Here’s a cool clip of Rob Reiner discussing “When Harry Met Sally” on The Late Late Show with James Corden. Rob discusses how he and Nora Ephron changed the ending to the film . . . which ended up being a great decision.
And of course we can’t do a post about this film without the iconic Meg Ryan scene as she fakes an orgasm for Bill Crystal . . .
I’ve wanted to see “The Conversation” for years, and with the pandemic raging I was able to catch up on a number of movies I had wanted to see. I had high expectations for this one, and frankly I came away a little disappointed.
Some movies just don’t age well, and that’s sometimes true with movies from the 70s. The decade was loaded with amazing films, and usually they live up to the billing. But some of the films that seemed ahead of their time in that decade just don’t age as well.
I was bored with this one, even though the story throws in some interesting twists.
The story behind the film is interesting, and one comes away impressed with the direction of Francis Ford Coppola and the acting by Gene Hackman and John Cazale. Roger Evert loved it, but the slow pace was too much too overcome.
It’s been over 35 years since the release of “Blood Simple,” a film noir classic where we were introduced to the brilliance of the Coen Brothers as a director/producer team. It’s now streaming on HBO and is definitely worth your time. If you’ve seen it before, you’ll know this film is always worth a rewatch. And for newcomers you’ll get to see many of the techniques the Coen brothers used throughout their amazing career.
Today, we take Meryl Streep’s brilliance as an actress for granted. We’ve seen so many magical performances through the years. Still, one can’t help but be blown away by Streep’s Oscar-winning performance in this film.
Meryl Streep has already established herself as a performer of that caliber, but nothing in her earlier work fully anticipates ”Sophie’s Choice.” In Alan J. Pakula’s faithful screen adaptation of Mr. Styron’s novel, Miss Streep accomplishes the near-impossible, presenting Sophie in believably human terms without losing the scale of Mr. Styron’s invention. In a role affording every opportunity for overstatement, she offers a performance of such measured intensity that the results are by turns exhilarating and heartbreaking.
“Sophie’s Choice” is certainly worth a look, but be prepared for some excruciating scenes. I won’t get into any of the details as one needs to experience this film without knowing its destination.
I spent three years in the Boston area (Cambridge to be precise) and got a decent feel of the city while I was there. These weren’t my favorite years, and frankly I had more fun in three months in New York City than I had in three years in Boston.
Boston is a provincial place, but you can’t deny it has character. Also, it’s such a beautiful city, and even the shitty parts have a vibe that comes across on the screen.
I recently watched “The Town” for the first time, and I wondered why we needed so many movies about Boston. Then, when listening to The Rewatchables podcast for this film, Bill Simmons asks the question about the best Boston movies. This isn’t a surprise, since Simmons loves lists almost as much as he loves Boston.
But, as usual, he comes up with pretty good lists . . . and he nailed it with his Boston list. And since I agree with it, here’s my take on those best Boston films in no particular order:
This movie made a real impression on me when I was younger. I wanted to be a lawyer, and “The Verdict” captured the drama of arguing the ultimate case . . . perhaps too well, as the law in real life is much more boring and far less dramatic. Paul Newman is brilliant in this film as the broken down lawyer who finds redemption. Meanwhile, the backdrop of Boston, with all its history and tradition, provides the perfect, romanticized setting for an epic David vs Goliath legal battle.