The Unit: Season Four

“The Unit” focuses on a clandestine group of highly-trained soldiers as they execute military missions all around the world. Those that gave the show a try in its first season might want to take another look. “The Unit” struggled early on to find a balance between the intense and compelling military missions (that made male viewers happy) and the sometimes mundane home-front storylines (that kept the female viewers happy). Over its last two or three seasons, the missions have been its focus, and the series has thrived because of it. Season Four is no different.

The soldiers’ families are still a big part of the season-long storyline, but now those families are peripherally to heavily involved in the soldiers’ actual missions. The season starts off with a bang when someone tries to execute the President, Vice President, President-Elect and Vice President-Elect at the same time. The unit is tasked with investigating this conspiracy and bringing the wrongdoers to justice. Since this mission is executed in country, the soldiers’ wives and families become involved.

While the writers didn’t know until the very end that the show would be canceled, they did a pretty nice job of wrapping up several series-long storylines. For example, in the two-part episode, “Into Hell,” Col. Ryan (Robert Patrick) has to answer for having affair with one of his subordinate’s wives. Also, the team leader, Jonas (Dennis Haysbert), sees his marriage falls apart as he faces his own future (and mortality) with the unit.

Special features include a few deleted scenes and three featurettes. “Into Hell: A Brotherhood Divided” focuses on the aforementioned two-episode finale to the Col. Ryan affair story arc. “Shadow Riders: A Western Come Undone” reveals how the show used the California desert as an Afghanistan-like backdrop. And “Snake Doctor: A Leader Among Us” follows Dennis Haysbert as he directs an episode.

During its last two or three seasons, “The Unit” was one of the best shows on television, and the 22-episode Season Four provides a satisfying ending to the series run.

Click here to buy “The Unit: Season Four”

  

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TCA Tour: “Lie to Me”

“Lie to Me” is a series which I would’ve watched a heck of a lot more if it hadn’t always been up against a series that I already had an existing addiction to, but every episode that I did see was enjoyable, so I’ve already got my order in for a copy of the Season 1 set, so that I can be properly prepped for Season 2. There’s also another really good reason to be ready for the show’s sophomore outing: they’ve added Shawn Ryan – a.k.a. the man behind “The Shield” – to the series’ production team.

How did such a thing come to pass? In a nutshell, Samuel Baum asked him to join, and although the two hadn’t really known each other, Ryan was swayed both by a sudden opening in his schedule and the company Baum was keeping.

“I came out and helped out a little bit on the last couple episodes as a favor to the studio,” explained Ryan. “I didn’t really know Sam, but I had a couple of my old ‘Shield’ writers who were over there, and I thought, ‘Well, that will be cool.’ I enjoyed it: I got to meet Tim and the rest of the cast, I dug the show. ‘The Unit’ was unceremoniously dumped by CBS, so I suddenly found myself with a little time, and I thought I could bring something to the show. It was something that excited me. You see the actors here: it’s an incredible cast, and I just want to get to know these characters better. And believe me, there’s enough work on a TV show for both Sam and I. So it really is a very cooperative, very friendly relationship. There was no “All About Eve” sort of situation here. There’s plenty for both of us do. In terms of what I think I might bring to it, I think I’m trying to push it a little bit more in a character direction, add a little bit of adrenaline to the show, but really sort of dig deep.”

So by “adrenaline,” are we talking more explosions, or what?

“No, no, I don’t mean that exactly,” Ryan said. ” Listen, the show is ultimately based on a group of scientists. And Mekhi (Phifer) plays a character who is not a scientist. But the fact is they are people who are diving into the middle of charge cases and accusing people of being liars. That can lead to consequences. So I don’t mean adrenaline in a ‘Shield’ sense or a ’24’ sense, but they are going to put themselves in some emotionally and physically harrowing situations at times. And I think the pace of the show will increase slightly. And we have a lot of story to tell, and I just think there’s some juice that can be added to the show in a fun way.”

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Ausiello keeps track of the bubble shows

EW.com’s Michael Ausiello is tuned into the world of television, and his information can usually be trusted. He has an article devoted to the current status of all the shows (renewed, cancelled, on the bubble, etc.) and suggests that readers bookmark it. Here are his thoughts on a few of the shows currently on the bubble.

Scrubs: Prospects brightening.
The Unusuals: A long shot.
Eleventh Hour: Could go either way. Now a long shot. Hearing the crew is looking for other work.
The Unit: A long shot. Now hearing it’s a goner.
Dollhouse: Could go either way. Now hearing it’s a long shot.
Fringe: Sure thing.
Terminator: The Sarah Connor Chronicles: A long shot.
Chuck: Could go either way.
Life: A long shot. Now hearing it’s a goner.
Medium: Safe bet.
My Name is Earl: Could go either way. Fox may rescue it if NBC passes.
Southland: Sure thing.
Privileged: Prospects brightening.
Reaper: It’s a goner.

I’m bummed to hear that the news on “The Unit” isn’t getting better. CBS invited Shawn Ryan to pitch story ideas for another season, and the show has been pretty great the last two years. It’s good to see that “Fringe” is considered a sure thing — I hadn’t heard much about how well it was doing ratings-wise this season. “Southland” continues to get good reviews. I don’t know that the world needs another cop show. My tastes are pretty particular after watching great shows like “NYPD Blue,” “The Shield” and “The Wire,” so I haven’t watched it, but if I keep hearing good things, I may dive in this summer when there isn’t much else on.

If you don’t see your favorite show on this list, be sure to check this link for the latest info. I’d like to see Ausiello tackle some of the basic and pay cable shows on FX, TNT, TBS, USA, HBO and Showtime, but this page only covers the major networks.

  

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Currently on the Bubble: Half the Reasons I Watch Network TV.

Have you noticed an intoxicating scent of fear and desperation in the air recently? When you catch that scent wafting in from the general direction Hollywood, you know we’ve reached the time when the networks have begun to look very, very seriously at their schedules in order to determine which of the shows that haven’t yet earned pick-up notices for their next season actually deserve those notices. This year, the stench is particularly strong, what with the combination of Jay Leno’s new M-F 10 PM show killing five perfectly good spots for hourlong drama on NBC, the general economic situation, and the American public still not really having much of an interest in watching anything original. Keeping in mind, of course, that when I say “the American public,” I’m not talking about you

“No, Mum, they haven’t officially canceled ‘Eleventh Hour’ yet. I’ll keep you posted, though, shall I?”

Nellie Andreeva at the Hollywood Reporter has put together a piece where she gives a rundown of what shows are still waiting to find out if they’re going to get a pink slip or a terse note saying, “Yeah, yeah, you’ve got another season, now get your ass back to work,” while Hercules over at Ain’t It Cool News has taken the work out of it for you and simply offered up three succinct lists: Likely To Return, Unlikely to Return, and 50/50.

Taking the “Likely to Return” list – “Ghost Whisperer,” “How I Met Your Mother,” “Law & Order,” “Numb3rs,” “Southland,” and “Ugly Betty” – out of discussion for the moment, I don’t mind telling you that, between the other two lists, it’s highly depressing to see about half of my TiVo Season Passes get cited. (Not mentioned in the Hollywood Reporter piece is “Kings,” but I agree with Herc that it’s probably been left out because its permanent vacation at the end of its Saturday night death slot run is considered a given.) Regular Premium Hollywood readers will already know that our man John Paulsen has been covering the death knell of several of these shows and established his feelings on what he’d be bummed to see depart, but here are the five shows – one per network, so as not to be greedy – that I’d most like to see earn a reprieve from cancellation:

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