This video takes a “critical” look at the role of movie critics, but frankly doesn’t reveal anything that significant. You should look for critics that you can read regularly, and then you can decide whether to trust them. And there are resources like Rotton Tomatoes that aggregate reactions from critics and the public.
John Cho (L) and Kal Penn, cast members in the motion picture comedy “A Very Harold & Kumar 3D Christmas”, attend the premiere of the film at Grauman’s Chinese Theatre in the Hollywood section of Los Angeles on November 2, 2011. UPI/Jim Ruymen
I’m not complaining, as we see John Cho and Kal Penn attend the premiere of “A Very Harold & Kumar 3D Christmas” at Grauman’s Chinese Theatre in Hollywood. But isn’t this a little early?
Following the disappointment of “Harold & Kumar Go to Guantanamo Bay,” not to mention co-star Kal Penn’s surprising decision to accept a job at the White House, the likelihood that fans would ever see another Harold & Kumar adventure again seemed pretty slim back in 2008. And yet here we are, three years later, discussing the newest film in the ongoing stoner buddy franchise. But while my expectations were relatively low going into “A Very Harold & Kumar 3D Christmas,” it’s actually a big improvement over the last sequel, hewing much closer to the spirit of the original film by refusing to take itself too seriously while still maintaining a certain level of tact that was sorely missing from the disastrous second installment.
I didn’t mind the second installment, but only because the characters are always fun. If the movie is better this time, this should be a crowd-pleaser.
The reviews are pretty mixed for “Anonymous,” the new drama that tells a story of how Shakespeare wasn’t the guy writing all those plays you had to read in high school. The critics on Rotten Tomatoes only give it a 43% positive rating as of today, though the readers liked it more.
Bullz-Eye’s David Medsker liked it and gave it 3 stars out of 5:
On the surface, “Anonymous” appears to be a radical departure for director Roland Emmerich, who has made his bones destroying the world by way of natural disaster and alien invasion. Look closer, though, and you’ll see that “Anonymous” boasts many of the same qualities of his action-driven work. It’s bombastic, needlessly complex, and about as historically accurate as “2012” or “The Day After Tomorrow” are scientifically accurate (which is to say, not very). As a work of historical fiction, though, it’s quite entertaining, and Emmerich coaxes some remarkable performances from his cast. It’s all a bit ridiculous, yes, but one should never let facts get in the way of a good story.