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Box Office Recap: ‘Avengers’ Still On Top, ‘Battleship’ Disappoints


The Avengers’” weekend gross took another hit of nearly 50% this weekend, but that didn’t stop it from remaining the number one movie in America (and abroad, and on Betelgeuse as well, like as not). Despite the drop, the superhero flick still raked in over $55 million in its third week, bringing its global gross to $1.18 billion. Yes, billion with a “b.” In terms of cumulative gross, the film is now the fourth biggest movie of all time worldwide and the sixth biggest domestically. Furthermore, “The Avengers” swept past “The Hunger Games” to become the highest-grossing movie of 2012, and it showed no signs of slowing down. The only film to make more in its third weekend was “Avatar.” But while “Avatar” was able to stay at the top of the charts for seven consecutive weeks, “The Avengers” might just face its first real competition in “Men in Black III” next weekend. Heavy emphasis on the “might.”

Given its tremendous success, “The Avengers” isn’t leaving a whole lot of cash for its competitors. Coming in second place with $25.3 million was Universal Studios’ “Battleship.” That figure is especially disappointing for the film’s financiers given the $209 million it cost to produce. I for one am still having trouble wrapping my head around the idea of an alien and explosion-packed action movie based on a freaking board game, and apparently I’m not alone.

In third place was Sacha Baron Cohen’sThe Dictator.” The comedy was given a Wednesday release, taking in $24.5 million over five days with $17.4 million coming during the weekend itself. The film is Baron Cohen’s first fully-scripted picture, presumably because he is now too recognizable to dupe people in the fashion of “Borat” or “Da Ali G Show.”

“Dark Shadows,” the most recent collaboration between Johnny Depp and Tim Burton, continued to underperform. The film took in $12.7 million in its second weekend, bringing its ten-day total to just under $51 million, another disappointing figure given its $150 million budget.

In fifth place with $10.5 million was the weekend’s last remaining new movie, “What to Expect When You’re Expecting.”

Perhaps most surprising was the $3.25 million made by “The Best Exotic Marigold Hotel” despite playing in only 354 theaters nationwide. That’s a per-theater average of $18,258, which tops even “The Avengers’” $12,958.

Here are the results for this weekend’s top 10 at the box office:

Title/Weeks in release/Theater count, Studio/Three-day weekend total/Cume
1. The Avengers, 3/4,249, Disney/Marvel Studios, $55.1 million, $457.1
2. Battleship, 1/3,690, Universal/Hasbro, $25.3 million.
3. The Dictator, 1/3,008, Paramount, $17.4 million, $24.5 million.
4. Dark Shadows, 2/3,755, Warner Bros., $12.8 million, $50.9 million.
5. What to Expect When You’re Expecting, 1/3,021, $10.5 million.
6. The Best Exotic Marigold Hotel, 3/354, Fox Searchlight, $3.3 million, $8.2 million.
7. The Hunger Games, 9/2,064, Lionsgate, $3 million, $391.6 million.
8. Think Like a Man, 5/1,722, Sony, $2.7 million, $85.9 million.
9. The Lucky One, 5/2,839, Warner Bros., $1.8 million, $56.9 million.
10. The Pirates! Band of Misfits, 4/1,840, Sony/Aardman, $1.5 million, $25.4 million.

You can follow us on Twitter @moviebuffs and on Facebook as well.

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Box Office Preview: Board Games, Pregnancy, and something like ‘Borat’ 2


The Dictator

At this point if you don’t know what you’re getting walking into a Sacha Baron Cohen movie, you’ve probably never seen a Sacha Baron Cohen movie. That’s not to say “The Dictator” won’t be funny, but if you’re expecting 100 percent originality, you might want to look elsewhere.

“The Dictator” is the story of a North African, you guessed it, dictator, who’s called to answer for his crimes in front of the UN in New York. Believe it or not, it’s loosely based on a romance novel allegedly written by Saddam Hussein. Yeah, that Saddam Hussein, and yeah, romance. Anyway, when John C. Reilly strips him of his beard, nobody believes he’s a dictator anymore, so he has to find his way working in a food co-op with Anna Faris.

Fish out of water on the mean streets of America? Sounds an awful lot like “Borat,” but if it’s funny, who cares? I guess that raises the question, is “The Dictator” funny? The film is sitting at a 63 percent on the Tomatometer, so it’s probably more “Borat” (good) than “Bruno” bad. One thing the film has to set it apart from Baron Cohen’s previous work is that it’s not in his trademark interview-heavy mockumentary format. This probably means “The Dictator” sacrifices the more outrageous comedy that comes from duping public figures and nobodies alike for a semi-coherent plot.


Battleship

Now “Transformers” I get, theoretically anyway. There are characters, good guys and bad guys. It’s shit, but it makes sense, and more importantly it had Megan Fox. But a movie based on Battleship, the board game?

Apparently “Battleship” has a plot, but I’ll leave that explanation for Jason in his Bullz-Eye review. I imagine there are ships involved. Anyway, this movie looks like a turd. It’s at a 35 percent on the Tomatometer, and the consensus over there is that the film is “too loud, poorly written, and formulaic to justify its expense.” Jason’s viewpoint was a bit more optimistic:

But while the film does feel a little bit too much like a Michael Bay explosion-rama at times, to my surprise, it works remarkably well as a mindless piece of popcorn entertainment. It won’t wow you in any way, but “Battleship” knows that it’s big, dumb summer fun, and it doesn’t pretend to be anything more.

If that’s the case, so be it. But I have a question, and I’m being completely serious here: what is the world of Hollywood writing coming to when we’re getting movies based on 70-year old board games? What’s next, the Monopoly man going on a Godzilla-like rampage through the streets of Tokyo? Terrorists knocking down buildings with a voodoo Jenga tower? Thank you Screencrush for the ideas, but sad as it may be “Battleship” is a real thing, so there’s no more time for mockery, moving on.


What to Expect When You’re Expecting

It’s a romantic comedy, so already we know what we’re getting into here, don’t we? There will be cliches, love, a second act rife with conflict, and ultimately, a happy ending. But every once in a while a movie comes along that breaks the mold, throwing all those banal stereotypes into a pot and coming out with something great. This is not that movie. Let me repeat again, because I know eyes can wander over a word or two: this is not that movie.

That fact is especially unfortunate when you look at the film’s star-studded cast, which includes Cameron Diaz, Jennifer Lopez, Elizabeth Banks, Chris Rock, Thomas Lennon (“Reno 911!”), Rodrigo Santoro (like 4 episodes of “Lost”), as well as the recent success of “Think Like a Man,” which was also based on a self-help book.

If I could guess, and I can, “What to Expect When You’re Expecting,” tells the story of a number of couples, each with their own relationship problems centering around pregnancy and child-rearing. It really doesn’t matter, this movie is at a 23 percent on the Tomatometer. As such, you should avoid it like the plague.

If you’re looking for a recommendation this weekend, I’ll say “The Avengers,” just like last week and the week before, and yes, even if you’ve already seen it. Now, last week I also recommended “Dark Shadows” to big Johnny Depp or Tim Burton fans. The same goes here, “The Dictator” is sure to be enjoyable for fans of Sacha Baron Cohen’s work.

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“The Dictator” trailer

This looks like another classic from Sacha Baron Cohen.

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Non-Oscar movie news

As I write this the announcement of the 2010 Academy Award nominations is literally only a few hours away — and I’ll most certainly be discussing them tomorrow — but this late bird has some other worms to catch, starting with goings on up in Park City.

* Yes, Kevin Smith and the premiere of his long planned “Red State” is the talk of the geek movie blogosphere today. Sundance can be a real circus and Smith was, I gather, both ringmaster and clown as he jokingly joined the protest staged by the detestable, publicity loving, Westboro Baptist Church who apparently noticed that Smith was attacking them. That was followed by a 26 minute pre-screening talkathon — which I’ve yet to bring myself to watch, though I’ve read the highlights — in which he announced his plans to distribute the film himself.

As for the response to the movie goes, the reviews have been extremely interesting. The fact of the matter is that Smith has so gone on out of his way to attack film critics, it’s kind of hard for any of us to have an opinion of one of his films that isn’t colored by the silliness at this point. No surprise, then, that reaction has been dramatically mixed. Not everyone even agrees if it’s actually a horror film or a religious-themed thriller. Sort of a more violent and bloody, less musical, version of the 1973 “The Wicker Man.”

Avatar* Speaking of talented makers of entertaining but highly imperfect films whose need to communicate can often place them at cross-purposes with themselves, James Cameron has told Entertainment Weekly that he’s working on the screenplays for two “Avatar” sequels with the intent of releasing them over Christmas of 2014 and 2015. To his credit, I think, Cameron says he’ll donate some portion of films’ grosses to environmental charities, who can use all the help they can get, considering our planet seems to be melting right at the moment.

* And speaking of directors who at times have worked at cross-purposes with themselves, no one has ever done so in grander fashion than the late Orson Welles. It’s starting to look like his legendary unfinished 1970s project, “The Other Side of the Wind,” may finally get a release of some sort. Because Welles never edited most of it, there’s a school of thought that the film should be released only in unedited form. This is one of the more stupid schools of thought I’ve encountered. Thank goodness, DVDs can make the unedited rushes available to anyone who wants to imagine how the man might have edited the film itself, but rushes are not a movie.

As far as other “lost” Welles films, Kevin Jagernauth mentions a miraculous restoration of his badly truncated, “The Magnificent Ambersons.” I’d settle for a decent restoration/re-release of his Shakespearian opus, “Chimes at Midnight.”

welles1

* Chris Hemsworth — aka Mighty Thor, God of Thunder — has seen the Avengers script by Joss Whedon and, guess what, he thinks its “incredible.” Ordinarily, I’d be skeptical of a star’s good opinion of his own movie, but this Browncoat needs it to be incredible. It better be incredible. No pressure, though.

* Another Sundance sale. For what sounds like a small but intense love story, “Like Crazy” fetched a relatively big price.

* Sam Raimi is still chatting up the possibility of some kind “Evil Dead” reboot.

* An item left over from last week relating to another kind of evil dead: Sacha Baron Cohen and Larry Charles’ “The Dictator” based on a novel claimed by an obscure author you might have heard named Saddam Hussein. This is one movie I really have to see.

* I really enjoyed interviewing Morgan Spurlock and he was as nice as could be, but he failed to mention anything about his latest, very clever sounding stunt-documentary “The Greatest Movie Ever Sold,” which has been getting great press at Sundance. Jerkface.

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