Mouse reshuffles, Leo the lion on the block, and other tales

* In the real world Obama appears to be rethinking Afghanistan; in the cable TV world Lou Dobbs is relieving CNN of his xenophobia and is threatening to go into politics while The Onion has the real scoop. Meanwhile in the movie world, Disney’s new chairman, Rich Ross, is reorganizing. It sounds as if technology will be leading the way in the new regime. Also, the structure of the organization will resemble more a television network, we’re told, than a movie studio. Once upon a time that might have worried me, but these days TV is hardly any worse than movies. I’m not sure if that’s good news about TV or bad news about movies. (A little of both?)

* The lion of Hollywood has been a bit mangy for a long time now. Peter Bart reports that MGM is about to be sold and the whole thing, 4,000 titles and all, is worth about $1.5 billion, which would be a lot of money to you and me but to a once mighty film studio sure sounds paltray. One factor, even the older titles in the library ain’t what they used to be, either. The studio’s signature titles: “The Wizard of Oz,” “Gone With the Wind,” and “Singin’ in the Rain” are now available on Warner Brother’s DVD along with a good chunk of their best known classics.  The ghosts of Culver City’s glory days are restless tonight.

6a00d8341c630a53ef00e552b209198834-800wi

* Apparently being a movie critic these days is such an unstable, lousy position that some of the best known reviewers are jumping ship and becoming film festival programmers. Yesterday, it was Newsweek’s David Ansen. Today, it’s the L.A. Weekly/Village Voice’s Scott Foundas. Anne Thompson has the depressing news that might nevertheless be creating more opportunities for some of the better known online folks.

* The fruits of my compatriot Will Harris’s London sojourn are appearing in the form of some extremely worth-your-time interviews. First with writer/director Richard Curtis of the criticially underrated “Love, Actually” and the soon to be released “Pirate Radio.” Also roly-poly movie superstud and general all around good guy Nick Frost of “Shaun of the Dead,” etc., as well as “Pirate” newcomers Tom Sturridge and Talulah Riley gets the Harris treatment as well. Bob says collect ’em all.

Read the rest of this entry »

  

You can follow us on Twitter @moviebuffs and on Facebook as well.

Related Posts

Gore v. chills at the box office

I keep reading that the studios are reducing their outputs and that we’ll be seeing fewer new movies, but there’s sure no sign of it lately as we have another complicated week where, at least in theory, anything can happen. Still, the prognosticators agree that the latest entry in the first and longest running franchise in the sub-genre of torture-heavy horror, “Saw VI,” will likely win the week for Lionsgate.

On the other hand, there is also a consensus that the low-violence yet entirely potent chills of “Paranormal Activity” will be cutting into the Saw-bucks some also. Obviously, there is some audience crossover but, just as obviously, the most jaded gore hounds may find it beyond tame. I’ve already noted online the start of an inevitable backlash. I doubt this reaction will have the same angry potency that afflicted “The Blair Witch Project” so many moons ago. In that case, Lionsgate’s attempt to persuade less-savvy audiences that it might actually be real probably backfired later on, as did the over-hype of some of the early write-ups.

This time, Paramount has been more cleverly circumspect than the “Blair Witch” marketers, simply making the case that the modest video-movie can really scare the bejesus out of an audience. I’m here to tell you it can, even though I feel sure that not a single person I saw it with was under any delusion that what we were watching was not staged. Still, you see the violence-loving fanboys complaining at certain sites. I mean, how can a movie be scary if it lets you imagine the worst of it? How is that ever going to work?

It’s probably pretty obvious by now, especially from my post just before this one, that I prefer the “Paranormal” approach and will be rooting for it but, despite the still growing excitement around the movie, it’s the definite underdog as “Saw VI” will be opening in 3,036 theaters, while it’s competitor will be expanding to a mere 1,900. However, the outstanding per-screen averages that the film has been nailing could compensate if some horror audiences find the prospect of yet another ultra-brutality fest less than ultra-appealing.

Though it’s yet another family-friendly CGI animated film, this one based on a property at least some of us remember from our childhoods, hopes are not all that astronomically high for the next film. Summit’s “Astro Boy” is based on the best known creation of Japan’s “God of Manga” Osamu Tezuka, who basically invented both manga and anime as we now know them and who created some of the best comic books for adults that I’ve ever read. Of course, you’d never know from the horrendously lame gag at the end of the trailer or the often ugly CGI animation that ruins the beautiful 2-D (black and white, too!) of the early Tezuka cartoons as scene in the trailer. This appears to be another case of a studio adapting a property and missing what made the original work.

astro_boy_movie_image

Read the rest of this entry »

  

Related Posts