Hidden Netflix Gems – House

Hidden Netflix Gems is a new feature designed to help readers answer that burning question, “What should I watch tonight?” It will be updated every Saturday before the sun goes down.

This is a film for hardcore fans of things like Tales from the Crypt, Stephen King novels, and the more horror-heavy pages of the classic Heavy Metal magazine. In fact, in many ways it is very much like a feature-length Tales from the Crypt episode, one that is especially heavy on the comic relief. Produced by Friday the 13th director Sean S. Cunningham and directed by Steve Miner, who helmed the first two sequels to that film, this is decidedly campy, deliciously cheesy and immensely satisfying B-movie fun.

Not to be confused with the 1977 Japanese cult movie of the same name, the 1986 film House (aka Ding Dong, You’re Dead, its original video release subtitle) stars William Katt as best-selling horror novelist Roger Cobb, a Vietnam vet who has been struggling with writing about his experiences in the war. One of his problems is that no one else seems particularly interested in this story, preferring he write another horror story instead, but more importantly, he is also dealing with the fact that his wife, popular TV actress Sandy Sinclair (Kay Lenz), has recently left him. Even more recently, his beloved Aunt Elizabeth (Susan French), committed suicide by hanging herself in her creepy old Victorian mansion, where Roger and Sandy’s young son Jimmy (played alternately by twins Erik and Mark Silver) disappeared some time ago. Roger inherits the house and decides to try and finish his new book there, in solitude, while also dealing with the demons of his past.

Of course, he doesn’t exactly find the solitude he’s looking for, due to a bumbling but well-intentioned neighbor named Harold Gorton (George Wendt), who provides much of the films comedy, and a series of strange monsters that seem to come from another dimension within the house, who provide the rest. Saying the monsters are more funny than scary is not a criticism of the film, however, as this is clearly intentional most of the time. Though the effects will look dated to viewers in the modern CGI era, they are quite well-done; they are not the nightmare creations of other films of the time like John Carpenter’s The Thing or David Cronenberg’s The Fly, but they stand up nicely alongside more silly films like Ghostbusters or Gremlins.

As it turns out, Roger’s preoccupation with his Vietnam memories is especially relevant to the literal demons he faces in the strange old house, and though the film takes some rather dead-end narrative turns along the way, its central story is pure pulp horror in the most classic sense. House is not a good horror film to watch if you want something genuinely frightening, but if you’re in the mood for tongue-in-cheek fun that only takes itself seriously enough to deliver a few cheap scares, it’s well worth a look.

  

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Trick ‘r Treat

Michael Dougherty probably never imagined his directorial debut would become a cult hit before it was even released. Then again, he probably didn’t expect so much trouble in actually getting it released, either. Originally planned to hit theaters in October 2007, “Trick ‘r Treat” spent the next two years sitting on the shelf collecting dust, all while the anticipation among horror fans continued to grow. The movie has finally been released on DVD in time for this year’s Halloween celebration, and though it’s not nearly as good as the hype suggests, it is one of the most original and entertaining horror films in years – and this coming from a relative non-fan of the genre.

An anthology film in the same vein as “Creepshow” and “Tales From the Crypt,” “Trick ‘r Treat” spins four tales about mischief and mayhem in a small Ohio town on Halloween night. Dylan Baker stars as a high school principal who moonlights as a serial killer; Anna Paquin plays a young virgin on the prowl for her perfect man; Brian Cox faces off against a murderous little demon that doesn’t approve of his disregard for Halloween traditions; and a group of teenage pranksters get a taste of their own medicine.

Combining creepy imagery with some really dark humor, all four stories work well individually (especially the ones starring Baker and Cox), but it’s the way in which they’re skillfully interwoven that makes it such a blast to watch. Maintaining a sense of chronology to the film by placing characters from some stories in the background of others, Dougherty does a fabulous job with keeping the audience interested throughout the film’s brisk 82-minute runtime – even if some stories are better than others. It’s just a shame the movie didn’t get the attention it deserved, because while horror fans are stuck watching the same shitty sequels and remakes year in and year out, “Trick ‘r Treat” is exactly the breath of fresh air that the genre desperately needed. It really makes you wonder how Warner Bros. dropped the ball on this one, because while “Trick ‘r Treat” isn’t quite an instant classic, it’s a film you won’t mind revisiting every Halloween.

Click to buy “Trick ‘r Treat”

  

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