Will “Sex and the City 2” achieve the big $ on Memorial Day?

And will we writers run out of double entendres in describing whether or not the latest adventures of Carrie Bradshaw (Sarah Jessica Parker) and friends enjoys a satisfactory, long-lasting ticket-buying performance from their ardent audience or will it be just a case of “slam-bang-opening-weekend’s-over-ma’am?” Nope. Nor will the bad reviews “Sex and the City 2” has been getting significantly dampen the ardor of ticket buyers.

Sarah Jessica Parker and Chris Noth in

In fact, the film is already doing rather well, as it opened early to get a jump on the long Memorial Day weekend, making $3 million on Wednesday night/Thursday morning midnight shows for the R-rated comedy from Warner Brothers. Both jolly Carl DiOrio and Anne Thompson’s b.o. guy, Anthony D’Alessandro, are bullish. Jolly Carl is talking about $60 million. I have no clue except that every “Sex and the City” fan will want to see it — once, anyway.

Nevertheless, as someone who managed to avoid the original show almost completely, it is a bit of shock to see this kind of vituperation directed against a property that was once a well-reviewed award-winner. I wasn’t too surprised when the first film got mixed reviews, since the show did have more than it’s share of detractors, but the 14% “fresh” rating from Rotten Tomatoes critics as a whole, and devastating 7% from 26 “top critics” so far is a bit of a movie cold shower. The bad reviews even inspired a bottom 10 list at Salon. Matt Zoeller Seitz, like our own Jason Zingale, notes the film’s lengthy sequence in Abu Dabi — which he terms “product placement for a country” (even though it was shot elsewhere) and titles his review: “Ladies and Gentleman, THIS is Why They hate us.” That’s about as positive as his review gets. He’s almost loving compared to the brilliant review by Lindy West:

SATC2 takes everything that I hold dear as a woman and as a human—working hard, contributing to society, not being an entitled cunt like it’s my job—and rapes it to death with a stiletto that costs more than my car. It is 146 minutes long, which means that I entered the theater in the bloom of youth and emerged with a family of field mice living in my long, white mustache.

That one of the nicer parts. I suggest, no, I implore that you read every word.

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Either “Avatar” takes the weekend box office, or we’re all in big trouble

Sam Worthington and Zoe Saldana in

Variety has gone behind a pay wall. Jolly Carl DiOrio of The Hollywood Reporter is either taking a night off or filing later. Still, this is one week when, if I may paraphrase Bob Dylan, I don’t need a weatherman to tell me which way the wind’s blowing. As a science-fiction adventure sure-to-be blockbuster, James Cameron‘s “Avatar” has pretty much everything going for: huge ballyhoo, much of its centered on its groundbreaking use on “performance capture” (not mere motion capture) and what everyone seems to be describing as a new and more immersive 3-D, strong advance sales (skewing male as of right now), and solid reviews.  Sure, it’s actors aren’t precisely A-listers, but we all know what good stars are these days. I’m sure people will eventually remember that Sam  Worthington, Zoe Saldana, and Sigourney Weaver were in there some place.

The latest from James Cameron at this point has racked up an 82% “fresh” on the Tomatometer and a whopping 96% from the usually harder to please “top critics,” with only Village Voice‘s exacting J. Hoberman submitting a mildly negative review that is actually about as positive as a bad review can be.

Our own Jamey Codding is positive, but not quite ecstatic. Ken Turan, a critic I respect but often disagree with for his rather schoolmarmish tastes — don’t get him started on Tarantino — waxes poetic and compares the technical breakthroughs to “The Jazz Singer.” I personally hope that isn’t quite the case. 3-D is cool as an occasional treat, but I just don’t see how it’s necessary for every movie. Of course, there were people who said that about sound movies too, but don’t laugh too much because there are still people who thought they were right! (Not me. Being a word guy, I like talkies. My fogeyosity has limits) In any case, Roger Ebert might be summing things up nicely when he writes:

There is still at least one man in Hollywood who knows how to spend $250 million, or was it $300 million, wisely.

Sam Worthington in So, we know that “Avatar” will, baring apocalypse or a mass, blindness-inducing plague, win the weekend. The real question is, by how much? Well, considering it’s opening in 3,453 theaters and probably taking up nearly every higher priced regular size and Imax 3-D screen in the country, I’d say the sky is the limit for the moment. Beyond that, I really don’t have the kind of information to make these kind of assertions, but fortunately there is Daniel Frankel of The Wrap who says that the gurus have agreed the Fox film will do over $60 million at least and possibly as much as $90 or $100 million.

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“Sex and the City” sequel confirmed

Get those cosmos ready, girls, because there’s a sequel coming your way!

I can exclusively reveal that all four stars—Sarah Jessica Parker, Cynthia Nixon, Kim Cattrall and Kristin Davis—and writer-director Michael Patrick King have now signed their deals for another round of Carrie Bradshaw & Co.

“Everything was finalized yesterday afternoon,” a source reports.

Until now, everyone had agreed to do a sequel, but there were no contracts signed with New Line, the studio behind the megahit.

As it is, King has yet to write a script, but shooting will reportedly begin this summer with a release date sometime in summer 2010.

In the interests of full disclosure, I watched the show (with my wife, have to mention that) while it was on HBO and actually saw the movie in the theater (which is a big deal for me). That said, I’m sure she’ll be happy to hear this news. Me, not so much.

  

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