Box Office Recap: New Releases Take Down ‘The Dark Knight Rises’

After three weeks at the top of the charts, “The Dark Knight Rises” fell to third place with just under $19 million after being beaten by two new releases this weekend. In its opening weekend, “The Bourne Legacy” grossed just over $38 million domestically. That figure is certainly nothing to sneeze at. Sure, “The Dark Knight Rises” made nearly that amount ($35.737 million) last week, but then we’re talking about the movie that had the third biggest opening weekend of all-time with nearly $161 million.

As I predicted in my Box Office Preview, “The Bourne Legacy” did break the pattern of each “Bourne” film being more successful than the last. But that’s to be expected in a third sequel, or is it a spin-off/reboot? I really don’t know what to call this thing. What I do know is that despite sticking Jeremy Renner in Matt Damon’s place, “Legacy’s” $38.1 million debut fell in between the series’ first film, “The Bourne Identity” ($27.1 million), and the second, “Supremacy” ($52.5 million), and dropped 45 percent off “Ultimatum” ($69.2 million), the last entry with Damon in the lead.

In second place with $26.588 million was the new political comedy “The Campaign,” which starred Will Ferrell and Zach Galifianakis. Although it’s not exactly a terrifically common genre, that is the highest opening mark for a movie centered around a political campaign according to Box Office Mojo.

The weekend’s final new release, “Hope Springs,” opened in fourth place with $14.65 million. The film, which stars Meryl Streep and Tommy Lee Jones, is definitely targeting an older audience than most, so while it won’t have any flashy single weekend numbers, I expect it to slowly chug along in much the same way “The Best Exotic Marigold Hotel” did.

Here are the results for this weekend’s top 10 at the box office:

Title/Weeks in release/Theater count, Studio/Three-day weekend total/Cume

1. The Bourne Legacy, 1/3,745, Universal, $38.142 million.
2. The Campaign, 1/3,205, Warner Bros., $26.588 million.
3. The Dark Knight Rises, 4/3,690, Warner Bros., $18.979 million, $389.588 million.
4. Hope Springs, 1/2,361, Sony, $14.65 million.
5. Total Recall, 2/3,601, Sony, $8.013 million, $44.101 million.
6. Diary of a Wimpy Kid: Dog Days, 2/3,398, Fox, $8.002 million, $30.356 million.
7. Ice Age: Continental Drift, 5/3,102, Fox, $6.38 million, $143.694 million.
8. Ted, 7/2,208, Universal, $3.223 million, $209.848 million.
9. Step Up Revolution, 3/1,898, Summit, $2.941 million, $30.256 million.
10. The Watch, 3/2,461, Fox, $2.221 million, $31.396 million.

  

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Box Office Recap: In its Third Week, New Releases Still Can’t Top ‘The Dark Knight Rises’

In its third week in release, “The Dark Knight Rises” is once again the nation’s number one movie after grossing nearly $36 million. On Sunday, its 17th day at the box office, the film’s total domestic gross passed the $350 million mark, making it the third fastest movie to reach that plateau, behind only “The Avengers” (10 days) and “The Dark Knight” (14 days).

The weekend’s two new releases, “Total Recall” and “Diary of a Wimpy Kid: Dog Days” struggled, grossing only $25.5 and $14.6 million, respectively. The two films’ audiences skewed in opposite directions, with “Total Recall” tracking 58 percent male and 53 percent 30 years of age or older. Moviegoers gave the film a woeful “C+” CinemaScore. On the other hand, “Wimpy Kid” skewed 58 percent female and 62 percent 25 or younger, while receiving an “A-” CinemaScore. However, the movie’s $14.6 million debut was far behind the series previous installments, which grossed $22.1 million and $23.8 million, respectively.

The box office charts remained remarkably static behind the new releases and “The Dark Knight.” Last week’s second through eighth place films each moved back two spots to make room for “Total Recall” and “Wimpy Kid,” but remained in the same order to fill out this week’s fourth through tenth place positions.

“The Dark Knight Rises” faces a new challenger in “The Bourne Legacy” next week. We’ll just have to see if it can sustain its dominance against another big name franchise in its fourth week.

Here are the results for this weekend’s top 10 at the box office:

Title/Weeks in release/Theater count, Studio/Three-day weekend total/Cume

1. The Dark Knight Rises, 2/4,242, Warner Bros., $35.737 million, $359.935 million.
2. Total Recall, 1/3,601, Sony, $25.577 million.
3. Diary of a Wimpy Kid: Dog Days, 1/3,391, Fox, $14.623 million.
4. Ice Age: Continental Drift, 4/3,542, Fox, $8.609 million, $132.071 million.
5. The Watch, 2/3,168, Fox, $6.527 million, $25.541 million.
6. Step Up Revolution, 2/2,606, Summit, $5.927 million, $23.724 million.
7. Ted, 6/2,767 Universal, $5.644 million, $203.579 million.
8. The Amazing Spider-Man, 5/2,425, Sony, $4.4 million, $250.74 million.
9. Brave, 7/2,110, Buena Vista, $2.986 million, $223.42 million.
10. Magic Mike, 6/1,202, Warner Bros., $1.414 million, $110.928 million.

 

  

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Box Office Recap: “The Dark Knight Rises” Continues to Dominate

While it made just shy of $100 million less than its opening weekend figures, “The Dark Knight Rises” continued to demolish the competition. After all, a $100 million drop from the third best opening of all time still left the film with over $62 million by the time things were said and done. I mean, last week “The Dark Knight Rises” grossed $100 million more than the second through tenth place films combined. It couldn’t hope to top that, but in its second week Batman’s $62 million was identical to the combined grosses of the rest of the top 10.

Despite “The Dark Knight Rises” falling a hefty but expected 61.4 percent, the weeks two new wide releases, “The Watch” and “Step Up Revolution,” came in third and fourth place with $13 and $11.8 million respectively. Frankly, that’s embarrassing, especially for “The Watch” given its counter-programming angle and star power. The film was written by Seth Rogen and Evan Goldberg, the team that brought you “Superbad,” and stars Ben Stiller, Vince Vaughn, Jonah Hill, and Richard Ayoade.

It might not have made “Avengers” money, but “The Dark Knight” is here to stay. We’ll see if “Total Recall,” the new “Bourne” film, or “The Campaign,” which stars Will Ferrell and Zach Galifianakis will be able to top it, but I don’t see it happening. No one messes with the Bat.

Here are the results for this weekend’s top 10 at the box office:

Title/Weeks in release/Theater count, Studio/Three-day weekend total/Cume

1. The Dark Knight Rises, 2/4,404, Warner Bros., $62.84 million, $287.851 million.
2. Ice Age: Continental Drift, 3/3,886, Fox, $13.3 million, $114.847 million.
3. The Watch, 1/3,168, Fox, $13 million.
4. Step Up Revolution, 1/2,567, Summit, $11.8 million.
5. Ted, 5/3,129 Universal, $7.353 million, $193.619 million.
6. The Amazing Spider-Man, 4/3,160, Sony, $6.8 million, $242.053 million.
7. Brave, 6/2,551, Buena Vista, $4.237 million, $217.261 million.
8. Magic Mike, 5/2,075, Warner Bros., $2.58 million, $107.587 million.
9. Savages, 4/1,414, Universal, $1.753 million, $43.899 million.
10. Moonrise Kingdom, 10/853, Focus, $1.387 million, $38.396 million.

 

  

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Box Office Preview: ‘The Watch.’ That’s All, Because You don’t Mess with the Bat.

The Watch

Studios were afraid to release much in the way of blockbusters this week, what with competition from “The Amazing Spider-Man” and “The Dark Knight Rises.” That hasn’t changed. Not a lot of big name movies (or movies with big names) are being released around now, save as counter-programming. That is, films that have star power but are decidedly different from those two blockbusters. For a case in point, look to  “The Watch,” the newest picture written by Seth Rogen and Evan Goldberg, the team who brought “Superbad” into the world. You can almost see the gears churning in the studio exec’s head: the demographic who saw Batman last week might like a nice splash of comedy right about now.

From afar, it looks like “The Watch” could slide perfectly into that hole, given its writers and cast, which includes comedic heavyweights Ben Stiller, Vince Vaughn, and Jonah Hill in leading roles. Then there’s the fact that it was directed by Akiva Schaffer of The Lonely Island and “smaller names” like Will Forte and Richard Ayoade in the cast. For those of you wondering who the fourth guy in the above picture is, it’s Ayoade. He’s not very well known stateside, but he’s massively funny and a big deal across the pond. Watch “The IT Crowd” if you don’t believe me, it’ll be a Hidden Netflix Gem one of these days.

Unfortunately, looks can be deceiving. Despite all that potential, “The Watch” currently sits at a 14 percent on the Tomatometer. Bullz-eye’s Ezra Stead had this to say:

Much of the humor comes from screaming, dick jokes and colorful profanity, and the film overall is pretty loud and dumb. Hill and Forte give the funniest performances, and Stiller and Vaughn deliver exactly what is expected of them at this point (I’m pretty sure Vaughn is just playing himself in most of his comedies), but Ayoade and DeWitt have very little to do until the third act. Delivering exactly what is expected is this film’s modus operandi, though, and it’s entertaining and intermittently very funny. It’s only when the audience is asked to care about the idiotic Evan and Bob as characters – particularly in subplots involving Abby or Bob’s teenage daughter (Erin Moriarty) – that “The Watch” falls short of its relatively modest ambitions.

Oh, yes, I’m sure you’re wondering about the plot. Four bored suburban guys come together to form a neighborhood watch after after a friend of Stiller’s character, who works as a night shift security guard, is brutally murdered. But guess who’s actually responsible for the crime? Aliens. No, seriously.

If you do fit “The Watch’s” target demographic: you need to see a movie this weekend and don’t care to see “The Dark Knight Rises” twice, then it could be for you. Just don’t expect the film to be anything but the phoned-in counter program that it is.

  

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