Really, the headline here tells the tale about last night’s awards from the English equivalent of our Academy of Motion Picture Arts and Sciences. “The Hurt Locker” won six awards from the Orange British Academy Film Awards (which makes me wonder what other colours British film awards are available in). As described by Indiewire’s Peter Knegt — who also kindly provides a complete list of the awards — they include Best Picture, a directing award for Kathryn Bigelow, as well as for Mark Boal’s screenplay, editing, photography, and sound — the better part of the whole behind-the-camera British enchilada. And, no, I don’t think that sounds very appetizing, either. Not quite all of it, though. For example, “The Young Victoria” got the awards that usually go to period dramas, costumes and make-up.
Perhaps almost as predictably, the main acting awards, however, did go to more local talent. Specifically Colin Firth won for his performance as a man in mourning in “A Single Man” and Carey Mulligan for her teen learning some hard, yet kind of fun, life lessons in “An Education.” Still, the BAFTAs bowed to standard practice by giving the supporting actor awards to Mo’Nique of “Precious” and Christoph Waltz of “Inglourious Basterds,” yet again. (Also truish-to-form, Mo’Nique wasn’t there.)
Best British film went to the highly praised “Fish Tank,” which happens to feature “Basterd” secret weapon Michael Fassbender opposite Kierston Wareing and newcomer Katie Jarvis. As for the lastest from the onetime Mr. Kathryn Bigelow, “Avatar,” it met the once traditional fate of well-regarded science fiction movies at the Oscars, and only got a Best Visual Effects and Production Design awards but, of course, is only making a double gazillion dollars. Aaah. Geeks may be take some solace, however, in learning that “Outstanding Debut By A British Writer, Director Or Producer” went to Duncan Jones for his intriguing feature debut, “Moon,” a small-scale space tale like they used to make.