As this year’s apparently rather upbeat and successful Sundance winds down, this is just a sampling of some of the movie news stories that have been making the rounds.
* There’s a constant stream of stories about indie films being acquired by studios — like, say, artist Miranda July’s “The Future” and the gentle Paul Rudd comedy, “My Idiot Brother.” Most of these sound like more or less traditional “Sundance” films (docs, small relationship-centric dramas and comedies). At the other extreme, there’s also been an undercurrent of transgression in Park City this year as three films are said to be pushing the envelope regarding extreme graphic violence and gore/blood.
“I Saw the Devil” doesn’t sound like my idea of a good time though it’s twisted revenge premise has a kind of sick cleverness to. If this movie really is as gory as people say, I don’t quite get the comparisons to “Oldboy,” which was often unpleasant and, I suppose, somewhat shocking and definitely brutal in places, but not really particularly gory — I don’t think I closed my eyes once and I’m, you know, me.
“The Woman,” is a film about a misogynist torturer who eventually gets his that has really divided viewers and caused one gentleman to completely flip out at a screening. Reading Drew McWeeney’s extremely positive review and description of the utterly insane showing, setting aside the issue of the treatment of women onscreen, I sort of fail to see the point of the exercise. Okay, he was traumatized by the movie. Why is that a good thing? Gore and violence aside, in my view, art and that kind trauma may actually be antithetical because it doesn’t allow you any room of your own in which to think. We could maybe use a little more of Bertolt Brecht’s “alienation effect” and a little bit less total immersion cinema these days.
On a somewhat less serious tack, the most popular Sundance premiere with the fanboy set by far is the long ballyhoed “Hobo With a Shotgun,” in which the gore and brutality is mostly, but perhaps not entirely, played for laughs in what I understand is deliberately cheesy grindhouse style. Even so, it sure sounds as if the envelope may be pushed too far for this extreme-gore-phobe, funny or not
Actually, there’s always the matter of festival hype to consider with all of these films. Something about the air in Park City sometimes makes people exaggerate how violent/gorey/scary/upsetting movies are. Remember when “Blair Witch” was the scariest movie of all time?
* Speaking of “Oldboy” director, Chan-wook Park, Mia Wasikowska is in talks to star in his first U.S. film, “Stoker.”
* Yes, the concept that men and women think somewhat differently will be entirely fresh concept for a romantic comedy, I can hardly wait.
* Mel Gibson’s DVD of his new film, “The Beaver” was stolen. Sometimes, the jokes really do all but write themselves.
* A.J. Schnack has some very solid explanations of why “Waiting for Superman” wasn’t nominated and also wasn’t “snubbed” by Oscar.
* Seth Rogen’s going to make a comedy road movie with Barbara Streisand as his mom? It really seems to be happening.
* Another “Hobbit” delay, but a short one caused by a nasty perforated ulcer for Peter Jackson, who surely has had one hell of a year.
Tags: alienation effect, Beatles, Bertolt Brecht, Chan-wook Park, Get Back, Headlines, Hobbit, I Saw the Devil, Mark David Chapman, Mel Gibson, Mia Wasikowska, Miranda July, My Idiot Brother, Paul Rudd, Peter Jackson, Stoker, Sundance, The Beaver, The Future, The Woman, Waiting for Superman, Yoko Ono