case with the prior film. On the other hand, the usually generous Roger Ebert gifted this with a single star and the requisite derogatory one-liners, putting it in the running to be included in the inevitable sequel to his “Your Movie Sucks” collection.

Next up is an intriguing bit of counter-programming, Warner’s PG-13 “The Blind Side” starring Sandra Bullock in a somewhat Oscar-buzzed performance as a wealthy woman who takes in a homeless African-American youth (newcomer Quinton Aaron) who eventually emerges as real-life NFL player Michael Oher. The role strikes me as the flipside of Bullock’s racist upscale homemaker in “Crash” and people always seem to like it when a critical non-favorite like Bullock starts to get some positive attention for her acting. The movie itself is getting okay, but not spectacular, reviews at this point. Once again, as I write this the “Cream of the Crop” critics are a bit more generous than the ink-stained hoi polloi. As for the film’s commercial prospects, my hunch is that it should be profitable. It’s a movie with a little something for largely, but not entirely, male sports fans and largely, but not entirely, female schmaltz fans.

The weeks’s third major release is “Planet 51,” which on the surface looks like a return to “Monster vs. Aliens” territory with a PG-rated CGI animated role reversal tale in which a human astronaut, voiced by Dwayne Johnson, finds himself an alien invader on a planet full of wholesome humanoids. The consensus here seems to be that the potential for clever social satire, or just the mildly adult-friendly comedy of the Dreamworks hit, is pretty much squandered and the feature from a Spanish animation house bankrolled by Sony is strictly for the little ones. Still, to a casual onlooker, it looks like it might have a dash of interest for grown-ups, so this one might have a nice enough opening weekend.

As for limited releases, this weekend brings the kind of movie that gets cinephile pulses racing. Apparition’s R-rated “Bad Lieutenant: Port of Call New Orleans” is apparently a somewhat comedic not-really-remake of the Abel Ferrara mega-downer policier “Bad Lieutenant” starring Harvey Keitel, as reinterpreted by cinema living-legend Werner Herzog. In the Keitel role this time around is Nicolas Cage and critics seem delighted to have something nice to say about their one-time favorite again, which I guess could also be the start of some Oscar potential.

The oddball police tale will be in 27 theaters, which is only a fraction of the 83 theaters that the Bollywood hit, “Kurbaan” will play according to Box Office Mojo. It’s a  controversial, sexually charged (by Indian standards) thriller about a woman who falls for a terrorist and find herself a prisoner in New York City. It’s got music but doesn’t really appear to be a traditional Bollywood musical. You can’t have everything.

Ever since the writers’ strike, the television industry has been in a state of flux. Most networks still can’t figure out what works from what doesn’t, while the current economic climate has forced others to simply give up. Whether or not “The Jay Leno Show” is a success for NBC is debatable, but by surrendering the 10 p.m. time slot, they’ve greatly decreased their chances of bringing in new viewers. We would be exaggerating if we said the decision affected Bullz-Eye’s latest edition of the TV Power Rankings, but our Winter 2009 list does seem suspiciously familiar. Still, it isn’t without its surprises, as a longtime favorite returned from an extended hiatus to claim the top spot, while buzzworthy rookies like “Glee” and “FlashForward” also made impressive Top 10 debuts. At the end of the day, however, the real winner is HBO, who walked away with three of the four top spots, thus reestablishing themselves as the best network around.

A few examples from the piece:

5. Glee (Fox): There isn’t a show on this list that we love and hate with the same enthusiasm that we have for “Glee.” It contains some of the best-drawn characters in Fox’s history (aspiring diva Rachel Berry, adorable germaphobe Emma Pillsbury, cantankerous alpha female Sue Sylvester), and the iTunes chart-burning musical numbers, lip synching aside, are deliriously fun. Imagine, then, if they didn’t make these characters jump through such ridiculous hoops. Will’s wife is actually going to take her fake pregnancy to term? Emma agrees to marry Ken, but only as long as they never tell a soul? (Those plot threads brought to you by Bad Idea Jeans.) Yet for each blunder the show makes, they come up with something as brilliantly funny as Finn’s technique for not climaxing (he thinks about the time when he hit the mailman with his car), or the drama queen freak show that is Sandy Ryerson (a pitch-perfect Stephen Tobolowsky). Getting Josh Groban to do a cameo as a horndog version of himself, meanwhile – and hit on Will’s drunk mother – was a moment of “Arrested Development”-style genius. Yes, it’s made mistakes, but “Glee” gets a spot in our Top Five because no other show on TV sports dialogue like “mentally ill ginger pygmy with eyes like a bush baby.” But man, it would be a wonderful world if they did. – David Medsker

15. Dexter (Showtime): Like “The Sopranos,” Dexter always has a theme that is explored within a season as a backdrop to the episodic progression of the show. Last season, it examined friendship within the context of Dexter’s secret world, and Jimmy Smits was brilliant as his first and only pal. This year explores the facets of intimate relationships, and balancing work and the rest of your life as it relates to it. Dexter (played with brilliant sincerity and conviction by Michael C. Hall) is struggling to find balance between his work as a blood splatter analyst, a new dad of an infant, stepfather to his wife’s kids, and his hobby of killing and dismembering other bad guys, while his entertainingly foul-mouthed sister Deb implodes the most stable relationship of her life when she sleeps with returning lover and retired FBI agent Frank Lundy. John Lithgow is also scary good as the Trinity Killer, the latest object of Dexter’s attention. When Trinity kills Lundy and wounds Deb while making it look like another killer’s signature, Dex is commanded by the ghost of Harry to seek revenge, making this season as entertaining as any in the past – no easy feat considering how consistently good this show has been. – R. David Smola

Honorable Mention – Cougar Town (ABC): Yeah, yeah, we know: the title’s a bit dodgy. But Bill Lawrence, who co-created the show with Kevin Biegel, has said, “The roll of the dice I’ve made is that the title is noisy and that people will be aware of this show.” True enough, though the fact that the series stars Courtney Cox would’ve probably done a pretty decent job of putting it on people’s radar, anyway. The pilot alone was strong enough to suggest that “Cougar Town” could prove to be the perfect series for female viewers who’ve outgrown “Sex and the City,” but with enough of a dysfunctional family element to fit perfectly into the closing slot in ABC’s new Wednesday night comedy line-up. Although the show continues to hone its comedic formula, the trio of Cox, Christa Miller and Busy Philipps clicked immediately (particularly the latter two, with their characters’ diametrically opposed personalities), and the relationship between the teenaged Travis and his man-child of a father rings true with its blend of unconditional love and complete embarrassment. Now that Jules’s fling with Josh is over, however, we’re curious to see who’ll be next on her slate to date — and how long this one will last. – Will Harris

Returning in 2010 – Lost (ABC): Here we are, folks. After five seasons of confusing viewers with one of the most elaborate mythologies on television, “Lost” is finally in the home stretch. Want to know what the heck that smoke monster really is? How about the weird statue? Heck, what about the Dharma Initiative itself? All will supposedly be revealed in the sixth and final season of one of the smartest, most fearless shows network television has ever bothered to offer. Of course, this being “Lost,” we still have something to bitch about – namely, that the goddamn Olympics will interrupt the show’s final 18 episodes – but if we’ve waited this long to determine the ultimate fate of our favorite island castaways, what’s a few weeks of curling and cross-country skiing? We’ve all had our issues with the way “Lost” has unfolded over the years, and the show isn’t the phenomenon it was in its first couple of seasons. To cop one of the fall’s most popular phrases, though, this is it – and if there’s ever been a serialized drama with the guts to stick the landing and make its finale truly count, we’re betting it’s “Lost.” – Jeff Giles

Check out Bullz-Eye’s TV Power Rankings in their entirety by clicking here or on the big-arse graphic you see before you. Also, be sure to check out the accompanying interviews with folks associated with the various shows, including David Goyer (”FlashForward”), Kurt Sutter (”Sons of Anarchy”), Jonathan Ames (”Bored to Death”), and Bryan Cranston (”Breaking Bad”).

Did any of your favorite shows miss the cut? Let us know by replying below!

There was a time in this world when young people were frequently slightly ashamed of being bigger than average fans of horror, science fiction, fantasy, and especially comic books. I, personally, wasn’t embarrassed …and I paid a price. Those days may be over. In any case, the capacity crowd that showed up for Spike TV’s Scream awards, largely in costume and largely dramatically over- or under-dressed for a nighttime outdoor show after a very warm day, seemed more like club kids and less like the kind of uber geeks who become entertainment bloggers and film critics and stuff like that.

The Scream Awards are, in their fun/silly way, a big deal. Big enough to attract a good number of stars and even a few superstars like Tobey Maguire, Jessica Alba, Morgan Freeman, Harrison Ford, Johnny Depp and his living legend “Pirates of the Caribbean” muse, Rolling Stone Keith Richard.

I, however, am not such a big deal and was reminded of that fact when, prior to the show I found myself with the less fashionable members of the not-quite paparazzi on the “red carpet” (actually a checkered walkway) with my little digital camera and even smaller digital recorder device, wondering whether I’d really get a chance to ask a question of one of the super-famed folks, knowing that the only question I could think of at the time would be something in the nature of “What’s it like be the most notorious rock and roll star in the world, having your blood changed, and snorting your late father’s ashes?” That probably would have been inappropriate, especially if I asked it of Jessica Alba.

What actually seems to happen at events like this is that, if you’re a small-timer especially, most of the big stars either go through another entrance or walk right by you at warp speed. Meanwhile, folks who are a bit more anxious to meet the press find their way to you with the help of PR types. As an example, for about half a second, I was almost able to talk with actor Karl Urban, who did such a great job homaging DeForest Kelly while putting his own hilarious stamp on “Bones” McCoy in “Star Trek.” However, within a nanosecond he remembered he was in a big hurry and politely scurried off.

After a few odd reality show people I didn’t recognize, and the pretty young actress who assays the part of “Female Addict” in “Saw VI,” our first actual notable was statuesque model turned actress Tricia Helfer. Helfer is, make no mistake, a true superstar to TV sci-fi fans and is best known as Number Six, aka “the hot blonde cylon” on “Battlestar Galactica.” The actress appeared with her significant other, the owner of a British accent and a Giaus Baltar-style beard, but I’m sure that’s a total coincidence. I had a not terribly consequential discussion with her — lost because I apparently forgot to press the “on” button on my digital recorder. One would expect no less an effect from Number Six. UPDATE: Yeesh! As pointed out by my PH compatriot John Paulsen, the actress was actually Kate Vernon, who played the lady-MacBeth-like Ellen Tigh. It is true, all statueseque blonde women in shiny dresses look alike to me! My apologies to all concerned or unconcerned.

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Was it just me, or did the conclusion of tonight’s “True Blood” season finale feel somehow…anticlimactic? After spending the majority of the season waiting for the grand conclusion of the great and powerful Maryann’s storyline, only to have those matters wrapped up by the time the episode reached its halfway point, I felt a little cheated. Not that it necessarily needed to be dragged out any longer than it already had been, but, still, it felt like things ended not with a bang but a whisper, which is exactly what we haven’t come to expect from this series.

After Sookie was forced by Lafayette to slip into a bridesmaid dress but before all Hell broke loose, we found out from Maryann that Sookie is “beyond human,” though we didn’t make any particular headway in discovering what that actually means. Sookie did, however, finally break down and ask the question that the majority of the viewers had been wondering since last week: “Okay, what is with the egg? Did you lay it?” Nope, it’s an ostrich egg, and it represents fertility. Fair enough.

Jason and Andy once again scored a couple of classic comedic moments, with the best being Jason’s recitation of great movie quotes, concluding with, “I love the smell of nail polish in the morning.” I was surprised, however, to see both of them quickly slip over to the dark side. (I really thought that Andy was immune to Maryann’s powers, and that we were going to find out this week why he hadn’t ended up as one of her minions.)

As for Maryann’s marriage ceremony, I dug the off-kilter wedding march, but the nuptials themselves were a letdown. After Sam and Bill had their discussion at Merlotte’s, we knew that Bill wouldn’t just give Sam over to Maryann, so it was obvious that the two of them had concocted a plan of some sort. I admit to being surprised that Sam was actually stabbed…I didn’t know what their plan was, but I figured it would kick off before the knife hit flesh…but when the ox (I guess that’s what it was) turned up, my immediate thought was, “Okay, I’m not sure how, but that’s got to be Sam.” And it was, thanks to Bill having provided him with enough vamp blood to kickstart his healing process. I question the expediency of the healing, but, hey, Maryann and her mole claws (that’s what they looked like to me, anyway) got their just desserts, and the actual moment of impact, as it were, looked good and probably earned a few cheers from various viewers. Too bad it happened at the 27-minute mark of the episode, leaving us with way too much time to wrap up loose ends and throw out a few new threads to linger ’til Season 3 kicks off.

But, okay, fair enough, let’s talk about what happened in the post-Maryann portion of the episode.

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If you’re a regular reader of Premium Hollywood’s “True Blood” blog (and I’m pretty sure there are at least three or four of you out there), then you already know that, when I was out in California for the TCA Press Tour, I had a chance to mingle with some of the members of the show’s cast after the series took home the TCA’s award for Outstanding New Program. Not everyone from the cast was present, and you can imagine that the ones who were there had a tendency to be surrounded by critics doubling as fans, but as the evening progressed and various folks departed the festivities, at least one man stuck it out for the long haul: Sam Trammell, a.k.a. the resident shape-shifter of Bon Temps, Louisiana. My wife and I ended up chatting with him for an extended period, and though we actually talked more about music – he’s a big Psychedelic Furs fan – than we did the show that had brought him to the function, I was able to set up a proper interview when I made it back to Virginia.

In other words, I had…

Now, if you’re going to play a shapeshifter, then you’ve quickly got to get over any issues of modesty that you may have. Fortunately, when it comes to getting naked, Trammell is a professional, having done theater work which necessitated the wearing of limited amounts of clothing, but that doesn’t make it any easier.

You know, the thing is, most of the time when people have to get naked, it’s for a sex scene or it’s post-coital, and they’re in a bedroom and it’s kind of a closed set. But with Sam, it always seems to be because he’s turning back into himself from being an animal, so I’m always outside. Like, way out. Like, out for everybody to see. There’s no way you can close the set, really, and it’s just…it’s bizarre. I just feel very vulnerable, standing around naked. But with HBO, of course, before you even sign up, they’re, like, ‘Are you willing to take your clothes off? Because this is HBO.’ And, of course, I’m, like, ‘I’ll do anything to be on the show.’

Sam’s not just one of the stars of “True Blood.” He’s also a fan…although there have been moments during Season 2 which have even been a little rough for him to watch.

That heart soufflé was pretty intense. Also, when Jane Bodehouse cut her finger off, that was pretty hardcore, too. That whole scene was really weird. And the guy sitting in the sink…? Really creepy. I know there’s some other stuff, too, that I’m not thinking about. and I know there’s some stuff coming up in the finale that’s really harsh and shocking. Yeah, there’ll be a little gore in the last one, too.

To read more of the interview — including lots more “True Blood” talk, as well as his thoughts on being eaten in “Alien vs. Predator: Requiem” and having appeared in “Law & Order: Criminal Intent” — click on the image above or follow this link!

There’s been a lot of buzz on the ‘net recently about how John Krasinski and Jenna Fischer were spotted together in Niagara Falls, filming sequences for Jim and Pam’s wedding on “The Office,” but when I talked to Oscar Nunez earlier today (I’ll post the whole interview in the near future) and the topic of the impending nuptial episode came up, he teased that there’d be a guest star turning up. He wouldn’t give any specific names, damn him, but he let slip that it was someone from the cast of “True Blood.”

So who is it?

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“Is this a bad time?”

You know, for as much as I’ve decried the lack of eroticism inherent in blood, Evan Rachel Wood is so damned sexy that you could almost…not quite, but almost…overlook the fact that her face was covered with the stuff when she made her first appearance this evening. Or maybe it was the other woman moaning in the background that helped make the scenario somehow more sexy than creepy. Whatever the case, it was clear from the get-go that Queen Sophie-Anne LeClerq, Vampire Queen of Louisiana, was not going to be a woman to be trifled with. She knows more than any other vampire we’ve seen, and although we didn’t necessarily see all that much of her power, all we really had to see was the way Bill acted around her to know that, man, she’s got to be off-the-charts powerful. Her comments throughout the episode ranged from funny (”I haven’t enjoyed sex with men since the Eisenhower administration”) to cynical (”Never underestimate the power of blind faith”) to a combination of the mystical and the mystifying (”Everything that exists imagined itself into existence”), but the most telling of her comments came from her complete dismissal of Maryann and her actions. In short, she can’t really be bothered by this creature…or much of anything outside of her own existence, really. Looks like the holier-than-thou manner of royalty remains consistent within both the human and the vampire worlds.

Poor Hoyt. He gets pissy with Jessica for her decision to bite his mother because of her insolent comments, only to have her offer disconcerting revelations about how she’s been longing to head over to Merlotte’s to find herself some manly company, then put the cherry on top of the conversation by destroying everything he ever knew about his father and his noble death.

Poor Tara. She was so chomping at the bit to save Eggs that she basically tried to alienate every single person in the house. My wife theorized that her angry words were due to the approaching mob, but, no, it appears that she was just being incredibly shitty. During her awful heart-to-heart chat with her mama, she did her very best to make her mother feel like complete and total shit…and, yet, Mama responds by playing the sucker and deciding that this is her only possible way to get her daughter back. I don’t blame her for her desperation, but, c’mon, this is Tara’s cousin and best friend. Given everything that had gone down in the previous few hours, did she really think that her daughter knew best?

I can’t imagine that anyone would deny that, if this episode belonged to anyone other than Queen Sophie-Anne, it was the tag-team dumb-ass duo of Jason and Detective Andy. Who would’ve thought that Andy would turn out to be the sensible one of the pair? There were laughs from Sam’s attempts to explain his shapeshifting abilities to them (eventually leading to the discussion later in the episode where Jason tried to work out the most sordid angles of Sam’s powers), from Jason’s dramatic comment about having read about the impending Armageddon in a book (just when you thought he was going to say it was the Bible, he revealed that it was Max Brooks’s “World War Z”), from trumpeting his awesomeness and then promptly running headlong into a tree, and…oh, hell, there were too many laughs to count, but the one that still resonates the most was surely this line.

“‘Sometimes you need to destroy something to save it.’ That’s in the Bible. Or the Constitution.”

God love you, Jason Stackhouse.

The whole sequence within the sheriff’s station was hilarious, though I thought it was a bit cheap to have Andy be wearing kevlar underneath his shirt when he got shot. Still, how can you go wrong with William Sanderson dancing his heart out in his boxers? Their intense discussion in the truck was pretty hilarious in its own right, particularly Jason’s assurance that “I watch a lot of porn to learn stuff,” but the sudden decision to turn this mystical invasion into something patriotic was somehow perfect for these two redneck yokels. The only thing that would’ve made it better would’ve been to have Jason and Andy start singing “God Bless The USA.”

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One of the most consistent pleasures of the TCA Press Tour for an Anglophile such as myself is the opportunity to get the scoop on the latest UK imports to arrive on BBC America. In 2007, I was introduced to “Jekyll” and “Torchwood,” and in 2008, I very quickly fell in love with “Gavin and Stacey” and “Primeval.” This time around, the picks to click were “The InBetweeners” and “Being Human,” and although I’ll be waiting a bit to offer up my conversation with the folks from the former, I’m running a bit late in posting my chat with the cast of the latter. “Being Human” actually made its BBC America debut when I was still in Pasadena, but now that I’m playing catch-up, I wanted to share with you the lovely courtyard conversation that I had with the show’s trio of stars: Aidan Turner, Russell Tovey, and Lenora Crichlow.

Join us now as we embark upon…

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All hell has broken loose in Bon Temps. Quite literally, from the looks of things. As Jason so eloquently put it, “This is fuckin’ fucked up!” Agreed.

It amazed me how nonchalantly Sookie and Bill walked into Sookie’s house (or what used to be her house) after seeing the sacrificial offering erected in her front yard. At the very least, wouldn’t Bill lead the way instead of letting Sookie walk in first? Sure enough, Maryann comes in shortly thereafter and, once pleasantries have been exchanged and Sookie pulls her patented Tough Chick act, Maryann slams her up against the wall. Bill to the rescue! In the split second before Bill sunk his teeth into Maryann’s neck, I wondered how her blood would affect him. Yeah, not good. Well, not good for Bill, anyway, but judging by Maryann’s cries of “yes, ravage me!” it looks like she enjoyed it plenty. She also enjoyed the little laser light show that shot out of Sookie’s hand. “What are you?” Maryann asked several times following that incident, a look of amazed curiosity on her face. Sam may be Maryann’s priority right now, but Maryann is so utterly fascinated by Sookie after their encounter that I’m guessing she will be Maryann’s primary target before the season is over. That’s not to say that Maryann will give up on Sam – she seems pretty intent on tracking him down, to say the least – but like Eric before her, Maryann has eyes for Sookie.

Speaking of eyes, just about everyone in town has those utterly creepy, dead, black eyes, including Miss Tara Mae. To quote last week’s post from esteemed blogger Will Harris, whose shoes I hope to be at least serviceably filling tonight: “While I’m sure there have been less successful interventions than the one by Lafayette and Tara’s mama, *I* haven’t seen one.” Well, Lafayette would seem to agree with Will when, after trying prayer, pleading and a vicious slap across the face, he uttered, “This has to be the worst motherfucking intervention in history.” A little later, Lafayette’s invitation to Bill provided another highlight in an episode full of great moments. Some of those moments were funny — Eggs cheerfully asking Maryann, “You want us to kill something, so it’s extra fresh?” — while some were of the more disturbing variety, like Tara promising, “He’s on his way and he’s going to kill us all.” I’m telling you, those eyes give me the willies!

So now that Bill and Sookie were able to team up and pull Tara out of her trance, I wonder just how easily she can fall back into it. Lord knows Lafayette will do everything in his power to keep Tara away from Maryann, but you just know she’ll try to go rescue Eggs at some point. Maryann didn’t seem overly concerned about Tara leaving last week when Lafayette and Tara’s mama rescued her from Sookie’s house, but maybe that’s because she knew Tara would be back soon enough. Hey, everyone digs Maryann’s parties!

In fact, when I say “everyone,” I mean damn near everyone, since just about the entire town is now in Maryann’s employ as she hunts Sam down. Has there ever been a more formidable duo than Sam Merlotte and Andy Bellefleur? Okay, don’t answer that, but at least Andy provided some good laughs tonight, most notably after Sam told him that Maryann probably wanted to cut out his heart in front of a bunch of naked people. “And people thought I was crazy for seein’ a pig.” Poor Andy, although he doesn’t look so crazy now. One wonders whether Andy or Jason came up with the idea to trick the townies into thinking that Jason was Dionysus (or whomever the hell they’re all waiting for), but it worked like a charm, thanks in no small part to Sam’s disappearing act. Andy’s and Jason’s reaction to that was perfect, and the bare-ass-apron shot was a great touch. It’s great to see Jason taking charge in the wake of his L.O.D.I. training, and it looks like he’ll be on the frontlines when this all comes to a head over the final two episodes.

Admittedly, there is plenty that I’m missing here (Terry was awesome tonight as the commander of the townie brigade, as was Hoyt’s batshit crazy mom), but I’ll wrap it up with a comment about last week’s blog entry from fellow PH blogger John Paulsen: “One thing this show does better than just about any other I’ve seen is end each episode with a bang…usually some sort of revelation/cliffhanger that keeps the audience wanting more.” True to form, I sure as hell want to know who the Queen is and why she has a horde of Mr. Smiths surrounding her house. At first I thought Bill might be going to see Lorena, but that doesn’t make much sense. Either way, it’s looking like the Queen will be playing a pivotal role in the war that’s about to go down in Bon Temps. I’m just wondering who’s going to survive, and who won’t.