Hidden Netflix Gems – Sleeping Dogs Lie

Hidden Netflix Gems is a new feature designed to help readers answer that burning question, “What should I watch tonight?” It will be updated every Saturday before the sun goes down.

Bobcat Goldthwait’s second theatrical feature covers territory considered taboo even in pornography (and for good reason), but it does so with amazing tastefulness and sincerity. Let’s get this out the way right off the bat, just as the film does: Sleeping Dogs Lie is about a woman, Amy (Melinda Page Hamilton), who experimented in sexual relations with her dog while in college. This is not to say she regularly had sex with the animal – it was simply one act, on one occasion – and, as the title suggests, the film is really about the repercussions of her decision to share this information with her loved ones.

Amy is very seriously considering marrying her longtime boyfriend, John (Bryce Johnson), who believes that the couple should be completely honest and share all their secrets with one another. After initially hedging with a made-up story about sleeping with her friend Linda (Morgan Murphy), Amy finally decides to tell John her most mortifying secret. The timing couldn’t be worse, as they are at her parents’ home where John is meeting her family for the first time, but is there ever really a good time to hear something like that? Even more unfortunate for everyone involved, however, is that Amy’s troubled, meth-smoking brother, Dougie (Jack Plotnick), overhears the confession, and soon the truth is out to her parents (Geoff Pierson and Bonita Friedericy) as well.

The truly remarkable thing about this film is how tastefully and relatably such repugnant subject matter is handled. Though Amy has done an undeniably disgusting thing in her past, the film’s humor (which is every bit as good as its drama) is never truly at her expense, and there is never any question that we are meant to empathize with her every step of the way. Because of Hamilton’s exceptional, heartbreaking performance and Goldthwait’s intelligent, insightful screenplay, it is never difficult to do so, either. Like the inferior (but still interesting) Lars and the Real Girl, which sensitively explored a lonely man’s love affair with a realistic-looking sex doll, Sleeping Dogs Lie takes a subject that could easily have been mined for nothing but cheap laughs and, instead, uses it to express a profound truth about the human condition: sometimes it is better to lie to the ones you love.

  

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It’s your post MTV Movie Awards debacle movie news

Yes, isn’t it?

* Okay, so as I wrote in the post below, I felt slightly ill-used by the MTV Movie Awards PR apparatus. However, the question they asked Mrs. Lincoln remains: what did I think of the show? Well, when I finally watched it at home after a long drive home and an only-at-Universal-City-Walk possibility of following up a Pink’s chili dog w/sauerkruat with a Tommy’s Chili burger, I found it…okay. It was loud, vulgar — and not always in a good way — and it had excellent production values that the Oscars could learn from. I think I was as moved as everyone else by Dr. Ken Jeong’s speech about his wife’s former illness.

On the other hand, I could have done with less of the Tom Cruise dancing with Jennifer Lopez thing. The Les Grossman character was very funny, and definitely reminiscent of some real Hollywood characters, in the context of “Tropic Thunder,” but now it seems to have taken on an unneeded life of its own that is starting to creep me out and not in a funny way. But, once again, no one is listening to me and Cruise is talking about, Lord helps us, a Grossman movie. I’m starting to think he should talk more about Scientology.

Tom Cruise,Jennifer Lopez

As far as I what I felt about the actual awards and the movies and performances that were recognized…is there even the slightest point in complaining? I don’t think there’s any pretense that these awards are intended to honor good movies. Of course the “Twilight” movie was going to win. And I guess it’s somehow appropriate to know there’s at least one award Christoph Waltz just can’t get for playing Col. Hans Landa.

One thing that irked me slightly and then later amused me greatly, but not for the reason the MTV producers would have liked, was the much remarked upon proliferation of swear words. I use relatively few curse words for a modern-day American, but I’m not particularly opposed to them, especially when used in a clever or entertaining fashion. In the context of a show where the curses are to go out bleeped, however, more than one or two in a sentence can be a real problem for the audience at home that doesn’t hear it, and it really did bury many of the jokes in a volley of random silence.

Still, one comic highlight was Peter Facinelli’s acceptance speech on behalf of the rest of the “Twilight: New Moon” cast in which he apparently simply overwhelmed the person on the kill-switch with his deliberate carpet F-bombing, and several fuck-words made it through. It was a really funny moment that did not go on unnoticed by society’s killjoys who, just this once, weren’t completely in the wrong, I suppose.  I nevertheless believe that the religious fundamentalist-driven PTC should get a fucking life.

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A chat with Joshua Leonard of “Humpday”

Joshua LeonardWhen you’re dealing with the press, what topic could possibly overshadow your new, Indie Spirit award-nominated and generally very well received comedy about two more or less ordinary straight dudes who decide to make a porno of themselves having sex…with each other? Well, “Humpday” star Joshua Leonard has had to deal with one of those “be careful what you wish you” show business situations in that the second film he was in about ten years back was an enormously profitable, zero-budget worldwide hit and horror pop-culture phenomenon – one that happens to be referenced in nearly every review of a certain recent zero-budget DIY horror hit.

Still, as one of the three actors/cum camera people/cum screenwriters who endured a deliberately scary and uncomfortable shoot in “The Blair Witch Project,” Leonard has leveraged his decade old flavor-of-the-month status into a solid career as a working actor with scores of credits ranging from the HBO movie “Live from Baghdad” to recent episodes of the new TV series, “Hung,” also on HBO. He’s also become a director. “Beautiful Losers,” a documentary he co-directed, is just hitting home video after a run on the festival circuit, and he recently completed shooting his dramatic feature debut as a writer-director, “The Lie.”

Still, he’s clearly very proud of his involvement in writer-director Lynn Shelton’s “Humpday” alongside costar and previously interviewed fellow film-maker Mark Duplass – now a very close real-life buddy — and happy to have contributed to a new tightly-plotted but improvised movie where there was absolutely no attempt made to convince the world he was dead. His portrayal of Andrew – puppyish Peter Pan, would-be artiste and compulsive traveler/bohemian – remains the extremely funny heart of the film. He’s also, I was happy to find, a really fun guy to talk to. He’s obviously a lot more smarter and 10,000 times more mature than his movie alter-ego, but he’s every bit as easy to hang out with – even on a twenty-minute phone call set up by a publicist.

PH: I don’t always say this, but I really did like “Humpday.” I thought you guys were great.

JL: Thanks, man. What have you hated recently?

PH: [Laughs] I’m a critic, we could blow out entire time talking about that.

JL: [Laughs] That’s what I want to know.

PH: Fortunately, nothing of yours. Okay, so I’m going to ask everyone I talk to on the movie this question….

Just before I saw the movie at the L.A. Film Festival, I had reviewed the DVD for “The Odd Couple.” It was kind of interesting because it was sort of two of the poles of the male bonding thing and of course the whole idea of “bromance” has been  out now. I was just wondering how you thought “Humpday” fit in with all these movies that have been out there on this general topic.

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