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NBC: What’s New for Fall 2010

MONDAY

The Event (Mon., Sept. 20 @ 9:00 PM, NBC)

* The competition: “Dancing with the Stars” (ABC), “Two and a Half Men” and “Mike & Molly” (CBS), “Lone Star” (Fox), “Gossip Girl” (The CW)

Starring: Jason Ritter, Sarah Roemer, Blair Underwood, Laura Innes, Scott Patterson, Ian Anthony Dale, Zeljko Ivanek

Producers: Steve Stark (“Medium”), Evan Katz (“24”), Nick Wauters (“The 4400,” “Eureka”), Jeffrey Reiner (“Friday Night Lights,” “Trauma”)

Network’s Description: an emotional, high-octane conspiracy thriller that follows Sean Walker, an Everyman who investigates the mysterious disappearance of his fiancée, Leila, and unwittingly begins to expose the biggest cover-up in U.S. history. Sean’s quest will send ripples through the lives of an eclectic band of strangers, including: newly elected U.S. President Martinez; Sophia, who is the leader of a mysterious group of detainees; and Sean’s shadowy father-in-law. Their futures are on a collision course in a global conspiracy that could ultimately change the fate of mankind.

The Buzz: NBC ain’t playing around with this one: the big question of the summer for TV fans has been, “What is ‘The Event’?” Most of those who’ve seen the pilot seem to at least be hooked enough to come back for Episode 2, though I’m sure no one is counting on finding out what ‘The Event’ is anytime soon. On a related note, there’s some very reasonable concern from folks about whether they’re going to be let down by a promising sci-fi pilot that starts strong but then either peters out early in the season or never gets properly resolved before it’s canceled. (“FlashForward,” anyone?)

Pilot Highlight: There are several moments which will have you raising your eyebrows both at what you’re seeing and what it means, particularly the final scene, but the most effective sequence begins when Sean – who’s on a cruise with Leila – returns from a solo outing to find things aren’t quite the same as he left them.

Bottom Line: The rapid-fire back and forth between past and present combined with people getting the sensation that NBC’s trying for the next “Lost” is going to make it a tough sell for some, but, damn, the first episode sure intrigued the hell out of me.

Chase (Mon., Sept. 20 @ 10:00 PM, NBC)

* The competition: “Hawaii Five-0” (CBS), “Castle” (ABC)

Starring: Kelli Giddish, Cole Hauser, Amaury Nolasco, Rose Rollins, Jesse Metcalfe

Producers: Jerry Bruckheimer (“CSI”), Jonathan Littman and Jennifer Johnson (“Cold Case”), KristieAnne Reed (“The Forgotten,” “Miami Medical”)

Network’s Description: a fast-paced drama that drops viewers smack into the middle of a game of cat-and-mouse as a team of U.S. marshals hunts down America’s most dangerous fugitives. U.S. Marshal Annie Frost is a cowboy boot-wearing deputy whose sharp mind and unique Texas upbringing help her track down the violent criminals on the run. The members of Frost’s elite team are Jimmy Godfrey, an East Texas kid who never grew up and is a true American cowboy; Marco Martinez, a good intelligence guy who loves to talk; and Daisy Ogbaa, a weapons/tactical specialist and a woman of few words. Rounding out the cast is Luke Watson, the fresh-faced newcomer, whose Washington, D.C., upbringing did little to prepare him for the Lone Star State.

The Buzz: It ain’t great. For one thing, Bruckerheimer was nowhere to be seen at the panel for the series (he was apparently on the set of the new “Pirates of the Caribbean” movie, but he somehow managed to make it in for ABC’s panel for “The Whole Truth” a couple of days later), and then the panel itself was notably shorter than the ones for some of the other new entries on the NBC schedule. Maybe we shouldn’t make too much of either of these things, though. It’s more likely that it’s just a case where the show was too pedestrian to inspire much in the way of unique promotion.

Pilot Highlight: Nothing, really, and I can’t help but recall that I had this same problem with one of NBC’s pilots last year, too. (Would you please rise from the grave and take a final bow, “Mercy”?) Sometimes, a show arrives, follows its formula, and departs without leaving much of an impression. “Chase” is one of those shows.

Bottom Line: Don’t let the Bruckheimer name suck you in this time. “Chase” is the most by-the-book, formulaic cops-and-robbers drama I’ve seen in awhile, with no “hook” to make it stand out from the pack. If “Hawaii Five-0″ doesn’t blow it out of the water, then I’ll have to echo Alex O’Loughlin’s sentiments and concede that I’m completely bewildered and have no idea how television works at all.

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More movie news and stuff

Cannes is in full swing and there’s plenty other stuff going on besides — way too much to cover completely. So, consider this just me hitting a very few of the highlights of the film world right this moment.

* The critical wars are going full strength at Cannes with the biggest love-it/hate-it proposition appearing to be Alejandro González Iñárritu’s “Biutiful.” I haven’t seen the film, of course, but Iñárritu is most definitely my least favorite of “the three amigos” of Mexican/Spanish/U.S. cinema. (The other two being Alfonso Cuarón and Guillermo del Toro) and not only because his name is the most impossible to type. I mostly liked “Amores Perros” but his “21 Grams” and “Babel” struck me as exercises in touchy-feely realism that was a lot less real than it seemed to fancy itself.

biutiful-inniratu

Still, he’s working with different writers now and everyone seems to agree that the always great Javier Bardem is especially fine in it, so I suppose I should keep an open mind. Still, reading about the film, it’s hard not to side with the anti-faction when much of the commentary echoes my feelings about past films and when the pro-side is being taken by Jeffrey Welles, who really doesn’t seem to respond well when other people don’t love his favorite films. It’s a conspiracy, I tells ya!

In any case, David Hudson does his usual amazing job summarizing the critical reaction from a wide swath of the press; John Horn at the L.A. Times focuses on the reactions of big name critics.

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An audience with the “Iron Man 2″ crowd

So, a couple of weeks back, a volcano went off in Iceland. That meant that planes in Europe couldn’t fly for several days, which meant that suddenly a London press junket was canceled and rescheduled in Los Angeles, which meant that, one recent Thursday night, I wound up seeing “Iron Man 2” at the AMC Theater in Century City instead of “A Star is Born” at Grauman’s Chinese for the TCM Classic Film Festival. (The world is getting much smaller…)

Moreover, thanks to the volcano, the next morning, instead of my Crunchy Raisin Bran and 1% milk, I was instead being buttered up by with French toast and applewood-smoked bacon buffet at the Four Seasons, a free Iron Man action figure, and a theoretical chance to ask a question of the all-star cast of “Iron Man 2″ — i.e., Robert Downey, Jr., Gwyneth Paltrow, Scarlett Johansson, Don Cheadle,and soon to be super-villain of the year Mickey Rourke — not to mention director/co-star Jon Favreau, writer Justin Thoreaux, and producer Kevin Feige.

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Of course, considering the 150 or so people in the room, I wasn’t surprised that I didn’t get to ask any questions, but it was a pretty entertaining event. Robert Downey may have famously given up a number of vices, but being a perpetual class clown does not seem to be one of them, and it wasn’t like he was the only interesting person in the room.

The first question, about whether Favreau or he felt any pressure in terms of living up to the success of the first “Iron Man,” set the tone. Favreau admitted he had never been involved with a sequel before, unless you count his “under five” bit part as “Assistant” in Joel Schumacher’s notorious “Batman Forever.” It certainly is a change from small independent films like Favreau’s career-making acting and writing debut, “Swingers,” which he compared to throwing a party and hoping people would come.

“…[On 'Iron Man 2'] we knew that people were going to show up,” Favreau said. “We just wanted to make sure that everyone who showed up had a good time and that this was going to be as fun or more fun than the last party. So it’s a different kind of pressure.”

Downey then felt the need to start listing sequels others on the panel had been involved in, real and fictional. “Scarlet Johansson was in ‘Home Alone 3.’ Don Cheadle, 11, 12 and 13.”

That led to a question that was geeky in a way that anyone whose ever been a superhero comics fan will recognize, and which wound up being answered by producer Kevin Feige. It was about the “time-line” of the film. It turns out that, if viewers pay close attention, they can figure out that “Iron Man 2″ actually takes place before 2008′s “The Incredible Hulk.” (Having seen both movies, I have no freakin’ clue how you’d deduce that.)

The Incredible Hulk

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Weekend box office preview — how high will “Iron Man 2″ fly?

“Pretty high” is the obvious answer. As I write this, the first midnight shows are just finishing up the trailers on the East Coast, fanboys are queuing up in the Midwest, and their West Coast brethren are enjoying their pre-film burgers and Red Bull, but as far as everyone seems to be concerned, the sequel to the surprise “four quadrant” mega-blockbuster of 2008 is already a massive hit.  “Iron Man 2” has been booked into a record number of theaters, 4,380 according to Box Office Mojo.

Robert Downey Jr. in

Moreover, Nikki Finke is reporting that the film has already earned $132 million from 53 assorted countries where it has already opened. The summer solstice is more than six weeks away, but summer-time film madness is, we are informed, very much upon us. (Just btw, Anthony D’Alessandro offers a brief historical look at the outward creep of the summer movie season over the last couple of decades.)

So, the question remains, just how many millions will the second film about billionaire Tony Stark (Robert Downey, Jr.) fetch. Will it beat the record $158.4 million opening of “The Dark Knight” and crack $160 mill? Or, will it get a mere $140 million or so and send everyone to the immensely well appointed and hugely relative poor house? That seems to be the floor being offered up by the various gurus, including Ben Fritz of the L.A. Times‘ Company Town blog and THR’s jolly Carl DiOrio, who characteristically seems to be leaning slightly towards the possibility of a huge opening for Marvel and Paramount.

Nevertheless, there is a small dark cloud here and that’s the general perception, at least among us press types — who are, I remind you again, people too — that “Iron Man 2″ is, while not at all bad, also not as good as the first one. This is a rare case where I’ve actually seen the week’s big movie in advance myself and, quality wise, I’m seeing this one as a glass-half-empty. For me, the story simply fails to find a strong emotional connection between Tony Stark’s troubles and the various threats he’s facing. It all feels a bit vague and disconnected despite director Jon Favreau’s way with humor, mostly good acting, and some very decent action scenes.

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Trailer Time: “Iron Man 2″

I’ll be back shortly with a brief Oscar wrap-up, but first, this.

In case, like me, you missed it on last night’s awards, here’s the new trailer for “Iron Man 2.” Along with more of Mickey Rourke’s outrageous supervillain, we also get nice glimpses of other new cast members starting with Scarlett Johansson as a very special notary public, Don Cheadle  as “Rhodey” Rhodes/War Machine (I’m still curious what really happened with Terrence Howard), Sam Rockwell as some untrustworthy guy (not a new role for him), and Samuel L. Jackson as Nick Fury of S.H.I.E.L.D.

This one looks good. Rock on.

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“Iron Man 2″ trailer arrives just in time for Hanukkah

Also, just in time to distract us from all the year end awards buzz, “Avatar” and all the rest, the trailer all you fanboys have been waiting for. Enjoy.

It was a bit frantic for my taste, but not bad. Downey’s cocky; Mickey Rourke is scary; Gwenyth Paltrow is adorable; Gary Shandling is pompous and funny; and Don Cheadle doesn’t look all that much like Terrence Howard, does he? What do you think?

P.S. Here’s the direct link to the trailer at Apple.com.

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