Winter 2011 TCA Press Tour: Day 10 – or – The Day Will Hit the Wall

The TCA tour lasts for about two weeks. That’s two weeks away from your family where you’re spending the majority of your time sitting in a hotel ballroom, listening to panel after panel about upcoming TV shows. Don’t get me wrong: I’m enough of a TV geek that I enjoy it from start to finish, but at a certain point, you find that your enjoyment begins to be regularly supplanted by the desire to just grab your shit and go the hell home. As a professional, I do my best to rise above this, which is why I invariably stick it out ’til the very last panel of the tour, but when you start considering the shit-grabbing and home-going more often than you find yourself thinking, “Say, this show sounds pretty good / awful,” this is what is known in TV critic parlance as “hitting the wall.”

And, baby, I have hit it.

When I woke up on the morning of Day 10 of the tour, I had a headache. It was the first time I’d had one since arriving in Pasadena, and, of course, I took it for what it was: a sign that both my body and mind were ready to return to Virginia. Little did I realize that it was really more of a portent of the evil that would cross my path on this day…but we’ll get to that. With a job to do, I popped a couple of Motrin, swigged some coffee, and entered into the day’s panels, which consisted of shows from the CBS family of networks, which includes, of course, CBS (“Chaos,” “Mad Love,” “The Good Wife”), but also Showtime (“The Borgias,” “Shameless,” “Californication,” “Episodes”) and The CW (“Shedding for the Wedding”). There were also executive sessions for the various networks, as well as one for the “Kick Ass Women of The CW,” featuring stars from “Hellcats,” “The Vampire Diaries,” “Nikita,” and “Smallville.”

Looking at the talent list for the various panels, there were certainly people I wanted to chat with, but I’ve always had trouble picking up interviews for Showtime series, a fact which all but killed my chances with many of the most interesting actors in attendance, including Jeremy Irons, William H. Macy, David Duchovny, and Matt LeBlanc. Heck, I couldn’t even pull a one-on-one with Colm Feore, although I did end up chatting with him later in the evening while pretending to be Canadian. (Don’t ask.) But I did at least make it into post-panel scrums for Irons, Macy, and the ever-gorgeous Carla Gugino, so there’s that, at least. And amongst the cast of CBS’s “Mad Love” is the always amiable Tyler Labine, who I’ve been interviewing at TCA since my first tour, when “Reaper” debuted, so he and I got in a good one-on-one.

Most of my afternoon, however, was spent in a funk. Maybe it’s because I’d hit the wall, but I found myself getting progressively grumpier about the way various actors’ personal publicists were acting. One assured me that I could do a walk-and-talk with their client, who was in a rush to get to another appointment, only to promise the same thing to another writer moments later and leave me in the dust. Another deigned to let me do a one-on-one with her client, then – outside of her client’s line of vision – starting tapping her watch ferociously before I’d even had two minutes of conversation. (This was particularly infuriating because the writers before and after me had neither a time limit nor been “chaperoned” during their interviews.) It was also a major bummer that the evening event was an hour-long cocktail party where the attendees were limited to the shows on The CW which were represented on the network’s panels.

Despite my relatively grouchy attitude throughout the day, there were still some highlights on the panels that are worth mentioning, so here they are…

1. Q: Given Charlie Sheen’s antics over the weekend, how would you characterize your level of concern about him, and what is the network doing to help him?
Nina Tassler (with all due sarcasm): Well, I really didn’t expect that question this morning. So I’m just…I’m really taken by surprise. Look, obviously, we’ve thought, and I personally have thought, a lot about this, and we have a high level of concern. How could we not? But I have to speak to this personally first. On a very basic, human level, concern, of course. This man is a father. He’s got children. He has a family. So, obviously, there’s concern on a personal level. But you can’t look at it simplistically. Charlie is a professional. He comes to work. He does his job extremely well. We are taping tonight, and it’s…it’s very complicated, but we have a very good relationship with Warner Bros. I have a tremendous trust and respect in the way they are managing the situation. So, on a personal level, obviously concerned. On a professional level, he does his job, he does it well, the show is a hit, and…that’s really all I have to say.

2. Question: Jason, what about your character (in “Mad Love”)?
Jason Biggs: Without giving too much away, obviously, I have sex with a sheet cake in the second episode.
Sarah Chalke: We weren’t going to reveal that!
Judy Greer: Way to go.
Jason Biggs: I don’t know if that’s a spoiler alert. Sorry, guys.
Judy Greer: That’s the cake we used for what’s her name’s birthday? Just kidding.
Jason Biggs: Yes. Yes, it was.
Judy Greer: I had a piece of that!
Jason Biggs: No. There are some situations. I wouldn’t say they are exactly, you know, akin to some of the I mean, let’s be honest. Those were very R rated, and some pushing NC 17 scenarios.
Matt Tarses: He loses his pants in Staten Island.
Jason Biggs: But I do lose my pants in Staten Island. So you do see me pantsless, which I think is what my fans demand of me in general and but yeah, there are some I mean, Matt has written, for all of us, some kinds of crazy situations. I mean, it’s inherent to this format, I think, is to create situations that are quite comical and kind of crazy. And for someone who can the person that does it right, they are funny, but they are also grounded in reality somehow, and they are with characters that you like and all that good stuff. And I feel like that’s what’s happening here. So, among those situations, which I believe there are some in every episode, one of them I lose my pants in Staten Island. The other one I have sex with a sheet cake.

3. Q: Freddy, describe what happens when you read a script that says, “Next, Rick eats a scorpion.” What was that like? And when you filmed it…I’m sure you didn’t eat a scorpion, but whatever you were holding…
Freddy Rodriquez: How are you so sure?
Q: It looked realistic. You were holding something that was wiggly and scary. Just describe what it was like when you heard you were going to do it and what it was like to do that scene.
Freddy Rodriquez: Well, to be honest, I wasn’t sure what it was going to be when I got there. And when I got there, if you remember, Tom…
Tom Spezialy: Oh, I remember.

Freddy Rodriguez: …it was a real scorpion. I had a slight anxiety attack, to be honest, right? And then I got over it. And then I asked Brett Ratner to hold it. I would do it if he would hold it, and he refused, and we had an exchange. And after a while I got over it, and it was fun. I mean, when I read the script, there were so many great things that my character was doing in the pilot that I had to be involved even if it had to do with holding a scorpion. It was a real scorpion. I think they put Krazy Glue on the stinger, (but), yeah, it was real.
Q: What does it look like to see that thing wiggling in front of your eyes?
Freddy Rodriguez: Scary. It’s scary.
Tom Spezialy: It peed on him.
Freddy Rodriguez: Oh, yeah, it did. At one point in the night, it just…I didn’t enjoy the experience…it started peeing on me. And I didn’t know what it was. I just thought it was, like, spraying me with some sort of poison or…I wasn’t sure what it was, but it was urine.
Eric Close: Are you sure it was urine?
Freddy Rodriguez: Yeah, it was urine. Gave me golden sunshine, I guess.

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2010: A Look Back at a Lot of Interviews

At the end of 2009, I took a look back at 100 interviews I’d done over the course of the year, and it was exhausting…not only for me, but possibly also for you, the reader. Oh, I still think it was a heck of a piece, but I believe I made a mistake by numbering them. I mean, you get about 20 – 25 into the proceedings, and it’s, like, “Oh, geez, I’ve still got 75 left to go? Screw this, I’m out of here.” So this time, I’m not going to tell you how many quotes are in the piece. I’ll just say that I talked to a lot of really funny, fascinating, and decidedly forthright people during the course of 2010, and I’ll let you dive in. Hope you enjoy the chance to reminisce as much I did, and here’s to a great 2011 for us all!

Big Shots at the Box Office

“I was in Australia, touring with my films and live show, and I got an E-mail from my agent, saying that there was interest in me for Tim Burton’s ‘Alice in Wonderland.’ I thought, ‘Okay, that sounds good.’ I thought it would be for a day or two, maybe a few days or something, and I would’ve been very happy to do that. But then the offer came in, and it was for virtually the entire run of the film. I didn’t even know what part it was for, so I asked my agent, and he said it was for the Knave of Hearts. So I looked up the Knave of Hearts in the original book online and…it didn’t really seem like a character that would require the run of the film. I thought, ‘Something must be different.’ And then I got the actual screenplay, and it was extremely different. I could see that it was written as a sequel. But it was a great part, and I was ecstatic to be in it…and I’m still ecstatic to be in it!” – Crispin Glover, Alice in Wonderland

“They called my agent and said they were auditioning for (‘Inception’), so I flew myself back, I read for Chris (Nolan) once, and I left. I think it was later that day that I heard from my agent, saying, ‘They’ve cut everyone except you. Now, they’re going to go to London to see some people, and then we’ll know more after that. So don’t get your hopes up, but…this is great!’ Then I came back and read again, and I got the job. And then, as you might expect, I freaked out completely.” – Dileep Rao, Inception

“I was actually down at my ranch in South Texas, and my guys called me and said, ‘Hey, we’re trying to get you a meeting with Sylvester Stallone. He’s casting a movie called ‘The Expendables.’’ Several months went by, and he’d already cast ‘The Expendables,’ but he still wanted to meet me for potentially playing the part of Dan Paine. So I went in to meet Sly, it was the first time I’d ever met him, and I’m a huge fan. I remember watching ‘Rocky’ back in ’76 or whenever it was, then getting up the next morning, drinking eggs, and running down the street…and now here I am meeting with this guy!” – Steve Austin, The Expendables

“I was privileged and honored to work side by side with Sly (Stallone in ‘The Expendables’). Most of my scenes take place with him, and I’m telling you, man, he took me under his wing, and it was a brilliant thing. I don’t know what else to say. ‘Rocky,’ ‘Rambo,’ just everything he’s done is iconic, and it wasn’t lost on me. I love the man, and I can’t wait to do another one, ‘cause Sly’s the king of the sequels…and in my whole career, I’ve never done a sequel to any one of my projects. So I’m, like, ‘Sly, I’m ready for ‘Expendables 2,’ okay?'” – Terry Crews, The Expendables

“Jessica (Pare) was just about to disrobe…we were in the (hot) tub…and they were, like, ‘Ready!’ And she took off whatever was covering her in the tub. And somebody asked the boom guy a question just as she was disrobing, and all he could say was, ‘Yesssssss…’ He could only whisper. I didn’t make a joke about it, though. I was just, like, ‘Okay, Craig, keep it cool, keep it together…’” – Craig Robinson, Hot Tub Time Machine

“I made the mistake of using one term loosely and saying (filming in 3D) was a tedious process, and somebody made it sound really bad. The bottom line is that it took a little longer, and the one that suffered more than anybody was (director Kevin Greutert) and the camera guy, because they have to get it right. You know, calibration and being specific with lights and all that stuff. For me, it was a good excuse to go play with the crew that wasn’t on set and crack a couple of jokes, so I got to socialize a little bit more.” – Costas Mandylor, Saw 3D

“Usually, when you’re coming in completely blind with who you’re working with, you don’t know if you’re going to get along, nor do some people put the time in to try to get along. We were all in Pittsburgh, and we did do, like, two weeks of rehearsal before we started shooting (‘She’s Out of My League’), and in those two weeks, we hung out a lot…and, luckily, it went good rather than bad. Because sometimes it’s just awful, and you’re going, ‘I can’t stand that guy!’ So we were lucky. I know a lot of people always say this when they come off work, because they’re kind of trained to say it, but with this one, we all really got along, and I think that’s what helps our chemistry on screen so much: we thought each other were funny, we even liked to hang out afterward, and that played well. ” – Nate Torrence, She’s Out of My League

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Showtime greenlights the perfect series to replace the outgoing “Tudors”

During his welcoming remarks to the Television Critics Association, Robert Greenblatt – President of Entertainment for Showtime – revealed that the network has decided what will take the place of “The Tudors” when the series completes its run at the end of its fourth season.

Get ready for…”The Borgias.”

Greenblatt joked that they wanted to give fans of Showtime’s current period piece the opportunity to enjoy another “demented dynasty,” and, boy, do the Borgias fit that bill. Adultery, theft, rape, bribery, incest, murder…yep, sounds like a premium cable series to me.

“We think it’s a pretty dynamic story to dramatize,” said Greenblatt. It must be: not only will Neil Jordan serve as the executive producer (he will also direct the first two episodes), but “The Borgias” has drawn Jeremy Irons to play the role of patriarch Rodrigo Borgia. Plus, in a nice bit of torch-passing, Michael Hirst – one of the primary behind-the-scenes players on “The Tudors” – will be working on series as well.

“The Borgias” is scheduled to premiere on Showtime in the spring of 2011.

UPDATE – Showtime has issued its formal press release about the pick-up the series, describing “The Borgias” as “a complex, unvarnished portrait of one of history’s’ most intriguing and infamous dynastic families. The series begins as the family’s patriarch Rodrigo (Jeremy Irons), becomes Pope, propelling him, his two Machiavellian sons Cesare and Juan, and his scandalously beautiful daughter, Lucrezia, to become the most powerful and influential family of the Italian Renaissance. And all that power and influence eventually leads to their demise. As Machiavelli once said about his friends, the Borgias, ‘Politics have no relation to morals.'”

Greenblatt also offers this further quote:

“Having blazed a trail with the award-winning ‘The Tudors,’ we wanted to continue to offer our audience a period drama as wicked, witty, and utterly compelling — and that’s what ‘The Borgias’ will be. I can guarantee you’ve never seen a family quite like this before, nor could you make up the outrageous twists and turns of their epic saga if your life depended on it. The directorial mastery of Neil Jordan along with Michael Hirst’s flair for bringing historical dramas vividly to life for a contemporary audience will make ‘The Borgias’ unlike anything else on television.”

  

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