Winter 2011 TCA Press Tour: Top 10 Quotes from Day 7

American Idol

1. Q: Are you going to have to put Steve on a five second delay on (‘American Idol’)?
Steven Tyler: Fuck, no. (Pauses) I question whether I should have done that just now.

2. Q: So how does it feel to be a Latina on (‘American Idol’)?
Jennifer Lopez: I don’t know how it would feel to be anything else.

3. “Having done ‘The Shield’ and ‘The Chicago Code,’ I’d feel much more comfortable being pulled over by the Chicago PD than the LAPD at this point.” – Shawn Ryan, “The Chicago Code”

4. Q: Can you talk about how you find the voices for new characters like this? Do you work with the producers and they say, “We kind of want this sound,” or do you look at the character sketch and say, “Hey”? How does that work?
Eugene Mirman: We went on a year long walkabout, and then it came to us.
Kristen Schaal: Trying to go get in touch with our, like, spirit animals. Like mine’s a tiger, and I studied tigers for a year.
Eugene Mirman: That doesn’t answer your question at all. We played around in the studio over a period of probably year and a half or two recording and rerecording stuff for this pilot, and sort of, with both us and direction from Loren and FOX, sort of, I think, found the tone and voice, but also I have a spirit animal too.
Kristen Schaal: What is it?
Eugene Mirman: I’m not telling anybody. No one cares.
Kristen Schaal: Sounds like a turtle.
Eugene Mirman: It’s a “minx,” if that’s an animal.

Eugene Mirman and Kristen Schaal, “Bob’s Burgers”

Bob's Burgers

5. Q: For the showrunners (of ‘Terra Nova’), I have a time-paradox question.
Brannon Braga: Oh, dear God.
Q: Aren’t the people who sent them back, who aren’t going back with them, worried about being fixed out of existence? And what exactly are they hoping to achieve by doctoring the past, and why are the people in the present not worried about being unmade by them?
Brannon Braga: I feel like we’re at a “Star Trek” convention.

6. Q: I have a question about the timeline (of ‘Terra Nova’). 85 million years ago, it seems to me 20 million years from then, there’s a giant asteroid that destroys all life on Earth?
Alex Graves: Yes. The series will not go 20 million years.
Brannon Braga: Let’s just say that they’re acutely aware of that fact and have a plan in mind.
Rene Echevarria: And they have 20 million years to effect that plan.

7. “I take the subway all the time, and when I go on, the first thing I do is I say, ‘Don’t everybody get up. It’s me. It’s Colonel Quaritch from ‘Avatar,’ but keep your seats,’ you know, because I really don’t want to be recognized by people.” – Stephen Lang, “Terra Nova”

Stephen Lang

8. “I had this idea where it was basically like…I’m pretty responsibile. I work hard at what I do, but I sometimes forget to return DVDs…back when you actually returned DVDs…or I forget to pay parking tickets. Then I realized that, if I just budgeted like $300 a year for the cost of being Bob, like a Bob Tax, that I wouldn’t beat myself up about it or whatever.” – Bob Fisher, “Traffic Light”

9. “(With ‘Lone Star,’) we made a show that we really loved, and we thought that the creators were very talented, and they made an excellent show. I think, for the most part, you guys really believed in the show and liked the show as well. And we put the show on, and not enough people showed up to watch it. And we were very disappointed in that. And it’s the reality of the business that we’re in. It’s intensely competitive. It’s always more competitive year after year. And you make the show — the best shows that you can. The truth is that it failed. It failed to meet the expectations that we had. It doesn’t mean that that we don’t like the show, that we don’t respect the people who made it. Kevin (Reilly) and I talk about this a lot. I’d much prefer to fail with a show that we’re creatively proud of than fail with a show that we’re — I guess ’embarrassed of’ would be one word — that we don’t believe in, that we don’t think has a level of originality and creativity.” – Peter Rice

10. Odette Yustman: I have a love interest (on ‘Breaking In’). I have a boyfriend named Dutch, who is played by the genius Michael Rosenbaum. He’s a supercool guy, and I think that they are going to try to bring him in more throughout the series, but he’s a very interesting fellow. He sells clean urine on eBay. Enough said.
Q: I’ve got to ask because I think this needs to be known: what on earth does anyone do with clean urine? Who would buy it?
Christian Slater: Drug testing.
Bret Harrison: To pass a drug test, yes.
Christian Slater: Drug testing. See, what you do is…well, we can really do a whole lecture here.

  

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TCA Press Tour, Summer 2010: Day 7

Day 7 of the TCA Press Tour technically began on Day 6: just as the ABC all-star party wrapped up, Fox hosted a cocktail party which doubled as an early check-in for their day of the tour…and, better yet, it was hosted by Will Arnett and Keri Russell, the stars of one of Fox’s upcoming new sitcoms, “Running Wilde.”

You’ll get more details about the show in due time, since there was a “Running Wilde” panel as well, but for now, I’ll just mention that two other individuals affiliated with the show made unexpected appearances at the early check-in: executive producer / co-creator Jim Vallely and co-star Peter Serafinowicz.

I didn’t really get a chance to chat with Russell (she was pretty well surrounded from the moment she arrived), but I did talk to Arnett for a few minutes. Thanks to my wife, though, I ended up having a relatively lengthy conversation with Serafinowicz and Vallely. I knew I’d recognized Serafinowicz, and he quickly reminded me why: he had his own series in the UK, one which many YouTube clips reveal to be extremely hilarious. Indeed, he’s the one who told me I should check them out, particularly his Beatles-related parodies, of which he’s quite proud. No wonder he was cast to play Paul in Robert Zemeckis’s “Yellow Submarine” remake.

In a strange “small world” moment, I also learned that Jim Vallely is the father of Tannis Vallely, the actress who played Janice, the glasses-wearing, cello-playing prodigy on “Head of the Class.” She’s now on the casting side of the business, having worked on such films as “X-Men Origins: Wolverine,” “Indiana Jones and the Kingdom of the Crystal Skull,” “Oceans’ Thirteen,” and “It’s Complicated.” Eventually, my wife and I grew tired and retreated for the evening, but it would only be a few hours until we were back in the thick of it again, this time for the real beginning of Day 7.

Breakfast was brought to us by the casts of “Human Target” and “The Good Guys,” shows which, back in the days when the networks weren’t too cheap to spread their series across a two-day period, would’ve earned their own panels. Instead, we had to settle for chatting with them over bacon and eggs, bagels or donuts, and that sort of thing. In truth, the only person I really had the chance to speak with was Jackie Earle Haley on “Human Target,” and that was mostly because I feel like I kinda sorta know him (he’s friends with Bullz-Eye’s own Ross Ruediger and, as a result, has come to recognize me on sight as “Ross’s friend”), but as you can see, everyone was in the house from both series.

Soon enough, the actors headed out to start their own days, and having finished our breakfast, we took our seats and prepared for the first panel of the morning to begin.

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Greetings to the New Season: Fox

The network upfronts roll on, this time with the fine folks at Fox trotting out their new fall schedule and revealing which new series have been selected to accompany those series which have survived. As of this writing, there are no clips to accompany the descriptions of the new shows, but I’m led to understand that we’ll be getting those in due course, so…oh, wait, scratch that: they just arrived!

Well, with that being the case, you can read the descriptions and check out the clips of what Fox has for us for the upcoming season. Just be sure to let us know what you think about what they’re offering up! Oh, and before you ask, we didn’t forget to include a clip for the last series. They didn’t offer a clip for the last series…but, hell, I don’t even think they’ve cast it yet, so at least they’ve got a good excuse.

MONDAY

8 – 9 PM: HOUSE

9 – 10 PM: LONESTAR: a provocative soap set against the backdrop of big Texas oil, from Chris Keyser and Amy Lippman, the creators of “Party of Five”; Marc Webb, the director of “(500) Days of Summer”; and creator Kyle Killen. Robert / Bob Allen (newcomer James Wolk) is a charismatic and brilliant schemer who has meticulously constructed two lives in two different parts of Texas. He’s juggling two identities and two women in two very different worlds – all under one mountain of lies. As “Bob,” he lives in Houston and is married to Cat (Adrianne Palicki, “Friday Night Lights”), the beautiful daughter of Clint (Jon Voight, 24, “Midnight Cowboy”), the patriarch of an ultra-wealthy Texas oil family. More than 400 miles away in the suburban west Texas town of Midland, he’s “Robert,” living a second life with his sweet, naïve girlfriend, Lindsay (Eloise Mumford, “Mercy,” “Law & Order: SVU”). In Midland, he plays the perfect boyfriend while secretly bilking local investors of their savings. In Houston, he’s a devoted husband, charming Cat and her family to cement his position in the rich family business he aims to clean out. Bob has lived both lives successfully for years without arousing any suspicions…so far.

While one brother-in-law, Drew (Bryce Johnson, “Popular,” “The Mentalist”), admires Bob, his other brother-in-law, Trammell (Mark Deklin, “Nip/Tuck,” “Desperate Housewives”), is suspicious of his motives. Bob begins to fear his secret lives may unravel. With the cons closing in on him, Bob is divided by his love for two women; his loyalty to his father and mentor, John (David Keith, “An Officer and a Gentleman,” “The Class”); and his respect for his father-in-law, Clint. Now as he tries to hold his two lives together, while fending off angry investors and the suspicions of those around him, Bob puts it all on the line hoping he can beat the odds, leave the schemes behind and keep two separate relationships afloat.

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