Tag: Paul Bettany

Legion

The origins of “Legion” – a group of strangers fight off an unholy invasion – can be found in a dozen low-budget movies from “Assault on Precinct 13” to “Evil Dead,” and as source material goes, those are two damned fine titles to borrow, as it were. And “Legion” pays decent tribute in the process, serving up some enjoyable moments both humorous and dreadful (as in full of dread, not as in miserable). Paul Bettany is the archangel Michael, rebelling against God’s order to essentially launch the apocalypse by killing the unborn child of a truck stop waitress in the middle of nowhere. Instead, Michael leads the truck stop employees and their few patrons into fending off an army of angel-possessed (that’s right, angel-possessed) people who have suddenly swarmed on them. And what a group of employees and patrons this is. You’d expect Dennis Quaid and Charles S. Dutton to be here, but Kate Walsh’s appearance as an angry mom is a nice surprise. The dialogue is decent enough for what is clearly a B movie, but it’s a bit too slick for its own good. Movies of this ilk should have swagger and personality, not glossy production value. Still, Bettany handles the lead role with aplomb, taking the role seriously but not too seriously. Overall, it’s an acceptable entry into the supernatural horror genre, but if we’re lucky, this won’t pull a “Prophecy” and inspire a series of unnecessary sequels.

Click to buy “Legion”

Weekend box office: “Avatar” gets the double three-peat; “Legion” ascends to #2

Do I even need to tell you that “Avatar” once again topped the weekend box office? Well, I’m telling you anyway. I’m also adding that, as per the good people at Box Office Mojo, it suffered only a very modest 15.9% drop from last week and made a healthy estimated $36 million over this weekend, topping the box office for the sixth time running. Moreover, Jolly Carl DiOrio reports that, barring worldwide calamity of some sort, as of tomorrow, James Cameron‘s science fiction adventure looks to beat the record of his “Titanic” and be the number one worldwide moneymaker of all time.

Meanwhile, Nikki Finke, never anyone’s cheerleader, is quick to remind us that the film is actually only the 26th most popular film of all time when you adjust for inflated ticket prices, and I’m wondering if it’s possible to adjust for population growth over the century or so history of the movie business. Still, a buck’s a buck and there’s no taking away from James Cameron’s achievement in connecting in an intense and emotional way to the masses and getting them to part with not too small sums of money in fairly hard economic times.

We do have a bit of a surprise in the #2 spot. If you were here for the weekend preview, you’ll perhaps guess that¬† I am slightly surprised that the killer-angels movie, “Legion,” managed an estimated $18.2 million for Screen Gems with a very good per-screen average of $7,351 (it was on about a thousand fewer screens than most of the other top pictures). It managed this despite about zero buzz and some withering early responses. I guess young men just wanted to see a movie about buffed angels killing people and each other.

I just wonder if any religious types will take notice of it now. I simply have a hard time imaging a movie about kick-ass emissaries of God fighting each other and slaughtering people not offending someone, but that’s just me. On the other hand, Paul Bettany’s career as well as that of its first-time feature director Scott Stewart would seem to be newly blessed.

Following Warner Brothers’ “The Book of Eli,” which endured a fairly typical drop of 48.2% percent in its second week for an estimated $17 million, was the movie I pretty much expected to be in the #2 spot, “The Tooth Fairy.” The family-factor failed to come to the rescue for the PG-rated Dwayne Johnson comedy vehicle, which managed a fairly soft estimated $14.5 million. Considering it’s budget was $48 million as opposed to the $22 million for “Legion,” it has to be something of a disappointment for Fox.

Brendan Fraser and Harrison Ford in Still, that’s nothing compared to the drubbing the newly formed CBS Films took for the Brendan Fraser/Harrison Ford medical drama, “Extraordinary Measures.” A topical subject matter couldn’t erase the fuzziness pervading the film’s profile and came in at the #7 spot and made a matching $7 million in its first week. And here comes my obligatory medical metaphor….At this point, the prognosis for CBS’s movie foray might be a little shaky.

Zzzzz….”Avatar”…zzzz

We’re deep, deep into the January doldrums this week with the studios putting out three new movies that will be lucky to be fodder for late night cable or very hard trivia questions after a few weeks. We also, of course, have one true-blue blockbuster dominating the box office for the sixth week in a row.

Sam Worthington in And so THR’s jolly Carl DiOrio is beyond certain that James Cameron will, by Sunday, not only be the director of the #1 and #2 moneymakers of all time (not adjusted for inflation) but also will be matching his own “Titanic” record of six consecutive #1 showings at the U.S. box office. He also says “Avatar” will make roughly $25 million. That sounds about right to me, but all I can really say for sure is that it does seem reasonably sure to wipe the floor with the three fairly lackluster looking films on tap for this weekend.

The Tooth Fairy,” at least, benefits from a quickly understandable premise which has some comic potential, as well as a very strong supporting cast. Dwayne “no longer ‘the Rock'” Johnson is an unpleasant hockey star forced to become the winged pixie of everyone’s childhood. Playing M to his emasculated James Bond is a slightly stern Julie Andrews, with Billy Crystal and Stephen Merchant of “Extras” as his Q branch operatives, while Ashley Judd performs love interest duties. The consensus on this one is that, while¬† it’s the very rare critic who will go so far as to admit to actually liking the thing — it has a lousy 11% “fresh” Rotten Tomatoes reading — it could have been worse. Talk about faint praise. The trailer isn’t exactly huge on laughs, but Crystal variation on his old Miracle Max shtick got a chuckle out of me. Considering the family factor and Johnson’s appeal, I suspect this Fox comedy will stand up nicely to the weak competition of the other new releases.

Speaking of weak competition, every review I glanced at, including the one from our own David Medsker, compared “Extraordinary Measures” to a TV movie. This fact-inspired maiden voyage for the newly formed CBS Films stars Brendan Fraser as a corporate executive with two children suffering from a rare disease who joins forces with Harrison Ford‘s curmudgeonly scientist to find a cure while battling the medical and corporate establishment.

Brendan Frasher and Harrison Ford take

This type of material can work in theatrical films as was proven by both Steven Soderbergh with “Erin Brockovich” and, before that, George Miller with the underrated “Lorenzo’s Oil.” (Nick Nolte’s Italian accent wasn’t all that bad, besides, he got the emotions right.) The consensus here, however, is that pedestrian execution destines this film to fairly instant obscurity — a familiar face and an aging superstar won’t be enough to attract major audiences to a film that really could have used a few some good reviews. Instead, it got only 23% percent of critics at Rotten Tomatoes admitting to even a mild liking for the film.

Only one critic we know of has even seen “Legion.” Released by Sony and made by a first time director with a background in effects work, this one sounds to me like an action/horror remake of Kevin Smith’s “Dogma” or “Wings of Desire” gone very, very wrong. The film has very literal killer angels besieging a diner — because hashhouses are always the best place to start an apocalypse. Starring Paul Bettany as the week’s second ass-kicking winged mythological being and Dennis Quaid as a sick looking middle-aged guy, DiOrio says this is “tracking best among young males” and I can’t imagine who else would see this one. Judging by Mr. One Critic’s ultra-harsh review, even they may find better better things to do. As for what religious people will make of a film which has angels wielding machine guns, I can only imagine.

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