You know when Chi McBride is at one of Fox’s TCA parties because you can smell him. Not him personally, but, rather, his omnipresent cigars. When he was at the tour in the summer of 2009 to preview the network’s then-upcoming series, “Human Target,” I ran into him smoking a stogie with Ron Perlman of “Sons of Anarchy.” The scent stuck with me, so when I stepped into the Fox party at the winter tour and caught a whiff of cigar smoke, I immediately followed it to its source and soon sat down for…
Chi McBride: How are you?
Bullz-Eye: I’m good. I hope you saved one of those for Ron Perlman. I remember last time around…
CM: Yeah, you know what, I’ve got a couple with me, so… (Trails off) Is Perl here?
BE: He’s supposed to be.
CM: When he gets here, I’ll make sure he gets one. (Grins and puts his cigar case back in his pocket)
BE: Well, last tour, I talked to Darryl Bell.
CM: Did you?
BE: Yep. We were talking about “Homeboys in Outer Space,” and he said you had a chat with him after you had gone through “The Secret Diary of Desmond Pfeiffer.” He said you just told him, “Look, everyone who is criticizing what you’re doing would take your job from you in two seconds. This is one blip on both of our careers, and we are moving on.”
CM: That’s the way I looked at it, you know what I mean? I knew what I was doing, and I knew what I wasn’t doing, you know? People had to say whatever they had to say about it. You know, everybody thought my career was over but me. I said something that my old, wise aunt always told me: “Boy, this, too, shall pass.”
BE: So how did “Human Target” come on to your radar? Was it pitched to you?
CM: Well, what happened was… (Hesitates) You know, what’s funny about it is, it was the first thing I read during pilot season. But, you know, it was the first thing that I read, and what happened was, there wasn’t anything in it for me. Winston was this British character, and the guy was kind of a nervous Nelly kind of guy. So I told my agent, I said, “Listen, there is nothing in this for me, but if somebody does it right, this could be a good show for somebody. Good luck to them.” And, you know, as time progresses during the pilot season, people’s names get bandied about on all different kinds of projects. And I started hearing that people wanted to talk to me about a variety of things. So one of the meetings that I took was with Jon Steinberg and Peter Johnson, the producer and creator of “Human Target.” So we met and we talked about it, and I said, “Well, I’ve got to tell you: there doesn’t really seem like there is going to be a lot to do for me in this, so I don’t know that I’m that interested. And as far as the British accent…I mean, I can do it, but it just seems to be that for the sake of it.” And he agreed. And I told him, “You know, the way I would want to approach it is that I was a guy who was ex-law enforcement, you know, and there is something about my past on the force that I got into this business.” But I didn’t want to, as an actor, be stuck behind a desk. But I wanted the character to feel like this was his chance to be stuck behind a desk with a nice cushy job, getting plenty of money…and that’s good. And that he would end up going out in the field in a sort of “just when I thought I was out, they pull me back in” kind of thing. And that’s the attitude that Winston has toward going out in the field, but he goes out there and he definitely shows his skill set. You know, the thing about Winston that you’re going to learn is that his temperament is not what it seems. He’s a guy who doesn’t have an off switch. And that’s one of the other reasons why he wanted to get out of the chasing-guys-down business. So it’s going to be really interesting. And we agreed on all of these things, and they decided that they wanted us to work together. And you know, I’ve got a wonderful relationship with Warner Brothers Television, so they signed off on it, and here I am.