Winter 2011 TCA Press Tour: Day 11 – or – The Day The Tour Ended

As I start this write-up of the final day of the Winter 2011 TCA Press Tour, it actually still is the final day of the Winter 2011 TCA Press Tour. Normally, I don’t start these things until the next day, after everything that’s going to happen has happened, but the last panel of the tour wrapped at around 2 PM PST, so as far as I’m concerned, I’m officially off-duty. The only thing left for me to do is pack my bags, grab some food, have a few drinks with friends, and catch my shuttle to LAX…and, yet, I thought about it and decided, “Since I’ve actually got the time to do it, maybe I should go ahead and write up the last few panels before I ever leave Pasadena.”

Makes sense, right? That way, there’ll be nothing hanging over my head to finish when I get home, and I can enjoy at least a day or two of much-needed downtime.

Unfortunately, none of the transcripts are online yet, so you won’t be getting any exact quotes unless the fine folks in the transcription department manage to get them knocked out between now and 2:00 AM (that’s when I have to head down to the lobby), so you’ll just have to make do with a few random recollections for now, and I’ll play catch-up when I’m home, rested, and ready to write again.

Even before John Landgraf took the time to do a teleconference with TV critics to explain why FX had to cancel “Terriers,” I’ve thought he was one of the nicest and most approachable network presidents. Mind you, I blame this really just on one experience with him, when he made good on a promise to reveal the producer who was working on a rewrite of FX’s “Powers” pilot (Kevin Falls, who may or may not still be involved at this point), but the “Terriers” move was a classy one that just helped to underline how I already felt. He sounds hopeful that “Lights Out” won’t follow the same path in the ratings as “Terriers,” and, boy, so do I. I’ve seen the first five episodes of the show already, and I’m loving it.

Next up was Louis CK, who couldn’t have sounded more grateful about the way the critics have embraced his series…but, then, he was probably already beaming from the praise that had just been heaped on him by Landgraf in his introduction. We didn’t really get much of an idea what to expect from Season 2, which stands to reason, since he hasn’t even started production yet. The funniest moment came when FX exec John Solsberg invited all of the critics in the audience to visit the set, something which clearly hadn’t been mention to Louie, who shot him a tremendous “what the fuck?” look.

Even after talking to Elijah Wood at the Fox party the other night, I still couldn’t quite wrap my head around what to expect from his new sitcom, “Wilfred,” about a man who, when he looks at his neighbor’s dog, sees a man in a dog suit who talks in an Australian accent. (It’s based on an Australian series, with the same actor – Jason Gann – playing the dog in both.) Having now seen the pilot, though, I was rather surprised to find myself laughing a lot. It’s absolutely as ridiculous as it sounds, but Gann is hysterical, so I’m now curious to see if it’s going to be more than just a one-off. Of the panel, I really just have one immediate observation: Fiona Gubelmann is cute as a button and has legs that go on for miles.

The last of FX’s panels was for “Justified,” but even with a huge panel, I couldn’t help but notice one face missing: Elmore Leonard, the author responsible for creating the character of Marshall Raylan Givens. As it turns out, he’s been so inspired by the show that he’s now in the middle of writing a brand new novel entitled…you guessed it…Raylan. In his absence, though, Leonard offered a statement in which he raved about the show, particularly the performance of Timothy Olyphant as Raylan Givens. Funnily enough, though, Olyphant wasn’t asked a question until well into the proceedings, a fact which he noted with mock indignation. (“It’s like they got together and said, ‘Hey, nobody ask Walt (Goggins) or Tim a question. Fuck those guys. Fuck those guys. Nobody say anything to them.’”) I really need to finish catching up on this show before Season 2 kicks off, because I love all that I’ve seen thus far.

After FX’s panel, the network provided us with a free lunch, along with the opportunity to chat with several stars of the shows. I had ridiculously bad timing whenever it came to trying to grab members of the “Wilfred” cast for interviews, but I was pleasantly surprised to see Holt McCallany, who plays Patrick “Lights” Leary on “Lights Out.” Fantastic guy, and we had a really nice conversation about the show and how his character develops over the course of the episodes I’ve seen thus far. He swears the best is yet to come.

Okay, kids, I’m tired of waiting for the transcripts to come in, so I’m…

Dammit! That’s what I get for checking: they all just came in at once. Okay, fine, I’ll offer up a few quotes to close up my coverage. I hope you’ve enjoyed getting my perceptions of this strange event known as the TCA Press Tour. Stay tuned for my final wrap-up sometime soon…and look for further adventures during the 2011 Summer TCA Press Tour!

“What I felt about ‘Terriers’ was that the audience that was watching it, which included many of you and hundreds of thousands, actually, ultimately, in total viewers, millions of people at home, I knew they were going to be really disappointed it wasn’t moving forward, and I thought that they deserved as clear an explanation I could give them as to why it wasn’t, and a chance for you, as their representatives, to sort of have at me and ask why isn’t it coming back and for me to explain myself. I don’t know why networks haven’t done that before. I’ve never done it before. And I guess maybe it’s just that I’m now coming up on seven years in this job. And in seven years, you have some great successes and moments of exultation, and you have bragging rights, and then you have some failures. And I think you just get used to the rhythms of both in your work and eventually you get to the point where you’re capable of embracing your failures, learning from them, and talking about them. I think most programming executives are just fundamentally too insecure or too defensive to get to that point. And maybe I’m just old enough and I’ve been doing it long enough that I can take that tag.

“I think there’s always been a disconnect, unfortunately, between audience taste and critical acclaim. I think in those rare circumstances where you all have near unanimity and are willing to stand up on a table and shout, ‘This is the greatest show of all time,’ I think you guys can move the needle. But I think the reality is that you disagree with each other most of the time. Unanimity is rare, and most of you don’t feel you want to stand up on a table and shout even if you like a show, so you have to raise a huge din. You did raise a huge din on ‘Mad Men,’ and what that did — ‘Mad Men’ has become, by our analysis, literally the most critically acclaimed series in the history of television. (You have) taken it from a dismal ratings failure to ratings mediocrity.” – John Landgraf

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2010 Year End TV Review: Will Harris

You’d think it’d be easy for me to pull together a “Best TV of 2010” list, given that I’ve attended two TCA press tours (one in the winter, one in the summer), participated in two editions of Bullz-Eye’s TV Power Rankings (one in the spring, one in the fall), and pulled together the site’s annual Fall TV Preview, but damned if that doesn’t somehow make the task harder. Nobody likes to feel like they’re repeating themselves, and given that there’s going to be some inevitable content crossover between all of these various pieces, I often find myself bouncing back and forth between all of these features, wondering if I’m subconsciously recycling a particularly nice choice of phrase. Hopefully, I’ve managed to make this sound at least somewhat original, but if for some reason you feel I’ve failed at that endeavor, please, for God’s sake, don’t take it out on the shows. It’s not their fault, and they shouldn’t be held accountable for my lack of creativity.

Oh, and one other note: in a further effort to avoid conceptual duplication, I’ve only written about each show once, so if you see a show’s title without anything written beside it, look back and you’ll find where I’ve already written about it. That, or I screwed up. Either’s possible, really. (I’m only human, after all.)

Best Shows to Come and Go within 2010

1. Terriers (FX) – It’s a testament to the quality of “Terriers” that FX president John Landgraf held a teleconference with journalists after breaking the news of the series’ cancellation in order to explain his actions, but I don’t think anyone really blamed the guy, anyway: the show’s ratings were as deplorable as the writing was phenomenal. Between the awful ad campaign for the show (no, it wasn’t about dogs) and the fact that many of the viewers who did tune in were kind of bummed out by too-real character traits and developments like alcoholism, infidelity, divorce, and mental illness, it’s not a surprise that it wasn’t a huge hit. But that doesn’t make it any less depressing.
2. Lone Star (Fox) – I’d like to think that this “Dallas”-esque series about a con man leading two lives would’ve been battling with “Terriers” for the top spot if only Fox hadn’t canceled it after only two episodes…but, then, if they can’t canceled it after only two episodes, then maybe viewers might’ve embraced “Lone Star” enough that it wouldn’t have been canceled at all. Oh, wait, never mind, I forgot: it was on Fox, so it probably still would’ve been canceled, anyway. Even so, Kyle Killen provided an intriguing concept and delivered it with the help of a top-notch cast. It’s just a shame we didn’t get to see more of it.

3. Warren the Ape (MTV) – So falls another network effort by one of our favorite fabricated Americans. Greg the Bunny couldn’t keep a show alive on either Fox or IFC, but it really seemed like a given that the shenanigans of Warren the Ape were tailor-made for MTV viewers. Not so, apparently. Frankly, the whole thing smacks of anti-puppetism. Warren himself has conceded that “fabricated Americans still have a very long way to go in this country, and I think it’s always going to be an uphill battle.” How right he was.
4. Happy Town (ABC) – Note to ABC’s publicity department: while I appreciate your intentions when you underlined the comparisons between “Happy Town” and “Twin Peaks” with a giant Magic Marker, you have to expect that “Twin Peaks” fans are going to offer up their equivalent of the old “I knew Jack Kennedy” line. Yeah, I know, you only meant it as a point of reference, and you never intended to imply that the two series were on even creative footing, but try telling them that. For my part, I thought it was a creepy little sleeper of a show…but, unfortunately, the other five people who agreed with me weren’t enough to keep it on the air.

5. Sons of Tucson (Fox) – I’m still not quite sure what Fox was thinking by trying to slot this poor live-action sitcom into the midst of their otherwise-animated Sunday night line-up. Maybe they’d hoped it would instill viewers with a bit of nostalgia for the days of “Malcolm in the Middle,” given the similarity in feel between that show and “Tucson.” If so, the plan failed miserably. In a perfect world, the network would raise the series from the dead and team it with “Raising Hope.” Now that’s a double bill I could get behind.

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“Justified” kicks ass

Pardon the crude title, but there just isn’t any other way to say it. After watching last night’s premiere, it’s clear that “Justified” is poised to become the next great FX series.

One part “The Shield,” one part “Sons of Anarchy” and one part “True Blood,” “Justified” follows Raylen Givins (Timothy Olyphant) a somewhat disgraced (yet badass) Deputy Marshall who is assigned to Eastern Kentucky (and his hometown of Harlan) after losing his plum assignment in Miami over a shooting he deemed “justified.” The series is based on a short story by Elmore Leonard.

The antagonist — at least for the first episode — is Boyd Crowder (Walton Goggins, who you’ll recognize from his role as Shane Vendrell on “The Shield”), an Aryan criminal with a propensity for blowing things up.

There’s also Raylen’s ex-girlfriend, Winona (Natalie Zea), and Ava (Joelle Carter), who would like to be his new squeeze.

The first episode was about bad blood between Raylen and Boyd, but it looks like each week, Raylen will be working on a different assignment, ranging from witness protection to prison transfer to hunting down criminals. Olyphant was terrific in the role of sheriff on “Deadwood,” so he’s not going to have any problem carrying this series — he already owns this part.

If you miss “The Shield” and like “Sons of Anarchy,” give “Justified” a shot. It’s well worth the time.

  

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