Belated box office wrap-up: “The Rite” leads devilishly dull weekend as “The King’s Speech” fails to rise above it’s indie station

One benefit of waiting until Monday night to write up the weekend’s results is that the Box Office Mojo results I have are not estimates but “actuals.” It’s nice not to have to stick in the word “estimated” before every number for a change but, I fear, that’s about the most exciting news I have to report today.

As predicted back on Thursday night, the PG-13 exercise in exorcist hi-jinks, “The Rite,” lead the weekend and gave Warner Brothers #1 bragging rights. It was not the prettiest victory, however. With roughly $13.8 million in grosses, it was either at the low end or even slightly below the numbers that were trumpeted before, with some estimates going up to $20 million. Also,of course, in actual business terms being #1 is pretty meaningless except for the next weekend’s advertising.

Ashton Kutcher and Lake Bell in The #2 movie was last week’s topper from Paramount, “No Strings Attached.” It earned $13.4 million, falling a significantly better than average 31.8% in its second week, indicating good worth of mouth. (Which, since I kind of hated the movie, kind of annoys me. Why are you people saying good things about it?) The attempt at raunchy but adult romantic comedy will be breaking $40 million total by tomorrow, which is pretty decent considering that veteran director Ivan Reitman kept the budget to a modest $25 million.

The Mechanic,” which I’ve been covering here and at our sister site, performed not-horribly for the revived CBS Films with $11.4 million and change. It’s very reasonable budget for an action film, $40 million, means that it’s another modest success for star Jason Statham. I nevertheless agree with Bullz-Eye reviewer David Medsker that Statham deserves better. The original 1971 version of the film also deserved better, though even I have a hard time arguing that an action-inflected meditation on the nature of modern day evil like the original would do any better. Still, I wish they had cut the budget by half and kept it closer to the blunt spirit of that film or, failing that, increased it by one-third and just made a silly action-movie that was fun. Instead, it’s kind of a neither fish-nor-fowl situation.

The King’s Speech,” which expanded significantly in terms of theater count this weekend, failed to generate the surprise some said might be in the offing. It did pretty much exactly the kind of solid and stately business one would expect from a figurehead and came in at a very solid and respectable $11 million or so. It was in 5th place just barely behind “The Green Hornet” which, at about $78 million so far, still has a ways to go to match its $120 million budget.

Jay Chou and Seth Rogen in

clomid, synthroid, zithromax, accutane, celebrex
  

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Box office preview: Will the devilish hijinks of “The Rite” defeat both a king and a mechanic?

I’m going to be brief tonight, but don’t confuse my brevity with lack of interest. The results this weekend will be modest but may be surprising.

Colin Firth and Helena Bonham Carter in
What’s intriguing this time around is that, at least according to Ben Fritz, there’s a small chance that the chart topper will be that top-nomination gathering Oscar contender from award-meister Harvey Weinstein’s house, “The King’s Speech.” Along with fellow awards contender “127 Hours,” it is expanding into hundreds of new theaters and will be in enough locations for a box office coup.  However, the more likely cash champion is the very non-acclaimed new supernatural horror thriller from Warner Brothers and starring Mr. Scary Face Anthony Hopkins, “The Rite.” The religious themed, PG-13 thriller is expected to earn something in between the “mid-teens” to $20 million according to both Fritz and THR’s Pamela McClintock, with Fritz being slightly more bullish.

The other major new release, “The Mechanic” from CBS Films, is expected to do less well despite actually getting significantly better reviews than “The Rite.” I’ve been covering it here and had fun at its junket, but I have to say I find the R-rated action-heavy hitman thriller a pale reflection of the 1971 original. It wasn’t precisely a great film, exactly, but its honesty about the evil of its protagonists makes for oddly hypnotic viewing. The new version, however, has got two strong leads in Jason Statham and Ben Foster and that, plus some heavy-duty action, will apparently be enough to earn it as much as $10 million, say the gurus.  It really looks like this is one weekend where blockbusters really aren’t dominating at the box office.

Jason Statham and Ben Foster in

  

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