Box Office Preview: Breaking Up with a Teddy Bear Roommate, Male Strippers, and Tyler Perry

Ted

This one isn’t going to win any most original premise of all time awards, but those who claim originality equals greatness are kidding themselves. After all, there have only been seven basic plots in storytelling over the history of all mankind. “Ted” falls fairly clearly into number five on that list, the comedy: “Hero and Heroine are destined to get together, but a dark force is preventing them from doing so; the story conspires to make the dark force repent, and suddenly the Hero and Heroine are free to get together. This is part of a cascade of effects that shows everyone for who they really are, and allows two or more other relationships to correctly form.”

When you think about it like that, it almost seems like you’ve seen this movie before. The dark force is a roommate who needs to grow up and move out, so the straight-faced main character, in this case Mark Wahlberg as John Bennett, and his lady love (played by Mila Kunis) can live happily ever after. Along the way the relationship with the roommate matures as well, and he grows to be mature and “straight-faced” in his own right. This is where “Ted” plays with the trope, as the roommate character is not in fact a person, but a stuffed teddy bear (I wonder how they thought of the title) magically brought to life.

But these days, when everything’s been done a thousand times over, originality is useless, especially when the chosen genre is comedy. People aren’t there for story, but to laugh, any dramatic twists and turns are an added bonus. When you think about it that way “Ted” actually offers more than your standard comedy fare.

It really doesn’t matter that we’ve heard this story before, that Ted sounds exactly like Peter Griffin, or that Seth McFarlane is voicing another talking animal (of sorts). What does matter is that in his debut in both film and live-action, Seth McFarlane has been able to make a funny movie that doesn’t rely (too much) on his trademark cutaway gags and pop culture riffs. Furthermore, he deftly handles the few dramatic sequences the film does employ, and manages to justify Mila Kunis’ character’s demands rather than making her seem like an uppity bitch doing a Yoko Ono impression.

“Ted” currently sits at a 69 percent on the Tomatometer. Although it may seem like a live-action version of “Family Guy” at times, it’s well worth the price of admission for fans of McFarlane’s or anyone looking to have a laugh.

Magic Mike

The official synopsis reads: “Set in the world of male strippers, Magic Mike is directed by Steven Soderbergh and stars Channing Tatum in a story inspired by his real life. The film follows Mike (Tatum) as he takes a young dancer called The Kid (Alex Pettyfer) under his wing and schools him in the fine arts of partying, picking up women, and making easy money.”

But director Steven Soderbergh’s newest production just might be better than you’d expect, even if you do have XY chromosomes. “Magic Mike” has been certified fresh and currently sits at a 79 percent on the Tomatometer. Film.com’s Eric D. Snider says it “does a better job of mixing Chippendales-style guilty pleasures with reality-based cautionary tales than you might expect.” But Bullz-eye’s David Medsker wrote, “There are lots of things to like about ‘Magic Mike,’ but a few key ingredients, mostly story-related, prevent the film from hitting its mark. You can almost see director Steven Soderbergh at odds with himself, torn between making a mainstream film or a gritty indie, and ultimately doing neither.”

A film starring Channing Tatum, Matthew McConaughey, and a bunch of other are tanned and ripped young fellas loosely based on the former’s real life beginnings as a Chippendale’s “employee” who made it big. It’s hard to say whether or not this film’s for you. But what with all the dancing and the Tatum, I’d say this one’s probably going to skew female in all the ways “Boogie Nights” didn’t. And that’s more or less what “Magic Mike” is, “Boogie Nights” with male strippers.

Madea’s Witness Protection

I can’t even talk about this one. I really can’t. Tyler Perry, Madea, and something about a ponzi scheme. This movie isn’t for anyone. Even if you’re a huge (and I mean huge) fan of Tyler Perry, and I can’t imagine why you would be, “Madea’s Witness Protection” is currently sitting at a 29 percent on the Tomatometer. As Peter Howell of the Toronto Star put it: this is “less a movie than it is an exercise in product branding.”

  

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Weekend Box Office: “Tangled” enjoying good hair and $ days, a “Warrior” doesn’t get its way, but “Black Swan” is no ugly duckling

Everything pretty much is working out at this weekend’s box office as was predicted Thursday night. The exception being that, as a whole, the post-Thanksgiving Day letdown may be slightly bigger than expected. To be specific, as prognosticators prognosticated, Disney’s “Tangled” led the box office derby.

Showing the usual strength of well-received family-animated comedies, the film formerly known as “Rapunzel” earned an estimated $21.5 million over the weekend. The less than thrilling news here is that, as calculated by Box Office Mojo‘s indispensable weekend chart, it suffered a rather larger than usual second weekend drop for its genre of 55.9%. Still, I’m guessing we can attribute some of that to the post-holiday doldrums.

Tangled up in Rapunzel

On the sunny side of the equation, the musical action comedy is already very close to the $100 million in its second weekend, and that’s never bad. On the other hand, the typically enormous CGI animation budget of $260 million makes that kind of number seem a hair less impressive. On the other other hand, when you consider not only the the worldwide box office, but the licensing, I think it’s fair to say that “Tangled” will be another profitable feather in the ever-more-humongous Disney cap.

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Pretty funny/Less funny or “Actors With and Without Benefits”

I’m returning to my occasional game of comparison between successful and not so successful attempts at humor with a contrast that’s less outrageous than usual. Today we have two new trailers for comic films dealing with the not-really-so-new phenomenon of people having sex with friends they’re not actually dating.  Neither is bad, exactly, but I think one is definitely funnier than the other.

The trailer that came out last night for “No Strings Attached” isn’t terribly unfunny. It also isn’t all that terribly funny or compelling and, in my view, there’s mostly one reason for that and he’s winking at you right now. See if you agree.

Now, we move along to today’s Red Band (and hence a bit mildly NSWF) trailer for the similarly themed movie with the title you knew someone was going to use: “Friends With Benefits.”

Not necessarily a work of genius but pretty entertaining stuff that had me laughing out loud right at the end. The difference? Well, it’s pretty clear that we have a leading man issue. Though I might be tempted to argue he’s a better producer than director, Ivan Reitman has certainly proven he can make a very decent, or better than decent, comedy. However, Billy Wilder, himself would have probably made a mediocre film if the studio saddled him with an Ashton Kutcher equivalent. Natalie Portman‘s a very good actress who I’m sure will bring out the best in Kutcher, but his best, as far as I can tell, isn’t good.

Starting out as a teen idol, some initially dismissed Justin Timberlake in much the same way I still dismiss Kutcher and, before I actually saw him in anything, I might have expected to feel the same. Funny part is, Timberlake turned out to be a hard working and very likable actor, and his notices for “The Social Network” indicate he’s going to continue to be moving up. He also he has no problem making fun of himself and his career so far. Here, it really pays off and with Mila Kunis — another actor who’s turned out much better so far than I originally expected — he’s really got something to work with. A wise choice by “Easy A” director Will Gluck.

So, my advice to directors considering casting choices is clear: seek the Timberlake; avoid the Kutcher.

H/t Screencrave and /film.

  

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More vampire-related romance.

Let it never be said that we at Premium Hollywood don’t give the public what it wants.

  

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