It’s another end of week movie news dump

It’s oh so tempting to slack off with more trailers and videos, but a few items too interesting to ignore…

* Regular readers, both of you, may remember a number of interview pieces here and elsewhere by me dealing with a film called “Middle Men.” Well, my interview with the film’s producer and presumed model for the lead character, Christopher Mallick, has become a lot more interesting over the last few days. It has drawn some unusually strong comments from netizens, and not for no reason. The Wrap’s Johnnie L. Roberts sums up how funds deposited by Mallick’s current company, ePassporte, have been effectively frozen — leaving some people truly in the lurch — and also that this isn’t the first arguably suspicious crisis that Mallick has weathered.

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I will say that if you have over $240,000 pre-loaded on a card which I gather is mainly for use on porn sites these days (not online poker as I once assumed) — I’m no one to judge on this matter, but I think you’ve got a bit of a problem.

* A much more positive story, especially for hardcore movie fans, is Roger Ebert’s announcement that he is returning the format he and Gene Siskel perfected back to its original PBS home, with a few interesting new twists including the presence of the one of the universe’s more photogenic of cinephile bloggers, Kim Morgan of Sunset Gun, alongside headliners Christy Lemire and Elvis Mitchell, Omar Moore and Ebert himself.  Nikki Finke, via TV Deadliner Nellie Andreeva, provides the turd in the punchbowl. (Please, Mr. Mitchell — don’t give Ms. Finke the pleasure of a “Toldja!” here.)

* Speaking of the amazing Mr. Ebert, be sure to check out his TIFF swag.

* William Monahan, who did such a great job turning the engaging-but-slender Hong Kong thriller, “Infernal Affairs,” into a full-bodied near masterpiece for Martin Scorsese in “The Departedwill be working with “Tron: Legacy” director Joseph Kosinski on something called “Oblivion” for Disney.

* Alamo Drafthouse will be getting into the film distribution game with a bang in more senses than one with their release of the ingenious, ultra-dark British comedy, “Four Lions,” which really does do for terrorism what “In the Loop” did for needless wars. A parking snafu created by the organizers of the Los Angeles Film Festival caused me to be 20 minutes later for the screening but, even so, I can’t imagine that the film will be anything less than one of the year’s best, even if its premise scares many away.

  

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* Mike Fleming is claiming a Finke “Toldja!” for the news that Disney and “Tron: Legacy” director Joseph Kosinski are going ahead with a film version of the comic book, “Oblivion.” I’m not familiar with the book so, should I be more excited about this than I am? Of course, having recently rewatched the original “Tron” I’m even less excited about his other movie. I’m sorry, but it’s got to be one of the thinnest excuses for a piece of entertainment I’ve ever seen. A few interesting visuals aside, it’s easily one of the weakest efforts Disney has ever been associated with as far as I can see. It’s lingering appeal is a complete mystery to me.

* As rumors of the day go, I find this one even less believable than most. That idea is that Quentin Tarantino may be “attached” to what had previously been Sam Raimi’s new version of William Gibson’s influential pulp character, the Shadow — who became best known via a popular thirties radio show starring a very young Orson Welles.  I’m a fan of the character and of Tarantino, so I certainly wouldn’t mind this being true. It just feels significantly off from Mr. Tarantino’s many obsessions, though considering his delving into thirties and forties cinema for “Inglourious Basterds,” you never know.

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