Honest trailer of “Transformers” movies

This sums up the abomination of Micheal Bay movies better than anything I’ve seen, and it’s friggin hilarious!

Best line: “Megan Fox, who once again combines the looks of a professional porn star with the acting of an amateur porn star.”

Just awesome!

  

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Oh f*ck, it’s a foul-pixelled end of the week movie news dump

It’s been a personally rather stressful week in a good-news/bad-news kind of a way and Hollywood ain’t doin’ nothing to relax me. And so, we begin with a deep breath…

* The first half of “Harry Potter and the Deathly Hallows” will be in a mere 2D. Two dimensions were good enough for Rick Blaine, they’re good enough for Harry. Especially if they really were facing serious technical difficulties, smart move. No studio needs another “Clash of the Titans” fiasco.

* It’s pretty rare that I know for sure I want to see a movie just from simply knowing the topic, the star, and the director, but when it’s a biopic/docudrama about the great-but-homicidal Phil Specter, it’s being directed by David Mamet, and it’s starring Al Pacino, that’s when I know. (Here’s the original NYT post that broke the story, which gives a bit more background on Specter for you youngsters.)

* Classic film lover that I am, I also feel pretty good about “My Week with Marilyn” which has Michelle Williams as Marilyn Monroe, Dougray Scott as her beleaguered husband, playwright Arthur Miller, Kenneth Branagh (who else?) as Laurence Olivier, and Julia Ormond as Vivien Leigh (!) among others. And check out the pic of Ms. Williams/Monroe that’s been circulating all over the net today.

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Aren’t you glad I used that pictures instead of something of Phil “Mr. Fright Wit” Specter or Al Pacino?

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Weekend box office never sleeps, does it?

It’s certainly not resting this very busy weekend when the return of Mr. “Greed is Good” himself and a bunch of 3-D fantasy owls will battle for the #1 spot, with any number of other interesting things happening on the sidelines.

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The smart money seems to be pretty positive that “Wall Street: Money Never Sleeps” will earn in the neighborhood of $20 million and so may end up winning the weekend. At least that’s what I’m reading via jolly Carl DiOrio and the more circumspect Ben Fritz.

The audience for the latest from Oliver Stone skews fairly older, not only because it’s a topical thriller from the bombastic but literate Stone, but because it’s a sequel to a hit movie that is — shockingly for some of us — old enough that 24 year-old co-star Shia LaBeouf was barely a toddler when it first came out. That may help with the film’s longevity since older audiences tend to take their time seeing a new movie. Also, a bit of extra publicity from Gekko-man Michael Douglas‘s well-publicized upbeat battle with cancer might add to awareness over the long term. The reviews, which also have a somewhat stronger effect on older viewers, are only meh-to-okay with somewhat better response from more blue-state-centric “top critics.”

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Midweek movie news

No promises we’ll have a Friday news dump this week, so you’d better enjoy this edition…

* Well, the big news tonight is most definitely the reorganization going over at the Warner Brothers megastudio. As far as I’m able to suss out, what this amounts to is a consolidation of power for CEO Jeff Bewkes. Reading Nikki Finke‘s current summary of the situation is a bit like reading a Television Without Pity post for a very complicated soap opera you’ve never seen, but Anne Thompson keeps it much, much simpler. On his way out exec Alan Horn is a good guy who Thompson believes was simply superfluous. Another case of a nice guy finishing last?

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However, Nikki Finke does allude to a very crucial part of the Warners empire, and that’s DC Comics now being headed by the Warners minded and Finke approved Diane Nelson. As it happens, my deep, deep connections in the comics biz were e-mailing me news earlier today — which I was somewhat aware of but failed to properly cover earlier in the week — of an onging reorganization going on over there which certainly ties into the ongoing attempts at Warners to become more aggressive regarding comics adaptations along the lines of what Marvel Entertainment has been doing for some time — and also to try and avoid more flops like “Jonah Hex.”

There was even talk some talk of DC becoming entirely a West Coast operation, but that would be a major breach of publishing industry tradition with some actual problems involved and, in any case, thanks to FedEx and the ‘net, freelancers can live where they want now. Heidi MacDonald’s great comics blog The Beat has been covering this end of the story and you read about some of what’s going on here.

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Raimi & Spidey part company; Hanks to direct again with Roberts in tow; history repeats on “Thor”; an auteur departs; ASC, WGA, and ACE noms; Nikki Finke makes a friend

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My highly esteemed colleague Will Harris has been right on top of  the huge small screen stories that seem to be breaking right and left at the TCA conference this week. Still, it’s not like there hasn’t been any news in movieland. It’s almost hard to know where to start.

* The Hollywood Reporter as well as Nikki Finke and new stablemate Mike Fleming (more on that below) are carrying the news that, in the wake of ongoing script problems, the kibosh has been put on Sam Raimi’s “Spiderman IV” with Tobey Maguire and Kirsten Dunst and a 2012 reboot, written by James Vanderbilt (“Zodiac“) announced. The new film will feature a once-again teenage Peter Parker, so Taylor Lautner is no doubt already in touch with his agent.

THR says the script problems had something to do with a disagreement over supervillains between Raimi and Sony and/or Marvel Studios. Finke also notes that the fourth installment would probably not have been in 3-D and it seems reasonable that that might have been a factor, given the current mania for the process.

* In another apparent scoop for new Deadline team member Mike Fleming, Tom Hanks is returning as a writer-director for the second time since making his 1996 charmer, “That Thing You Do!” A comedy, “Larry Crowne” will reteam him with his “Charlie Wilson’s War” co-star, Julia Roberts. Like “Up in the Air,” according to Fleming it’s somewhat topical in that’s it’s about a middle-aged guy forced to reinvent his career at a time when past generations where just starting to settle down.

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While he’s at it, Fleming also has the word on Shia LaBeouf not going agentless after all and signing with CAA. Agents around the world can all breathe easier now.

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