“The Master” is getting a ton of buzz. It has a phenomenal cast with Philip Seymour Hoffman and Joaquin Phoenix, and director Paul Thomas Anderson is the new darling of Hollywood. As you can see from the photo is has a very cool movie poster as well, so you can see people grabbing movie poster frames to showcase this poster on their walls.
The critics love the film as well, as you can see from the 85% rating from Rotten Tomatoes. Yet the audience rating is only 62%, so this is one of those films that impresses the critics with its artistic achievement but doesn’t entertain as many fans.
Perhaps the film is misunderstood by some, but after having seen it, it strikes me as grossly overrated. Frankly the film is boring as hell. The acting is superb, particularly the performance of Joaquin Phoenix, but Philip Seymour Hoffman‘s talent is wasted here. His character, Lancaster Dodd, is supposed to be the master, yet his appeal as a cult leader isn’t convincing. It’s not because Hoffman can’t pull off the role. It’s just that Anderson gives him absolutely nothing interesting to say. It’s all gibberish, and thus the entire premise of the film falls apart.
You have to see it for yourself to make up your mind, but I suggest you save your self the money. Save your money on the poster as well. Perhaps you can watch the film later on HBO. At least you won’t feel like you got ripped off.
I thought I’d shock everyone and do a post that’s not built around a trailer — there’ll be time enough for that on the weekend.
* Tom Cruise may or may not be many things, but I’ve never really thought of him as a rocker. Yet, that’s exactly what he will be in the promised film version of “Rock of Ages.” I’ve long had mixed feelings about Cruise as an actor — he can be very good in some things and disastrous in others — and I have mixed feelings about this project, too. To be specific, I like good movie musicals but strongly dislike eighties hair bands and what some of us used to call “corporate rock.”
On the other hand, Mike Fleming touts Anne Hathaway, who I have few or no mixed feelings about, as a possible costar. I wonder what she’d look like as a glam rocker…
* A star has been set — or at least gotten to the serious negotiation stage — for the long discussed “Jack the Giant Killer” coming from Bryan Singer and his old screenwriting cohort, Christopher McQuarrie, writes Mike Fleming. He’s that kid who was so great in 2002’s “About a Boy” grown-up into 20-something Nicolas Hoult. Hoult has also appeared on the UK “Skins” and will be turning up in the upcoming “Mad Max” reboot/sequel or whatever.
Mike Fleming, however, is not correct when he describes the tale as a “scary” variation on “Jack and the Beanstalk.” It’s an entirely different, far less commonly told, fairy tale. As Wikipedia tells us:
Jack the Giant Killer is a British fairy tale about a plucky Cornish lad who slays a number of giants during King Arthur’s reign. The tale is characterized by violence, gore, and blood-letting.
No wonder they’re making a movie of it.
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No promises we’ll have a Friday news dump this week, so you’d better enjoy this edition…
* Well, the big news tonight is most definitely the reorganization going over at the Warner Brothers megastudio. As far as I’m able to suss out, what this amounts to is a consolidation of power for CEO Jeff Bewkes. Reading Nikki Finke‘s current summary of the situation is a bit like reading a Television Without Pity post for a very complicated soap opera you’ve never seen, but Anne Thompson keeps it much, much simpler. On his way out exec Alan Horn is a good guy who Thompson believes was simply superfluous. Another case of a nice guy finishing last?
However, Nikki Finke does allude to a very crucial part of the Warners empire, and that’s DC Comics now being headed by the Warners minded and Finke approved Diane Nelson. As it happens, my deep, deep connections in the comics biz were e-mailing me news earlier today — which I was somewhat aware of but failed to properly cover earlier in the week — of an onging reorganization going on over there which certainly ties into the ongoing attempts at Warners to become more aggressive regarding comics adaptations along the lines of what Marvel Entertainment has been doing for some time — and also to try and avoid more flops like “Jonah Hex.”
There was even talk some talk of DC becoming entirely a West Coast operation, but that would be a major breach of publishing industry tradition with some actual problems involved and, in any case, thanks to FedEx and the ‘net, freelancers can live where they want now. Heidi MacDonald’s great comics blog The Beat has been covering this end of the story and you read about some of what’s going on here.
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