Following on from last night’s post, here are some more reactions to the movies I saw at the recently wrapped Los Angeles Film Festival…
* “Cyrus” — This played early in the festival and was pretty much concurrent with it’s opening in theaters. I’ve already said in passing elsewhere that I enjoyed the film quite a bit despite some flaws and, by now, you’ve probably heard something about this oddball romantic comedy of gently Oedipal horrors. It first came up on my radar some time ago when I interviewed Mark Duplass, one half of the directing Duplass Brothers.
About the worst thing I can say about “Cyrus” is that, unlike the similarly improvised film Mark stars in, “Humpday,” which also involved a woman caught between two problematic men, the female role here is relatively under-developed. The fact that that movie was written and directed by a woman, Lynn Shelton, is, I’m sure, not entirely coincidental.
There’s also been something of a cinephile backlash to the Duplass’s camera work, among other issues, which may interest you wonks. You can read about that via Glenn Kenny, Bill Ryan (my further thoughts are in comments at his place) and Jim Emerson.
Tags: Alex Gibney, Amir Bar-Lev, Bill Ryan, Chris Meltzer, Cyrus, Duplass Brothrers, Everday Sunshine: The Story of Fishbone, Everyday Sunshine, Fahrenheit 9/11, Fishbone, Glenn Kenny, Headlines, Humpday, Jim Emerson, John Nolte, Lev Anderson, Lynn Shelton, Mark Duplass, Michael Moore, Movieline, Pat Tillman, The Tillman Story