The 2010 Primetime Emmy nominations are in!

Bright and early this morning…by which we mean 8:40 AM EST / 5:40 AM PST…the nominees for the 62nd Primetime Emmy Awards were announced by Joel McHale (“Community,” “The Soup”) and Sofia Vergara (“Modern Family”). It ended up being a worthwhile gig for one of them, at least, with Vergara pulling in a Supporting Actress nod for “Modern Family.” Maybe that’s why McHale seemed so stone-faced. (Seriously, did someone tell McHale that he wasn’t getting paid if he didn’t keep his smart-assery in line ’til after the nominees were read? The only time he cracked anything approaching a joke was when he preempted Vergara’s mangling of Mariska Hargitay’s last name.) Anyway, here’s a list of who got the glory…and, in the case of Best Actress in a Drama, who got the shaft.

Outstanding Comedy Series:

* Curb Your Enthusiasm (HBO)
* Glee (Fox)
* Modern Family (ABC)
* Nurse Jackie (Showtime)
* The Office (NBC)
* 30 Rock (NBC)

My Pick: “Modern Family.” There’s no question that “Glee” is award-worthy, but not necessarily as a comedy, which is also where “Nurse Jackie” falters in this category. I feel like “The Office” and “30 Rock” coasted in on their past merits this year, but “Curb” got a huge boost from the “Seinfeld” storyline, so it’s the only real competition here. Still, the buzz on “Modern Family” is all over the place. I can’t imagine it won’t bring home the glory.

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ABC: What’s New for Fall 2009

V (Tues., Nov. 3 @ 8:00 PM, ABC)

The competition: “NCIS” (CBS) “The Biggest Loser” (NBC), “Hell’s Kitchen” (Fox), “90210” (The CW)

Starring: Elizabeth Mitchell, Morris Chestnut, Joel Gretsch, Lourdes Benedicto, Logan Huffman, Laura Vandervoort, Morena Baccarin, Scott Wolf
Producers: Scott Peters (“The 4400,” “The Outer Limits”), Jeffrey Bell (“Day Break,” “Alias”), Steve Pearlman (“Reunion,” “Related”), and Jace Hall (“The Jace Hall Show”)
Network’s Description: A re-imagining of the 1980’s miniseries about the world’s first encounter with an alien race. Simultaneously appearing over every major city in the world, the Visitors (or V’s) promote a message of peace. Through their generous offer to share advanced technology, the V’s build a following that may actually hide a more malevolent agenda, one that twists a very deep component of human nature: devotion. While the world quickly becomes fascinated with the V’s and their link to wonders just beyond the reach of human understanding, FBI Counter Terrorist Agent Erica Evans discovers a secret hidden beneath the skin of every V – a secret that may threaten the lives of everyone close to her. Yet for her teenage son, Tyler, the V’s are his ticket to something big and hopeful — a new chance for mankind to unite in common goals. To Chad Decker, a career-hungry news anchor, his exclusive interview with Anna, the leader of the V’s, is crucial to his dominating the airwaves. Also unsure about the Visitors is Father Jack, a priest questioning his faith in the wake of the Visitors’ arrival. Seeking answers outside the church, Father Jack discovers there are other dissidents who believe the Visitors are not who they say they are, including Ryan Nichols, who is faced with his own life-altering decision when the V’s show up. Never has there been more at stake — it truly is the dawning of a new day.
The Buzz: Like “Eastwick,” there’s a certain instinct to ask, “Why do we need to revisit a 20-year-old property?” In the case of “V,” though, most of those who remember the show fondly will probably nod their heads and consider that, yes, special effects technology has evolved to a point where a concept like this one deserves to reap the benefits. And although the purists will no doubt grimace and claim that it won’t be the same without original creator Kenneth Johnson working behind the scenes, they need look no farther than “Battlestar Galactica” to have a good reason to consider the possibilities for a new “V.”
Pilot Highlight: Personally, I dug the showdown between Anna and Chad when he refuses to offer an interview consisting solely of softball questions and she informs him that either it’ll be all queries that paint the Visitors in a positive light or the interview will be canceled, but the episode’s tie-ins to terrorism were damned intriguing.
Bottom Line: There’ll clearly be a “we’ve seen this” reaction from the generation who grew up with “Independence Day,” but it’s already clear that this is not your parents’ “V.” It may not prove to have any more legs than ABC’s last stab at alien infiltration (“Invasion”), but it’s going to come down to whether or not the viewers who come in for the curiosity factor, thinking, “Hey, I liked the old show, I wonder how the new one will be,” are going to given enough to sell them right off the bat.

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Greetings to the New Show: “Do Not Disturb”

Back in July, when every broadcast network other than CBS was being stingier than Ebeneezer Scrooge about sending out screeners of pilots (or, in NBC’s case, first episodes, since they don’t do pilots anymore), I was pleasantly surprised when Fox stepped forward and provided us with the pilot for their new sitcom, “Do Not Disturb,” which focuses on the staff of a high-class hotel.

But then I watched it.

After enduring the viewing experience, I was still surprised that they’d provided us with the pilot…but, now, instead of being surprised that they had finished product with which to provide us, I was simply surprised that they felt like the show was worth showing to us, let alone put on the air. I don’t know if you remember my posting after sitting through the TCA panel for the show, but if you don’t, then this one sentence should provide you with sufficient insight as to my feelings on the pilot:

I was perhaps one of the few fans of Jerry O’Connell’s previous series, “Carpoolers,” and hearing that Jason Bateman directed the pilot episode of this hotel-based sitcom, I walked in ready to love it, but sweet Jiminy Christmas, this thing sucked so much that it might as well have been sponsored by Oreck.

Yes, it was just that good…and at least one other person agreed with me: my esteemed evil twin, Bill Harris of the Toronto Sun, who described it as the least funny sitcom pilot to cross his path in a couple of years. I think it’s safe to say that this dissatisfaction was shared by others beyond just writers named William Harris, however, since Fox soon made the decision to air an episode other than the pilot when the series premieres on September 10th. As a result of this move, the network proceeded to send us an advance screener of this episode as well…and after more than a week of having it sitting in my house and taunting me, I’m finally going to steel myself and watch it. But know this: I’m doing it for you, dear readers. People say that critics sit on high and look down at everyone else, deciding what’s good and what’s not, and maybe that’s true sometimes, but let’s not forget the sacrifices they make for the people who read their work…and while we’re at it, let’s not forget to ask God to have mercy on my soul for at least the next 22 minutes or so.

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