A day at the TV Land Awards

Cast Of The Love Boat

The TV Land Awards are not an “and the winner is…” kind of award show extravaganza. They’re more a series of honorary nods to the very popular shows of television’s illustrious, time-killing past with an emphasis on glitz. And so a bunch of us media types were invited to add to the hub-bub at the Sony Studios back lot on a breezy April, waiting on a red carpet for whichever celebrity was escorted to our assigned spots, with those from famed print and broadcast outlets obviously getting the first dibs. In the case of this lowly pixel stained wretch, I felt honored to chat with a few really terrific performers who, each in their own way, had made quite an impression on me personally.

That most definitely applies to Jane Leeves, the comedically gifted actress best known as Daphne, Niles Crane’s Manchester-born one-true-crush and eventual wife from “Frasier.” After confessing that I’d had a crush of my own on her since before her famed “Seinfeld” turn as “Marla, the Virgin” her response was typically blunt-yet-charming. “I’m not that old!”

“Neither am I!,” I blurted. (I later learned that Ms. Leeves birthday was the following day. My own birthday was two days prior. I guess age was on both of our minds.)

Aside from being no non-TV star herself, Ms. Leeves was there to promote her now show, coincidentally to be aired on TV Land in a rare foray into original programming, “Hot in Cleveland.” The show teams Leeves with Wendy Malick (“Just Shoot Me”) and Valerie Bertinelli (“One Day at a Time”). The three play “very L.A.” career women with show business-related backgrounds of various types. (Leeves plays an “eyebrow plucker to the stars.”) Feeling a bit aged out of the L.A. game, they attempt a trip to Paris, but instead find themselves marooned at the home of the Rock and Roll Hall of Fame. They quickly realize that beautiful, middle-aged women who can refer to celebrities by their first name are actually in fairly short supply in the midwestern metropolis and they decide to stay and be big fish in a smaller glamor pond. Betty White costars as a neighbor, perhaps a wacky one. Cue the glib comparisons calling this a “younger ‘Golden Girls.'”

Nevertheless, fans of Ms. Leeves should rest assured that her character is no retread of Daphne Moon. “She’s focused her whole life on her career and has forgotten to have a life. She’s the sort of smart aleck, wise-ass of the group, so it’s very different.”

janeleeves2

Then, perhaps feeling a bit star-struck, I went with the fallback question I frequently steal from our esteemed Will Harris. What project has she done that she doesn’t feel has gotten enough attention.

“It’s my cooking, quite frankly.”

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Night Court: The Complete Third Season

“Night Court” is one of those series which is fondly remembered as a sitcom staple of the ‘80s, but as much as I watched it during the course of that decade, it’s one which has always left me looking back and wondering, “Did I only like it because I was a goofy kid?”

My predominant recollections of the show always seemed to involve Judge Harry Stone (Harry Anderson) making bad jokes and pulling wacky faces afterwards or Bailiff Bull Shannon (Richard Moll) being a loveable dimbulb as he stared blankly at the bizarre events unfolding around him, saying only, “Ooooooookay.” Obviously, I remembered lascivious prosecutor Dan Fielding (John Larroquette) and his never-ending stream of come-ons, but was it possible that they were merely a sporadic oasis of legitimate humor in the midst of a whole lot of silliness? In short, what if – God forbid – “Night Court” had aged poorly and wasn’t nearly as funny as I’d remembered it?

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