Another Saturday trailer: “The Green Hornet,” the gay panic edition

If there’s one recurring theme in Seth Rogen‘s career so far, is that he thinks that straight male friendships and straight male fears of being perceived or perceiving themselves as not so straight, not-that-there’s-anything-wrong-with-that, are hilarious. He’s right, of course, but anything can get a little old.

Fortunately, that’s not quite only the only arrow in the quiver of this latest trailer which provides us with more gadgetry, more of the very real martial arts skills of Taiwan’s Jay Chou, and a bit more of the apparent go-to-baddie of the next several years, Christoph Waltz. See what you think.

H/t Deadline where the schadenfreude brigade in comments has declared it horrible, horrible, horrible because Seth Rogen lacks abs of steel and because everything is horrible, horrible, horrible — because they said so. Not saying it’s going to be director Michel Gondry’s best, or even necessarily good, but I liked parts of this trailer a lot, particularly the gas gun gag right at the end. Also, I still think Rogen is funny, though that the internalized homophobia shtick feels forced.

  

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Trailer time: “The Green Hornet”

I’m taking a brief hiatus from my hiatus to present the first trailer for one of the most widely discussed upcoming films on the ‘net. First impression: no surprise that Seth Rogen and Michel Gondry’s “The Green Hornet” appears to be another slacker superhero flick, but take a look for yourself.

The performances from Rogen and highly skilled costar Jay Chou look reasonably okay. (You probably also noticed that we get a very brief look at Tom Wilkinson, Cameron Diaz, and villain Christoph Waltz, who I’m sure will be fun.) Still, I can’t get over my vague disappointment that it’s not a period piece, even though I probably already knew that it wasn’t and forgot.

Even though the sixties TV show was set in the same out-of-time contemporary time period as the “Batman” TV show, I’ll always associate the Green Hornet with the thirties and forties, the era in which the original radio show was made and set. There’s just something very old fashioned about the entire character and concept — Britt Reid is actually supposed to be the great nephew of the Lone Ranger, which was created by the same team of writers — but since I’m one of the very few people whose ever even listened to more than one classic-era radio broadcast of any sort, I don’t imagine that will be a commercial problem. There may be others, however.

H/t Pajiba.

  

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