What Else Ya Got? “My Sister’s Keeper”

Not a whole lot, unfortunately, as Warner Bros. continues their hit-and-miss streak of Blu-ray releases. Though “My Sister’s Keeper” isn’t exactly the kind of film that needs hours of bonus material, it certainly deserved better than this. A director commentary or a proper making-of featurette would have done wonders to flesh out the otherwise skin-and-bones disc, but at least there’s something extra for the fans.

From Picoult to Screen

This 13-minute featurette promises to show the creative process of author Jodi Picoult, but it’s really just a shameless piece of promotional material that glosses over the journey of “My Sister’s Keeper” from page to screen. There are some decent interviews with Picoult, director Nick Cassavetes, and stars Cameron Diaz and Abigail Breslin, but you can’t help but feel like there’s a more in-depth making-of featurette hidden somewhere in the Warner Bros. vaults. Surely the studio has more behind-the-scenes footage and interviews that they could have included, so why not create something with a little more substance?

Additional Scenes

As the only extra on the DVD release, this collection of deleted scenes runs just over 16 minutes long. With the exception of a funny scene involving Alec Baldwin at the court house, a majority of the material revolves around Jason Patric’s character, including an additional sequence with each of his daughters and a court scene that reveals Anna’s trepidations about surgery as a kid. It’s nice to see that Patric played a bigger role in the film than the theatrical cut suggests, but despite getting heavily edited out of the movie, it actually works in his favor. Take these deleted scenes for what they are: proof that sometimes less is more.

That’s it in terms of actual bonus material, but Warner Bros. has also included a digital copy of the film for those that feel like a good cry on the go. It’s not really worth the upcharge, however, so unless you’re a Blu-ray junkie, you’d probably be better off just sticking to the standard DVD.

  

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Box office wrap-up: “Transformers” sequel blows up real good

The news this week is about as simple and unsurprising as you can get: “Transformers: Revenge of the Fallen” has done some pretty spectacular business, netting an estimate of $201.2 million, just shy of the all-time record $203.8 million “The Dark Knight” earned on its initial five-day release. Could that $2.6 million difference be the difference between outstanding reviews and really bad ones? Nah, but I still wouldn’t be surprised to see a big drop off here, or maybe that’s wishful thinking based on my oft-repeated feelings about this particular franchise.

As per Variety, “The Proposal” came in at the #2 spot, dropping 45% from its opening for $18.5 million in its second week. And this summer’s ongoing audience and critical favorites continue to do outstanding business. “The Hangover” is thought to have taken in $17.2 million in its third week, while “Up” continues to exercise the astonishing power of the Pixar touch in the #4 spot with about $13 million in its fifth week.

This week’s only non-“Transformers” wide release, “My Sister’s Keeper” (referred to by newly rich superblogger Nikki Finke as “simpering,” but which our own Jason Zingale actually kind of liked), came in at the #5 spot with an estimated $12 million. As we mentioned last time, that’s actually a couple million more than some expected.

John Krasinski and Maya Rudolph, It also wasn’t a bad weekend on the indie side. The critically acclaimed Iraq war action-suspense drama, “The Hurt Locker,” performed well in its four theaters on the coasts, netting about $3600 per screen. In wider release, the high pedigree prestige comedy, “Away We Go,” perhaps benefited from the TV appeal of stars John Krasinski and Maya Rudolph, and got into the #10 spot with $1.7 million in just under 500 theaters.

Back tomorrow with more on the about to be concluded LAFF

  

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