A trailer for a Sunday morning/afternoon: “The Kids Are All Right”

It’s a little sad that what appears to be a really entertaining social comedy with two genuine superstars, a leading man who deserves to be one, and another possible emerging young superstar or two is considered an “indie” flick. Anyhow, “The Kids Are All Right” brings us staid and affluent same-sex parents Annette Bening and Julianne Moore. They find their peace interrupted when Mark Ruffalo turns up as the fun-loving, ne’er do well biological father of their teenage children, played by Mia Wasikowska of “Alice in Wonderland” and Josh Hutcherson of “The Bridge to Terabithia” and the upcoming “Red Dawn” remake.

Except for the lesbian part and the artificial insemination part, this could easily have been an “A” Paramount production in 1951 with, say, Jean Arthur and Rosalind Russell as the two mommies, Robert Mitchum as the bio-dad, and Liz Taylor and maybe Dean Stockwell as the kids. Oh, well.

A big h/t to Dustin Knowles of Pajiba. And, yeah, if I was going to have two mommies, Ms. Bening and Ms. Moore would work for me, too.

Also, of course, this isn’t the first movie with this title, give or take and “L” and a space.

  

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American Idol: can we just start over?

Okay, folks. After seeing the crop of 24 semi-finalists in Season 9 of “American Idol,” I’m convinced that the judges are high. They call this the best group of singers ever? Um, far from it…I think it may be the worst crop in years, possibly the worst since the first couple of seasons. Every single contestant this year has at least one flaw, and most of them have multiple flaws and glaring weaknesses. Anyway, the guys sang last night, and honestly, most of them were pretty awful. But the judges selected a few to prop up even if they were just okay…maybe it’s the way the field is, but this is not good. Here is the recap of last night’s dude-fest:

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Friday movie news dump: the first Salinger movie, the Sundance beat goes on, etc.

Hey folks. I’ve got a relatively limited amount of time today and, just to add to the drama, the usually excellent free wi-fi at the Coffee Bean & Tea Leaf slowed down today to a relative crawl for a time while I was researching this. Let’s see how much I can cover.

* Just as I was ready to wrap things up, we have a breaking story. As I sorta alluded to yesterday regarding J.D. Salinger, it’s inevitable his death will pave the way for some new films. It turns out I was, if anything, way behind the curve. Working screenwriter Shane Salerno — whose work, like the planned James Cameron-produced “Fantastic Voyage” remake, bends toward the geek — has been working on a documentary about the writer who became almost as famous for his escape from the public eye as for his actual work, and it’s apparently nearly completed. Mike Fleming has not only broken the news of the formerly under-wraps project, he’s seen most of the movie

* Of course, Sundance continues slogging away, and word of acquisitions by film distributors have been making their way round the usual spots. Indiewire’s Eugene Hernandez has news on the well-regarded “Blue Valentine” with Ryan Gosling and Michelle Williams. He also gives a quick nod to such other highish profile films as “The Tilman Story” (a documentary about the late Pat Tilman), “The Kids Are Alright” (not to be confused with the old rock-doc about the Who) and “Hesher,” a not very appealing sounding film that nevertheless has Joseph Gordon-Levitt in the lead. The “Valentine” sale is of particular interesting as it was the troubled Weinstein Company that picked it up. Coincidentally, the company named for Harvey and Bob Weinstein’s parents, Mira and Max, has gone on the block.

miramax

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