Wolverine & the X-Men: The Complete Series

It’s hard to imagine another “X-Men” series ever eclipsing the popular cartoon from the 90s, but “Wolverine & the X-Men” comes pretty close thanks to some great storytelling and gorgeous character design. The season-long story arc is especially impressive considering it manages to connect several different subplots in a way that doesn’t feel too forced. The main story follows Wolverine as he takes control of the X-Men after a mysterious explosion leaves Professor Xavier in a coma, all while Xavier speaks to him telepathically from the future to help prevent the doomsday event that’s about to occur in the present. Meanwhile, a brooding Cyclops spends his days searching for Jean Grey after she suddenly goes missing during the attack on the X-Mansion, and Magneto forms an army of mutants on Genosha to fight against the impending threat of Senator Kelly’s Sentinel Project.

Some of the other X-Men get their time to shine as well – like Rogue’s early arc involving her defection to the Brotherhood of Mutants, and Nightcrawler’s romance with the Scarlet Witch – but this is still first and foremost Wolverine’s show. And though I understand why the creators would want to thrust him into the spotlight (he is, after all, one of Marvel’s most popular characters), it’s a bit much. There are even some episodes that include him when he’s not needed, and it’s one of the reasons why the series starts to drag towards the end of the season. Still, the writers have done a nice job of integrating classic stories from all eras of the X-Men comics into the show, and the Age of Apocalypse cliffhanger in the season finale would have made for a great sophomore year. Unfortunately, Season Two got scrapped due to some financier problems, which is why this set is being called The Complete Series. It’s a shame someone else didn’t swoop in to save it from cancellation, because while “Wolverine & the X-Men” certainly had its problems (namely, Wolverine’s overbearing presence), it’s a show that was clearly made with comic book fans in mind.

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It’s time for midweek movie news

I used to be disgusted, now I try to stay bemused…

* Yes, they weren’t kidding. Ben Stiller and Tom Cruise are teaming up to make a Les Grossman movie, declares Nikki Finke. I try never to prejudge films, and I really did think Cruise was hilarious in “Tropic Thunder.” However, I think writer Michael Bacall, Ben Stiller, and whoever winds up directing really have their work cut out for them in terms of this not turning into some kind of inverted ego-fest (“look at me — I’m willing to act all crazy!”) like what we saw on MTV a few nights back.

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* A new James L. Brooks romantic comedy by any name will probably be worth a look, and maybe better than that.

* It’s always seemed to me that the best part of the guilty pleasure appeal of “Entourage” — aside from Ari, Lloyd, and Johnny Drama, anyway — is the lightning fast pacing that nearly always leaves fans wanting more. Now, producer Mark Wahlberg is determined to give us more in the form of a movie to follow up from the conclusion of the television show. I’m concerned about whether he gets the concept of why you want to always leave an audience wanting more. If not, “Entourage”  could become the male equivalent of “Sex and the City” in theaters as well as the small screen.

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