With Cannes starting to wind down — or with people probably starting to leave in the manner of Hollywood folk at lengthy fests much in the way Los Angelenos leave sporting events early — maybe the news will start to slow down a bit as well. In any case, it’s looking like I won’t be around to cover it tomorrow, and then comes the weekend movie preview, so this will have to tide you over for a bit.
* Our top story tonight, however, is far away from anything likely to screen in, or even out of, competition at the world’s most famous film festival. Seems that Megan Fox, who you might remember compared director Michael Bay to Hitler some time ago, will not be returning in “Transformers 3.” Apparently Bay has finally realized there are lots and lots of unnaturally attractive young women in Hollywood and some of them can act a little.
In any case, Nikki Finke brings you a crash course on the apparent Fox/Bay hate affair, while AICN’s Merrick reminds you of some of those other unnaturally attractive women.
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There’s no doubt that Alex Gibney is on a historic roll as a documentarian. Within only a few years, he’s been involved with probably the largest number of popular and influential documentaries of any single human being not named Michael Moore. Those works would include the outstanding “Enron: The Smartest Guys in the Room” and the equally strong, and Oscar winning, “Taxi to the Dark Side,” about American use of torture in the “war on terror.” Gibney has also made his share of more historically themed documentaries, including “Gonzo: The Life and Work of Dr. Hunter S. Thompson.” He was also involved as a producer in two of the other most important and controversial documentaries of recent years, the Iraq-war expose, “No End in Sight” and “Who Killed the Electric Car?”
If Gibney’s past output is hugely impressive, however, his upcoming list of films is dizzying. At the recently wrapped Tribeca Film Festival in New York, he premiered as a “work in progress,” a new and apparently very revealing, look at former New York state governor, attorney general, and Wall Street watchdog Eliot Spitzer and the sex scandal that drove him from office. He also has a segment in the upcoming film version of the super-hot bestseller, Freakonomics, as well as new films about two very different cultural legends: bicyclist Lance Armstrong and author/super-hippie Ken Kesey of One Flew Over the Cuckoo’s Nest and Merry Pranksters fame.
There’s also the recently completed “My Trip to Al-Qaeda” and the film Gibney was promoting at his publicist’s L.A. office one recent afternoon, “Casino Jack and the United States of Money.” It’s a work of amazing journalistic detail that also works very hard to be lively and accessible.
Even if I felt that Gibney didn’t quite master that “accessible and lively” aspect too consistently this time around, his “Casino Jack” reviews so far have been great overall. He’s certainly a filmmaker to be reckoned with and one with an outstanding body of work behind him and much, much more to come. Not my idea of a lazy person.
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