“Sex and the City 2” insufficiently pleasured at the box office; the troll scores

Sarah Jessica Parker and Chris Noth in The long Memorial Day weekend is not quite half over but it doesn’t look like a barn-burner for anyone. Looking at the traditional three days which are used to cover the more competitive side of box office results, it’s looking like Carrie Bradshaw and the other women of “Sex and the City 2” have been stood up by a significant share of the expected audience, leaving “Shrek Forever After” the box office leader.

The $60 million guessed at for the entire “five day frame” by jolly Carl DiOrio on Thursday may still be possible” but it’s start to look like it’ll be lucky to hit even that modest number. (The first film in the series earned $57 million in its initial three-day frame.) In any case,everyone really did seem to expect the film to hit #1 and that certainly doesn’t seem to be the case. The present weekend estimate for Warners’ “Sex” according to Box Office Mojo is $32.125 million while the final Shrek film took in $43.345 million.

The pleasant surprise for Dreamworks/Paramount here is that their animated comedy about the world famous fairy tale troll experienced a better than average 38% percent drop from it’s opening — which was a big let down compared to previous films at just under $71 million, but far from disastrous. This may be more evidence that telling a decent story actually counts for something.

Shrek Forever After

The consensus on this “Shrek” is that it’s nothing great (Mike Fleming termed the reviews “mediogre” <yuck, yuck>), but a relatively decent ending to the series with some considering it one of the better entries in the four picture series, so word-of-mouth may be giving it a small boost. There’s also the factor of it in being in nearly a thousand more theaters than the other films and many of those being 3-D with higher ticket prices. The public may be starting to tire of those prices, but enough of them appear to still be willing to pay the added freight to keep the troll on top.

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It’s your barely pre-Memorial Day weekend end of week movie news dump (updated)

And that’s only “pre” on the West coast. Anyhow, thing are going to get a lot less verbose from me over the next few days and I’m in a relatively laconic mood tonight, so enjoy the relative brevity to come.

*  “The Hobbit” remains in suspended animation because of MGM’s fiscal limbo, says Guillermo del Toro. Anne Thompson has some added details on the possible future of MGM, such as it is.

Johnny Depp in * “Alice in Wonderland” just crossed the $1 billion mark. Mike Fleming speculates that this might might make Johnny Depp — say it like Dana Carvey’s impression of Mickey Rooney now — the biggest star in the wooorld. If true, the questionable virtues of playing it artistically safe look ever more questionable.

* Interviews with remarkable men: Michael Caine and an extremely funny George Romero in Vanity Fair plugging his new “Survival of the Dead” which is a very limited release right now. Definitely read the Romero whose zombies, we must repeat, never ate brains and, since everyone else is doing it anyway, is working on his own zombie novel. And, yeah, someone is working on “Night of the Living Dead” musical for Broadway, but Romero’s smart enough to stay off of that particular gravy train.

* I’ve never seen them, and they’re not available on DVD, but the autobiographical dramas by Terrence Davies, “Distant Voices, Still Lives” and “The Long Day Closes” have an incredible reputation among critics and others. Davies is coming back with an adaptation of a play by Terrence Rattigan, “The Deep Blue Sea.”  This will be the first movie adaptation of a play by the English writer since David Mamet’s perfectly swell — and, believe it or not G-rated — 1999 version of “The Winslow Boy.”

* “Lost Boys 3” starring the late Corey Feldman doing a Batman-style raspy voice. I don’t even begin to know what to think. [Update: I obviously made a mistake here last night. Mr. Feldman is still, I’m happy to say, very much with us. See comments.]

* He didn’t make many movies, but RIP Gary Coleman anyway. Be sure and check out Will Harris’s terrific remembrance a couple of posts below this one.

* Action-meister Luc Besson is letting members of the French-speaking public become “producers” of an upcoming movie. The first ten-thousand participants will have their names in the credits. Talk about film-making by committee.

* It’s TV but this is too close to home to ignore…the cast of the upcoming HBO TV show starring Diane Keaton and directed by Bill Condon which is not about Nikki Finke just keeps getting better. Recent additions include Ellen Page and Wes Bentley.

* As part of a lame maneuver to try and do and end-run around critics on behalf of what surely seems to be a lame movie, alleged actor Ashton Kutcher is claiming that he’ll pirate and release — all on his own of course — the first ten minutes of his upcoming and pretty lame looking “Killers.” Spare me. Truly.

* If you live in the movie capital, things tend to get a bit quiet over holiday weekends like Memorial Day. It can be kind of nice. Not like the beautiful short below by Ross Ching, but not completely removed from it either. Strangely enough given the impossibility of what’s being shown, this, by the way, is one of the closer depictions of how L.A. actually looks to a native like me.

Running on Empty from Ross Ching on Vimeo.

  

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The Scream Awards go down the rabbit hole (updated)

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There was a time in this world when young people were frequently slightly ashamed of being bigger than average fans of horror, science fiction, fantasy, and especially comic books. I, personally, wasn’t embarrassed …and I paid a price. Those days may be over. In any case, the capacity crowd that showed up for Spike TV’s Scream awards, largely in costume and largely dramatically over- or under-dressed for a nighttime outdoor show after a very warm day, seemed more like club kids and less like the kind of uber geeks who become entertainment bloggers and film critics and stuff like that.

The Scream Awards are, in their fun/silly way, a big deal. Big enough to attract a good number of stars and even a few superstars like Tobey Maguire, Jessica Alba, Morgan Freeman, Harrison Ford, Johnny Depp and his living legend “Pirates of the Caribbean” muse, Rolling Stone Keith Richard.

I, however, am not such a big deal and was reminded of that fact when, prior to the show I found myself with the less fashionable members of the not-quite paparazzi on the “red carpet” (actually a checkered walkway) with my little digital camera and even smaller digital recorder device, wondering whether I’d really get a chance to ask a question of one of the super-famed folks, knowing that the only question I could think of at the time would be something in the nature of “What’s it like be the most notorious rock and roll star in the world, having your blood changed, and snorting your late father’s ashes?” That probably would have been inappropriate, especially if I asked it of Jessica Alba.

What actually seems to happen at events like this is that, if you’re a small-timer especially, most of the big stars either go through another entrance or walk right by you at warp speed. Meanwhile, folks who are a bit more anxious to meet the press find their way to you with the help of PR types. As an example, for about half a second, I was almost able to talk with actor Karl Urban, who did such a great job homaging DeForest Kelly while putting his own hilarious stamp on “Bones” McCoy in “Star Trek.” However, within a nanosecond he remembered he was in a big hurry and politely scurried off.

After a few odd reality show people I didn’t recognize, and the pretty young actress who assays the part of “Female Addict” in “Saw VI,” our first actual notable was statuesque model turned actress Tricia Helfer. Helfer is, make no mistake, a true superstar to TV sci-fi fans and is best known as Number Six, aka “the hot blonde cylon” on “Battlestar Galactica.” The actress appeared with her significant other, the owner of a British accent and a Giaus Baltar-style beard, but I’m sure that’s a total coincidence. I had a not terribly consequential discussion with her — lost because I apparently forgot to press the “on” button on my digital recorder. One would expect no less an effect from Number Six. UPDATE: Yeesh! As pointed out by my PH compatriot John Paulsen, the actress was actually Kate Vernon, who played the lady-MacBeth-like Ellen Tigh. It is true, all statueseque blonde women in shiny dresses look alike to me! My apologies to all concerned or unconcerned.

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