“Resident Evil: Afterlife” reaps goodness at box office

It’s been a hard day and I’m going going to keep it short and sweet. And how sweet it is for the husband-and-wife team of star Milla Jovovich and director Paul W.S. Anderson. Aided by those premium ticket prices for 3D movies and — as pointed out by Nikki Finke — using footage actually shot in 3D, the film easily won the weekend as indicated earlier and sailed to a record gross for the action-horror franchise. Specifically, the estimate for the weekend was $27.7 million for Screen Gems/Sony according to Box Office Mojo. It’ll likely drop off in significantly next week, but the damage is already done.

Elsewhere, there wasn’t that much box office love going around on this traditionally weak weekend. “Takers” came in at #2 and showed some relative legs with $6.1 million, again for Screen Gems/Sony, which is having a decent month. Meanwhile, both of last week’s toppers suffered significant second week declines. “The American,” from Focus Features, really did seem to suffer from some poor word of mouth and netted only a bit under $5.9 million.

Last week’s silver medalist, “Machete,” with two sequels announced in its end credits, suffered the geek second week curse and dropped by over 63% netting only 4.2% million. On the other hand, after seeing the film myself this weekend I heard some highly informal Hollywood scuttlebutt indicating the budget was significantly lower than $20 million figure we’ve heard for the very funny, but awfully slack, straight-faced tongue-in-cheek homage. So, it’s still possible Danny Trejo as Machete may kill again, if so, I’m guessing Fox will keep him on a tight budget.

  

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Trailer time: Dumb knows no gender

I’m behind and quite busy and there’s really not anything all the compelling going on to my mind in terms of movie news. You know what that means…trailers, trailers, trailers all weekend long. And maybe a clip or a mash-up. The theme for this post: stupid.

Via Movieline, when you’re talking “Jackass: 3D” stupid is matter-of-factly the name of the game. I understand this movie fully exploits the gimmicky side of 3-D and I actually enjoy that stuff, though I don’t call it filmmaking. Nevertheless, being Mr. Squeamish, I’m not really up for fecal material and urine and God-knows-what-else they’re semi-literally likely to throw at me. That’s probably why I’ve never even seen the show on TV, much less plunked down money to watch at the local multiplex. On the other hand, I’ve got to admit that this trailer made me laugh and, as far as it goes, this would probably be a blast to watch in 3-D, especially after a beer or two.
Jackass 3D

Trailer Park Movies | MySpace Video

And now for something completely different, except in terms of gray cells. An apparent musical of sorts, “Burlesque” seems to borrow heavily from everything from “42nd Street” to “Flashdance” and with an emphasis on the sheer dumbness that made the latter movie work for millions and the combination of streetwise brass and complete naivete that still makes the Busby Berkeley classic tick along for movie geeks. Anne Thompson says I should never underestimate the savvy of Screen Gems “topper” (I prefer the term “prexy”) Clint Culpepper. When you’ve got Cher and Christina Aguilera being anchored by Stanley Tucci and Kristin Bell, she may be right. This movie looks as dumb as a doorstop to me, but we all know that in show business, dumb can be smart.

  

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If you’re looking for a surprise at the box office…

…I suggest you got to the front of your local multiplex, remove your pants, sing “La Cucaracha” at the top of your voice, and see what happens. You certainly won’t get anything too unexpected from the weekend’s movie grosses based on what I wrote Thursday night.

Avatar

According to Box Office Mojo , once again the 3-D science fiction fable that just won’t quit, “Avatar” continues to “hold” fabulously for Fox and is down only 14.1% from last weekend for a very nice total of $30 million in its seventh week atop the box office. Jolly Carl DiOrio reminds us, however, that while James Cameron‘s previous “Titanic” record is about to be demolished in terms of raw cash, that mega-blockbuster stayed on top of the box office for an astonishing 15 weekends. (I’m glad I wasn’t writing these back in 1997-8; I might have gone insane from the repetition.) Of course, all it takes to end the record is one really sizable new hit movie to make into the high twenties or low thirties. We’ll see.

For now, that sizable new hit remains a mere phantom. This week’s silver medalist is the thriller “Edge of Darkness, starring Mel Gibson” The film managed an estimated $17.12 million in 3,066 theaters for Warners, making for an unexciting per screen average of $5,584. This is not a terrible performance, but given the film’s $80 million budget, it ain’t great. Some of you (you know who you are) may recall that, when the space opera “Serenity” opened with about $10 million some years back, it was deemed a fairly major disappointment with a budget of less than half that much. Ol’ Sugar Tits and company are going to have to hold on very well at the box office in subsequent weeks if he wants this to be seen as anything resembling the start of an acting comeback.

Kristen Bell in
Speaking of movies related to great-but-canceled television shows with high geek appeal, what does it mean that, just as I was starting to write this post, the Dandy Warhols’ “We Used to Be Friends” came on the Coffee Bean & Tea Leaf’s Muzak? Yes, the theme to “Veronica Mars” put me in mind of the performance of the critically drubbed romantic comedy “When in Rome.” Still, the appeal of former TV teen detective Kristen Bell may have counted for enough to get the film a non-terrible estimated opening weekend of $12+ million for Disney, which might be enough, or not, depending on the budget.

There was some interesting blowback from prior weeks. Last week’s surprising situation where the killer-angel film “Legion” came in at a strong #2 with over $28 million, defeating the family appeal of Fox’s “The Tooth Fairy” was reversed this week. The PG-rated Dwayne Johnson comedy vehicle stayed in the #4 position and earned an estimated $10 million dropping a relatively very modest 28% in its second week. “Legion” from Screen Gems sank by a whopping 61.1% and came in at the #6 spot, beneath “The Book of Eli,” with only an estimated $6.8 million.

The only other news of much note is the strong performance of the slowly expanding country-music themed drama, “Crazy Heart” — featuring a multi-award-winning performance by Jeff Bridges that really seems like an Oscar lock. In 239 theaters as of this weekend, the film earned one of the weekend’s best per-screen averages ($9,414) for an estimated total of $2.25 million. That will be sweet, soulful music to the ears of the suits of Fox Searchlight.

1111045_CrazyHeart_scene_03

  

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Weekend box office: “Avatar” gets the double three-peat; “Legion” ascends to #2

Do I even need to tell you that “Avatar” once again topped the weekend box office? Well, I’m telling you anyway. I’m also adding that, as per the good people at Box Office Mojo, it suffered only a very modest 15.9% drop from last week and made a healthy estimated $36 million over this weekend, topping the box office for the sixth time running. Moreover, Jolly Carl DiOrio reports that, barring worldwide calamity of some sort, as of tomorrow, James Cameron‘s science fiction adventure looks to beat the record of his “Titanic” and be the number one worldwide moneymaker of all time.

Meanwhile, Nikki Finke, never anyone’s cheerleader, is quick to remind us that the film is actually only the 26th most popular film of all time when you adjust for inflated ticket prices, and I’m wondering if it’s possible to adjust for population growth over the century or so history of the movie business. Still, a buck’s a buck and there’s no taking away from James Cameron’s achievement in connecting in an intense and emotional way to the masses and getting them to part with not too small sums of money in fairly hard economic times.

We do have a bit of a surprise in the #2 spot. If you were here for the weekend preview, you’ll perhaps guess that  I am slightly surprised that the killer-angels movie, “Legion,” managed an estimated $18.2 million for Screen Gems with a very good per-screen average of $7,351 (it was on about a thousand fewer screens than most of the other top pictures). It managed this despite about zero buzz and some withering early responses. I guess young men just wanted to see a movie about buffed angels killing people and each other.

I just wonder if any religious types will take notice of it now. I simply have a hard time imaging a movie about kick-ass emissaries of God fighting each other and slaughtering people not offending someone, but that’s just me. On the other hand, Paul Bettany’s career as well as that of its first-time feature director Scott Stewart would seem to be newly blessed.

Following Warner Brothers’ “The Book of Eli,” which endured a fairly typical drop of 48.2% percent in its second week for an estimated $17 million, was the movie I pretty much expected to be in the #2 spot, “The Tooth Fairy.” The family-factor failed to come to the rescue for the PG-rated Dwayne Johnson comedy vehicle, which managed a fairly soft estimated $14.5 million. Considering it’s budget was $48 million as opposed to the $22 million for “Legion,” it has to be something of a disappointment for Fox.

Brendan Fraser and Harrison Ford in Still, that’s nothing compared to the drubbing the newly formed CBS Films took for the Brendan Fraser/Harrison Ford medical drama, “Extraordinary Measures.” A topical subject matter couldn’t erase the fuzziness pervading the film’s profile and came in at the #7 spot and made a matching $7 million in its first week. And here comes my obligatory medical metaphor….At this point, the prognosis for CBS’s movie foray might be a little shaky.

  

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“New Moon” and “The Blind Side” to have repeat box office bout

With a number of mostly rather underwhelming looking new films debuting this post-Thanksgiving/pre full-Christmas insanity week in medium-to-wide-release, box office pros like jolly Carl DiOrio of The Hollywood Reporter and Variety‘s Pamela McClintock appear to agree pretty strongly that the battle this week will once again be between the romantic monsters of Summit’s “The Twilight Saga: New Moon” and the football loving Red State good Samaritans of Warners’ “The Blind Side.” Considering that, as I wrote about last Sunday, “New Moon” dropped by 70% in its second last week while “The Blind Side” actually grew without the benefit of a major expansion — something I’ve never seen in the entire time I’ve been writing these posts — my money’s on the Sandra Bullock feel-good drama.

Picture-17

Of the four new releases said to be appearing in 1,000 to 2,000+ theaters this weekend, the most promising, both artistically and commercially, is “Brothers,”  a remake of a widely acclaimed Afghanistan war-themed 2005 drama from Denmark. Distributed by Lionsgate, the movie is an intense love triangle involving the not-actually-dead young Afghanistan war vet played by Tobey Maguire, his not-actually-a-widow played by Natalie Portman, and his black sheep brother, Jake Gyllenhaal — who looks so much like a brother to Maguire that he once is supposed to have nearly replaced him in one of the “Spiderman” sequels.  (If they worked Elijah Wood into the cast, they would have achieved the baby-faced, raspy-voiced star trifecta.)

Director Jim Sheridan of “My Left Foot,” “In the Name of the Father,” and “In America” has a real flair for intense tales that dance around the edges of melodrama and then sometimes dive right in. The one-two-three punch of the very well known youngish stars would make you think this should come in with a decent amount of money — at least in the double digits. However, considering the growing news and controversy around the Afghanistan war, the topic might be a bit too timely for audience tastes. Also, a film like this should probably should at least crack 70% on the Tomatometer, especially, but hitting it of with something  in the neighborhood of 5060% of critics will have to do. Worse reviewed films have received Oscar nominations, however.

Robert De Niro in Next up is another remake of a foreign language hit, this time of an Italian comedy-drama/tearjerker from 1990 that starred the great Marcello Mastroianni and was directed by Giuseppe Tornatore of “Cinema Paradiso.” (Not at all a favorite of mine, by the way.) Disney’s PG-13 “Everybody’s Fine” brings us Robert De Niro as a widower trying to reconnect with his children and grandchildren and costars Drew Barrymore, Kate Beckinsale, and Sam Rockwell. A sentimental tale for the holidays with this kind of star power should have some wattage in theory, though  apparently the “tracking” is kind of stinking for this film which isn’t really wowing the critics either. Our own Jason Zingale liked it mainly on the strength of DeNiro’s performance but this one feels like the movie you settle for if grandma, or maybe great-grandma, wants to see something nice and you can’t get into the “The Blind Side.”

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