And by “bad” I might actually mean “good” for at least one, perhaps two, of the four new major releases coming this first weekend of the traditional movie fall season.
First off, jolly Carl DiOrio of THR is bullish as he anticipates about $20 million for the latest from Tyler Perry, the hyphenate auteur whose major appeal to African-American audiences, and major lack of appeal to critics, has been proven several times. His latest film version of one of his hit plays, “I Can Do Bad All By Myself,” is not being screened for the nasty folks of the press. The latest appearance of Madea, Perry’s chunky female alter-ego, is nevertheless thought to be attracting interest with his usual blend of melodrama, broad comedy, and music. (Having both Mary J. Blige and the great Gladys Knight in the cast won’t hurt this one.)
For cinephiliacs and geeks, the most interesting release this week by far is the computer animated dystopian science-fiction fable, “9” — which is not to be confused with the upcoming musical stage adaptation, “Nine.” This may seem a bit odd, but it gets downright weird. I just did little searching on IMDb and found two other films named “9” (not counting director Shane Acker’s original short subject). I also found a total of six films entitled “Nine,” including the upcoming musical version of Felini’ s “8 1/2” starring Danel Day Lewis and Marion Cotillard and directed by Rob Marshall. That makes six films named “Nine” and three films named “9” which, of course, comes to nine films called “9” or “Nine.” That either means the apocalypse is nigh this November 25 when the musical “Nine” comes out or, the moment of its release, I should go to Vegas, head straight for the crap tables, and bet everything on hitting 9. How can I lose?
As for Shane Acker’s, “9,” though it’s been the beneficiary of some buzz, I personally wouldn’t bet everything on the dark tale finding a huge foothold with audiences. With a PG-13 rating, a vision clearly too scary for small children, and characters who a friend of mine — who really wanted to see it — likened to a jock strap, this film would be risky even if it was tremendous. However, David Medsker’s mixed review seems pretty much in line with the unspectacular 60% “Fresh” Rotten Tomatoes rating; the consensus being that this expansion of a short film is weak on story though strong on compelling visuals. “9” actually opened Wednesday and made about $3 million. Expectations are fairly high, with DiOrio suggesting the film could reach $15 million, even though the theater count is a relatively modest 1650+.