Midweek movie news — the fatigue edition!

I’m overtired and miles from home in a West L.A. Coffee Bean and Tea Leaf and I probably should have just thrown up another embed and gone for home and some sleep, but the movie news is just not waiting tonight…

* Johnny Depp is apparently wanting to star in a new version of Dashiell Hammett’s “The Thin Man,” or perhaps the series of really fun movies starring the great William Powell and Myrna Loy that the original 1934 movie adaptation spawned. I’ve no particular clue why he’d want Rob Marshall — not a bad director at all, but also not a great one and prone to ADHD editing — when he could have his pick. Of course, selecting a Nora Charles to go with his Nick will be half the fun — the possibilities are pretty endless though for some reason the only person I can think of right now is Cate Blanchett. She’s great, but don’t ask me why she comes to mind. It’s probably the fatigue. One big problem: Nick and Nora are a couple of merry alcoholics — or at least huge problem drinkers. It’ll be interesting to see how they handle that aspect of the property in today’s more abstemious world, although I suppose Nick Charles isn’t that far removed from Jack Sparrow or Keith Richard.

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* They worked mostly in other media, but they all had their moments in the movie sun: RIP Barbara Billingsley, Tom Bosley and, er, Bob Guccione.

* Cinephile’s cinephile uber-blogger David Hudson, who is based in Germany, gives us a fascinating post-mortem look at a writer and filmmaker I’ve never heard of until now, Thomas Harlan. The key fact here: Harlan’s father directed “Jew Suss,” the most notorious narrative antisemitic film produced by Joseph Goebbel’s Nazi UFA, and had been actively dealing with the legacy.

* Sometimes an actor blends so seamlessly into a part you wonder whether she is really even acting at all.

* In the battle of Hobbit-man Peter Jackson versus the NZ/Oz/U.S. unions, it sure looks like the unions blinked. This is probably the first such battle where I’m glad of it.

* “Giallo” is the name for the subgenre of bloody horror flicks from Italy that predated American slasher films with more mature characters and a heck of a lot more style from directors like Mario Bava and Dario Argento. Apparently wanting to get in on the whole self-awareness thing, Argento, who unbelievably is only just turning 70, made a movie actually called “Giallo” starring Adrien Brody. Brody says the producers didn’t pay him and is suing them and blocking the release of the movie for the time being. That’s always a mistake — not paying your star, I mean.

* Ben Affleck is considering switching from character-driven crime fiction adaptations to a character-driven fantasy-drama adaptation, “Replay.” I gather the book by the late Ken Groomwood is an old favorite of my highly esteemed colleague Will Harris and won a World Fantasy Award in 1987. Why have I never heard of it before?

* “Heckraiser“?

* Today’s tie for the “is this really news” prize: Robert Downey, Jr. “eyes” playing a really intense guy who gets involved in paranoid wackiness. Also, crazed lunatic Mel Gibson follows the path of reformed ear-biter Mike Tyson and will appear in “The Hangover 2” according to the totally awesome-in-my-book Jodie Foster, who seems to be doing whatever she can to try and salvage her widely discussed movie, “The Beaver” by trying to help repair his insanely in-shambles image. Talk about strange bedfellows.

  

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A day at the TV Land Awards

Cast Of The Love Boat

The TV Land Awards are not an “and the winner is…” kind of award show extravaganza. They’re more a series of honorary nods to the very popular shows of television’s illustrious, time-killing past with an emphasis on glitz. And so a bunch of us media types were invited to add to the hub-bub at the Sony Studios back lot on a breezy April, waiting on a red carpet for whichever celebrity was escorted to our assigned spots, with those from famed print and broadcast outlets obviously getting the first dibs. In the case of this lowly pixel stained wretch, I felt honored to chat with a few really terrific performers who, each in their own way, had made quite an impression on me personally.

That most definitely applies to Jane Leeves, the comedically gifted actress best known as Daphne, Niles Crane’s Manchester-born one-true-crush and eventual wife from “Frasier.” After confessing that I’d had a crush of my own on her since before her famed “Seinfeld” turn as “Marla, the Virgin” her response was typically blunt-yet-charming. “I’m not that old!”

“Neither am I!,” I blurted. (I later learned that Ms. Leeves birthday was the following day. My own birthday was two days prior. I guess age was on both of our minds.)

Aside from being no non-TV star herself, Ms. Leeves was there to promote her now show, coincidentally to be aired on TV Land in a rare foray into original programming, “Hot in Cleveland.” The show teams Leeves with Wendy Malick (“Just Shoot Me”) and Valerie Bertinelli (“One Day at a Time”). The three play “very L.A.” career women with show business-related backgrounds of various types. (Leeves plays an “eyebrow plucker to the stars.”) Feeling a bit aged out of the L.A. game, they attempt a trip to Paris, but instead find themselves marooned at the home of the Rock and Roll Hall of Fame. They quickly realize that beautiful, middle-aged women who can refer to celebrities by their first name are actually in fairly short supply in the midwestern metropolis and they decide to stay and be big fish in a smaller glamor pond. Betty White costars as a neighbor, perhaps a wacky one. Cue the glib comparisons calling this a “younger ‘Golden Girls.'”

Nevertheless, fans of Ms. Leeves should rest assured that her character is no retread of Daphne Moon. “She’s focused her whole life on her career and has forgotten to have a life. She’s the sort of smart aleck, wise-ass of the group, so it’s very different.”

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Then, perhaps feeling a bit star-struck, I went with the fallback question I frequently steal from our esteemed Will Harris. What project has she done that she doesn’t feel has gotten enough attention.

“It’s my cooking, quite frankly.”

Read the rest of this entry »

  

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