2010: A Look Back at a Lot of Interviews

At the end of 2009, I took a look back at 100 interviews I’d done over the course of the year, and it was exhausting…not only for me, but possibly also for you, the reader. Oh, I still think it was a heck of a piece, but I believe I made a mistake by numbering them. I mean, you get about 20 – 25 into the proceedings, and it’s, like, “Oh, geez, I’ve still got 75 left to go? Screw this, I’m out of here.” So this time, I’m not going to tell you how many quotes are in the piece. I’ll just say that I talked to a lot of really funny, fascinating, and decidedly forthright people during the course of 2010, and I’ll let you dive in. Hope you enjoy the chance to reminisce as much I did, and here’s to a great 2011 for us all!

Big Shots at the Box Office

“I was in Australia, touring with my films and live show, and I got an E-mail from my agent, saying that there was interest in me for Tim Burton’s ‘Alice in Wonderland.’ I thought, ‘Okay, that sounds good.’ I thought it would be for a day or two, maybe a few days or something, and I would’ve been very happy to do that. But then the offer came in, and it was for virtually the entire run of the film. I didn’t even know what part it was for, so I asked my agent, and he said it was for the Knave of Hearts. So I looked up the Knave of Hearts in the original book online and…it didn’t really seem like a character that would require the run of the film. I thought, ‘Something must be different.’ And then I got the actual screenplay, and it was extremely different. I could see that it was written as a sequel. But it was a great part, and I was ecstatic to be in it…and I’m still ecstatic to be in it!” – Crispin Glover, Alice in Wonderland

“They called my agent and said they were auditioning for (‘Inception’), so I flew myself back, I read for Chris (Nolan) once, and I left. I think it was later that day that I heard from my agent, saying, ‘They’ve cut everyone except you. Now, they’re going to go to London to see some people, and then we’ll know more after that. So don’t get your hopes up, but…this is great!’ Then I came back and read again, and I got the job. And then, as you might expect, I freaked out completely.” – Dileep Rao, Inception

“I was actually down at my ranch in South Texas, and my guys called me and said, ‘Hey, we’re trying to get you a meeting with Sylvester Stallone. He’s casting a movie called ‘The Expendables.’’ Several months went by, and he’d already cast ‘The Expendables,’ but he still wanted to meet me for potentially playing the part of Dan Paine. So I went in to meet Sly, it was the first time I’d ever met him, and I’m a huge fan. I remember watching ‘Rocky’ back in ’76 or whenever it was, then getting up the next morning, drinking eggs, and running down the street…and now here I am meeting with this guy!” – Steve Austin, The Expendables

“I was privileged and honored to work side by side with Sly (Stallone in ‘The Expendables’). Most of my scenes take place with him, and I’m telling you, man, he took me under his wing, and it was a brilliant thing. I don’t know what else to say. ‘Rocky,’ ‘Rambo,’ just everything he’s done is iconic, and it wasn’t lost on me. I love the man, and I can’t wait to do another one, ‘cause Sly’s the king of the sequels…and in my whole career, I’ve never done a sequel to any one of my projects. So I’m, like, ‘Sly, I’m ready for ‘Expendables 2,’ okay?'” – Terry Crews, The Expendables

“Jessica (Pare) was just about to disrobe…we were in the (hot) tub…and they were, like, ‘Ready!’ And she took off whatever was covering her in the tub. And somebody asked the boom guy a question just as she was disrobing, and all he could say was, ‘Yesssssss…’ He could only whisper. I didn’t make a joke about it, though. I was just, like, ‘Okay, Craig, keep it cool, keep it together…’” – Craig Robinson, Hot Tub Time Machine

“I made the mistake of using one term loosely and saying (filming in 3D) was a tedious process, and somebody made it sound really bad. The bottom line is that it took a little longer, and the one that suffered more than anybody was (director Kevin Greutert) and the camera guy, because they have to get it right. You know, calibration and being specific with lights and all that stuff. For me, it was a good excuse to go play with the crew that wasn’t on set and crack a couple of jokes, so I got to socialize a little bit more.” – Costas Mandylor, Saw 3D

“Usually, when you’re coming in completely blind with who you’re working with, you don’t know if you’re going to get along, nor do some people put the time in to try to get along. We were all in Pittsburgh, and we did do, like, two weeks of rehearsal before we started shooting (‘She’s Out of My League’), and in those two weeks, we hung out a lot…and, luckily, it went good rather than bad. Because sometimes it’s just awful, and you’re going, ‘I can’t stand that guy!’ So we were lucky. I know a lot of people always say this when they come off work, because they’re kind of trained to say it, but with this one, we all really got along, and I think that’s what helps our chemistry on screen so much: we thought each other were funny, we even liked to hang out afterward, and that played well. ” – Nate Torrence, She’s Out of My League

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A Chat with Rob Riggle

Given how long Rob Riggle has been doing stand-up, it’s actually kind of funny to think that there are lot of folks who don’t even know that he does stand-up. Then again, given that he’s been on “Saturday Night Live” and “The Daily Show,” as well as in “Talledega Nights” and “The Hangover,” it’s not like you can’t understand why some people only know him for his TV and movie work. On March 5th, however, Riggle will be taking the stage once more for an episode of “Comedy Central Presents,” where he’ll be giving viewers 22 solid minutes of stand-up. I had a chance to chat with him about the special, as well as his work on “SNL,” his two and a half year stint as John Oliver’s officemate, and some of his upcoming film projects.

Bullz-Eye: Hey, Rob!

Rob Riggle: Hey, Will! How are you doing?

BE: Pretty good. Well, welcome back to the stand-up scene on Comedy Central!

RR: I know! I’m excited! Very excited…and I haven’t even seen it yet!

BE: It’s very good. I caught it on the online screening room.

RR: Oh, well, thank you. I’m glad to hear that. I’ve literally only seen a couple of clips, so that’s good. You never know how those things go, because I think I did, like, 34 minutes, and they cut it down to 22, so you’re, like, “Uh, okay, I hope it’s good.” I’ll be very interested to see what they cut!

BE: I can only presume that the 10 minutes they cut were the slowest minutes. (Laughs) So how often do you even get to do stand-up? Because you’ve certainly got plenty of acting keeping you busy.

RR: Yeah, well, actually, I’ve been very lucky with the acting, but I try to get out as often as I can…which, in my humble opinion, is not often enough. But I book gigs whenever I can, and to answer your question directly…I dunno, I’d say probably two times a month. At least right now. There was a time where I was a lot more consistent. It just depends on the work schedule, y’know? If there’s a gap, I’ll get out there and pound it out three or four times a week, but it just depends on my work schedule, that’s all.

BE: So are you forever honing material, just in case you might have a free night for a gig?

RR: Yeah, that’s the constant work, I guess. I’m constantly waking up in the middle of the night and jotting down notes, and I have a stack of notes and thoughts and premises that I am dying to explore… (Laughs) …and I hope to have the time work them out, but I just haven’t been able to get to them yet. But one of these days I will, and hopefully I’ll be able to develop a new set. That’s what everybody’s got to do.

BE: So what was the case with this Comedy Central special? Was it planned out well in advance, or did you just get a last-second phone call saying, “Hey, Rob, come on back to the family”?

RR: No, y’know, I was just very fortunate that they came and saw me do stand-up at…I think it was right there in New York, at Comics Comedy Club. I was doing a weekend there and they came down, saw me, liked what they saw, and asked if I wanted to do it. And I was flattered. I was, like, “Yeah! Count me in!” So that’s how it all came about. And, y’know, I love Comedy Central. The people over there are awesome, and I have a good relationship with them, so…it’s all good.

BE: Well, in particular, the routine during the special that hit home for me was the bit about men’s rooms in stadiums.

RR: (Laughs) Oh, how true is it, my friend?

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The Goods

You know that a movie isn’t very good when the studio comes running to you with an interview opportunity after opening weekend (speaking of which, check out Will Harris’ chat with producer Adam McKay), but although “The Goods” may not be very funny, it’s still a better-than-expected comedy thanks to its ensemble cast. Jeremy Piven stars as Don Ready, a smooth-talking car salesman who’s made a living by conning his way to the next big sale. But when his traveling team of liquidating specialists (including Ving Rhames, David Koechner and Kathryn Hahn) is hired to save a flailing dealership by selling every car on the lot, Don discovers that the job might be too big even for him. Though the idea is ripe for some pretty funny material, the story feels a little too safe compared to the crude humor that appears throughout. Thankfully, director Neal Brennan is completely unforgiving of the film’s vulgar tone, and it ends up working to its benefit. Piven’s confident, fast-talking schtick is tailor-made for the lead role, but it’s character actors likes Ken Jeong, Rob Riggle (playing a 10-year-old boy with a pituitary disorder), and Craig Robinson who end up stealing the show. “The Goods” isn’t for everyone, but for fans of the comedians involved, it’s probably worth checking out.

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