Tag: Robert De Niro (Page 2 of 4)

It’s your of end the week movie news non-filibuster

While Bernie Sanders did his thing on the floor of the senate today, Hollywood liberals, and a few conservatives too, we’re busy doing their thing so that the guys who owned all the studios would have all the more money to save from their big, big tax break. To wit…

* Robert Rodriguez and the other makers of  the modestly budgeted “Machete” got a nasty surprise from the Texas Film Commission, which appears to be reneging on $1.7 million in tax rebates. As reported by the Wall Street Journal, It has something to do with a law against providing the incentives to films portraying Texas and/or Texans negatively. Every film portrays people negatively. This reeks of political selectivity, probably related to the film’s deliberately nonpartisan lampooning of anti-immigrant hysteria and demagogic politicians. “Machete” goes out of its way to avoid naming the evil politician played by Robert De Niro as a member of either party, in fact.

If Texas doesn’t change it’s tune, and fast, I agree for once with the L.A. Times‘ Patrick Goldstein and seriously hope nobody from outside the state shoots a single foot of film in Texas until such time as the state seeks to elect non-mouthbreathers to statewide office. They have, indeed, fucked with the wrong Mexican.

Danny Trejo is

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Happy Cinco de Mayo, kind of, from “Machete”

Residents of a certain southwestern state take note…

This is obviously a newly recut trailer with that special message from the awesome Danny Trejo — not, I admit, nearly as funny/cool as the one in “Grindhouse.” On the other hand, we now have glimpses of Robert De Niro doing exploitation for pretty much the first time in his career, Steven Seagal, Michelle Rodriguez, the great Cheech Marin, Jessica Alba, Lindsay Lohan (on the comeback trail?), and “introducing Don Johnson.” Heh.

H/t Topless Robot.

Midweek movie news

Regular readers might have noticed that I’ve taken a couple of days off, and with the TCM Film Festival kicking off tomorrow night, and some other things possibly brewing, I might not be following my exact usual schedule for the next several days, though I’m sure I’ll be posting stuff, but we’ll have to see.  In the meantime, there’s plenty going on and I’m sure I’ve missed something.

Chloe Moretz smashes face* We eventually did get a clear, but narrow, victor in the weekend box-office battle, but nobody’s too excited about the performance of “Kick-Ass.” The film will make money, $19.8 million is not bad for a $30-40 million dollar movie, and it should help everyone’s career, but I wouldn’t bet on a sequel unless it holds really extremely well and also cleans up in home video. Also, it should be noted that the superhero comedy had a slightly unfair advantage because of its late Thursday night opening getting included in the take — at least I think it was. Steven Zeitchik, who thought the film would break out in a major way, offers a post-not-quite-mortem.

* James Cameron‘s new interview with the L.A. Times will annoy conservative anti-environmentalists and climate deniers as well as fans of contemporary written science fiction. (It’s too complicated and self-referential to make a movie out of, Cameron states, apparently unafraid of the sweeping generalization.) However, “Avatar” fans will be delighted to know that two more movies appear to be in the offing along with that extended August 3-D/Imax re-release. Cameron’s cast and crew will be, I imagine, much less happy to learn that “Avatar 2” will involve water, and lots of it. What is it with this guy and moisture? (H/t the Playlist.)

Titanic 1996

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President’s Day movie news

It might be a national holiday, but movie news hasn’t been taking anything like a break.

* It’s not really even movie news in the usual sense, but Kevin Smith has been making big Internet news by making a big Internet stink about being ejected from a Southwest Airlines flight for being “too wide for the sky.” The latest: He might go on Larry King or “The Daily Show” to prove his point. Of course, this is movie news if it helps out the grosses for this upcoming buddy police comedy, “Cop Out.”

* This is really interesting and weird. All weekend, we’ve been hearing that Martin Scorsese has announced that he and old friend Robert De Niro would be revisiting the world of the mob in an upcoming film. Secondarily, there are numerous stories — actually not much more than written down rumors that he, together with cinema bad boy Lars von Trier, would be doing a series of remakes of some sort of his classic early collaboration with De Niro, “Taxi Driver,” possibly with the participation of the actor.

taxidriver2

If anyone out there has seen “The Five Obstructions” they’ll have some clue what is supposed to be going on here. It’s a highly entertaining documentary in which the director challenged his filmmaking mentor, Jørgen Leth, to remake an experimental short film of his that von Trier admired five times, each time with some creative limitation thrown in the way. The idea being that creative obstacles can sometimes lead to more interesting work.

Of course, Scorsese and De Niro aren’t going to make five full-length “Taxi Driver” remakes based on the Danish director’s whims, but if there’s anything to this, it’s certainly something I’d pay to see. Peter Hall at Cinematical has the most concise version of this confusing story or non-story that I’ve seen, and likes the idea as much as I do.

* And that’s not all on the Scorsese speculation front. The Playlist passes on word from the paywall encrusted Variety that he may be contemplating making his next film, a movie about movies called “The Invention of Hugo Cabret,” in 3-D. It was good enough for Alfred Hitchcock in “Dial M for Murder,” so I wouldn’t be surprised and, for this particular project, it might make sense.

* Can you imagine the Oscars — or any award show — without innumerable thank yous? I can’t. Still if what Peter Sciretta at /Film reports turns out to be for real, it would prevent any more unpleasantness like this.

* Another Oscar institution really does seem to be on its way out: Barbara Walters’ post show interviews.

* Patrick Goldstein quizzes Quentin Tarantino on influences, why he likes them and why he doesn’t like them being used against him.

* The estimates for the entire three-day weekend are out. No huge surprises based on what I wrote yesterday.

Early De Niro

I’m such a fan of Mel Brooks, that I’ve given short shrift to his fellow filmic Kennedy Center honoree, Robert De Niro. The show airs at 9:00 tonight (Eastern and Pacific), but in the meantime, here are a pair of key moments from 1973, when two performances in smaller films garnered De Niro a great deal of attention and some critic group awards, paving the way for his role in “The Godfather: Part II” and superstardom.

Bang the Drum Slowly” was a gentle, somewhat thin and corny, sports comedy-drama/tearjerker based on a book by Mark Harris. In it, Michael Moriarty portrays a seasoned major league baseball player who befriends a less successful teammate who is not the sharpest knife in the drawer, but who also has an incurable illness and whose only wish it to finish out the season. It’s far from a heavy-duty film and De Niro’s magnetic but ensemble-friendly performance is a million miles from the tortured or melodramatic tour de force you might expect. He also generates some extremely nice chemistry with Moriarity, a really outstanding actor in his own right who actually might have received nearly as much or more attention for this film than De Niro did. It also shows that De Niro has the ability to be one of the most hilariously lame dancers you’ll ever see at about 1:38.

Also, given that this is a Scorsese film about quasi-criminal characters in seventies Little Italy, the NSFW warning is somewhat in effect.

And in Martin Scorsese‘s third film and first masterpiece, “Mean Streets,” De Niro pretty much became the De Niro we know today, and I think this scene, which also features a young Harvey Keitel in the leading role as well as familiar-faces-to-be Richard Romanus and David Proval, makes that point about as clearly as possible.

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