Awards news: Director’s Guild and Sundance

There’s some sadness hanging over the American film world this morning due to the tragic and disturbing death of highly respected 39 year-old editor Karen Schmeer, best known for her work on Errol Morris projects as “Fast, Cheap, and Out of Control,” “Mr. Death,” and “The Fog of War.” (Shawn Levy of The Oregonian has much about piece her shockingly random death in a crime-related automotive accident, her work, and her early start in the documentary film business.)

Nevertheless, the awards beat goes on and today, as Nikki Finke points out, we can chalk up a big victory for female directors as Kathryn Bigelow of “The Hurt Locker” defeated a boys club of directors that included such ultimate mega-males as Quentin Tarantino and her one-time husband, James Cameron.  Bigelow, of course, has been a noted director since her early features, 1982’s “The Loveless,” which introduced Willem Dafoe, and 1987’s ahead-of-its-time vampire drama, “Near Dark” attracted the attention of genre friendly critics. Her best known film, ironically enough, is probably the silly action flick, “Point Break,” which has emerged as a culty guilty pleasure after its 1991 release.

kathryn-bigelow1

“The Hurt Locker” is the first time Bigelow has been associated a project to get this kind of near-universal acclaim. It’s a major departure stylistically from her often slick and superficial past work, looking at an unexploded bomb team with the same kind of dispassionate intensity as “The French Connection” examined police work. This award definitely makes Bigelow the apparent favorite for the Best Director Oscar. It also doesn’t hurt it’s chances at the Best Picture award either.

“Hurt Locker” also swept the Producers Guild award earlier this week. Similar to the DGA, that award is widely seen as a harbinger for the “Best Picture” category, in which the producer is the one who actually receives the award. Still, as Dave Karger reminds us, the DGA doesn’t make the award inevitable. Also with the nominees this year doubled to ten and a more complex voting system for “Best Picture” that category, at least, remains open to any of the four or five most frequently nominated films in my opinion.

In other awards, “The Cove” got a boost in the nevertheless very hard-to-predict documentary Oscar category with an award for its director, Louie Psihoyos. I usually don’t cover TV, but it is worth a mention that the winner of the award for direction in a TV drama series was also won by a woman. Lesli Linka Glatter was awarded for her work on the action-packed “Guy Walks Into An Advertising Agency” episode of “Mad Men.” Not a bad choice.

Meanwhile, over in Park City, Utah, the Sundance Film Festival presented its awards, which offer a fairly significant peak into what are likely to be some of the most acclaimed and potentially award-winning films of the next year or so. Young people with family ties to crime seemed to be a winning theme in the dramatic categories: “Winter’s Bone,” about a young girl in search of her crystal meth manufacturing father, won the U.S. Prize; the Australian crime drama “Animal Kingdom,” about a teen boy born into a crime family in 1980s Melbourne, took the international award.

The documentary award went to one of the festival’s most high profile entries, “Restrepo.” From two-first first-time directors, journalist/author Sebastian Junger (the book, The Perfect Storm) and documentary cinematographer Tim Hetherington. The film is follows a U.S. Army platoon in Afghanistan for a year. As the offical Sundance description has it, it depicts a “surreal combination of back breaking labor, deadly firefights, and camaraderie….”  Indiewire’s Eugene Hernandez has a complete rundown.

Battle Company

  

You can follow us on Twitter @moviebuffs and on Facebook as well.

Related Posts

Remembering Patrick Swayze

Those who read Premium Hollywood know that I have a tendency to discuss the deaths of celebrities by remembering what they meant to me, and when I heard that Patrick Swayze died, my mind immediately went back to January 2009. Obviously, Swayze’s cancer diagnosis had led everyone to fear the worst about him, but I think I’m safe in saying that most of were rooting for him to beat the disease, and when it was announced that he was going to be starring in A&E’s new crime drama, “The Beast,” I don’t know about you, but that was a moment where I was, like, “Yeah! That’s so Swayze of him to say, ‘Screw the cancer, it’s time to get to work.”

I’d hoped to get a phoner with him in the midst of the press blitz for “The Beast,” but due to his treatment, he’d limited the majority of his media time to E-mail interviews and the one-off Barbara Walters conversation, so I immediately sat down and tried to come up with a list of 15 thoughtful, intelligent questions which covered his entire career rather than just shit like, “Could Dalton kick Bodhi’s ass?” I was damned proud of what I came up with, and I promptly sent them off to the publicist. Not long after that, I learned that Swayze was going to be attending the TCA press tour in order to help promote the show, and since I still hadn’t gotten my responses back, I found myself venturing into my usual naive optimism, thinking, “Hey, maybe I can get the answers to these questions in person!” Instead, we arrived at the panel to find ourselves with an unfortunate scoop: Swayze would not be in attendance, owing to the fact that he had checked himself into the hospital for observation after having contracted pneumonia. Rumors immediately circulated that Swayze was on death’s door, that the end was nigh. Me, I immediately felt like an asshole, because – for better or worse – the first thought that came to my mind was the incredibly selfish, “Oh, man, now I’ll never get those questions answered…”

And I didn’t. But it’s a testament to Swayze’s reputation as a tough guy that he managed to battle back from the pneumonia and fight the cancer for another nine months, and anyone who’s lost someone to cancer knows that, after a fight that long and hard, his departure was one well earned.

As I looked back over Swayze’s work to put together this piece, I realized that the reason I’d had that selfish thought upon learning that he wouldn’t be making it to the TCA panel was that I really, really liked Patrick Swayze. I didn’t necessarily love every movie he ever made, but there was just something about the guy that was cool and likable and yet still pretty damned bad-ass, but…well, I don’t believe that the term “big-brothery” actually appears in the dictionary, but that’s how I saw the guy. (It probably stems back to my having seen “The Outsiders” during my formative years.) And if truth be told, I don’t think Swayze ever actually saw my questions. He always seemed like the kind of guy who, if he had read them, would’ve written back and said, “Say, buddy, you actually put a lot of thought into these, didn’t you? You know, I really appreciate that!”

Damn, now I’m starting to get depressed…and if you’re a Swayze fan, too, then you’re probably already there with me, so let’s look back at ten classic quotes from ten of the man’s most memorable films and just think about the legacy he left us.

10. “Boy, you just discovered the oldest sexual position in the book: the foolish position. You just got to remember, your brains are between your ears and not your legs.”Ernie “Slam” Webster, “Grandview U.S.A.”

9. “I don’t give a shit where I play as long as I go number one in the draft and I sign the biggest contract I can. I’ve been busting my ass in this league for four years, and I’m gonna get what’s coming to me.”Derek Sutton, “Youngblood”

8. “Son, it breaks my heart to say this, but I believe you are a very troubled and confused young man. I believe you are searching for the answers in all the wrong places.”Jim Cunningham, “Donnie Darko”

7. “Well, pumpkins, it comes down to that age-old decision: style…or substance?”Veda Boheme, “To Wong Foo, Thanks For Everything, Julie Newmar”

6. “I love you, Molly. I’ve always loved you.”Sam Wheat, “Ghost”

5. “It’s kind of strange, isn’t it? How the mountains pay us no attention at all. You laugh or you cry, the wind just keeps on blowing.”Jed Eckert, “Red Dawn”

4. “Listen, with your brains and grades, you could get a scholarship, and we could put you through college, ain’t that right, Soda? But you’re livin’ in a vaccuum, Pony, and you’re gonna have to cut it out. You just don’t stop living because you lose somebody. I thought you knew that. And anytime you don’t like the way I’m running things around here, you can just get out, all right?”Darrel Curtis, “The Outsiders”

3. “I’m gonna do my kind of dancin’ with a great partner, who’s not only a terrific dancer; somebody who’s taught me that there are people willing to stand up for other people no matter what it costs them; somebody who’s taught me about the kind of person I wanna be.”Johnny Castle, “Dirty Dancing”

2. “All you have to do is follow three simple rules. One, never underestimate your opponent. Expect the unexpected. Two, take it outside. Never start anything inside the bar unless it’s absolutely necessary. And three, be nice.”Dalton, “Road House”

1. “If you want the ultimate, you’ve got to be willing to pay the ultimate price. It’s not tragic to die doing what you love.”Bodhi, “Point Break”

So long, Mr. Swayze…

  

Related Posts