It’s your pre-Father’s Day Blu-Ray/DVD Round-Up

The DVDs and Blu-Rays have been piling up. So, it’s time to go through a bunch of them, with a bit of extra attention paid to movies that might appeal to dads, though I suppose moms might like some of these as well.

* Playwright George Kaufmann famously defined satire as “what closes on Saturday night” and these days you might as well define political thrillers as “what doesn’t get greenlit unless a bunch of big stars really want to do it, and then bombs.”  “The Manchurian Candidate” is both political thriller and a satire and it didn’t fail at the box office, though it was kept out of circulation for nearly twenty years after its initial release for reasons that remain somewhat mysterious to this day.

I’m hardly alone in feeling this is probably the best political thriller ever made and possibly the second best political satire after “Dr. Strangelove.” Long after the end of the Cold War which spawned it, it’s continues to resonate with our political culture and it’s title still gives peoples the willies. Just ask John McCain.

Directed by John Frankenheimer and based on a novel by the mordantly comic suspense novelist Richard Condon of “Prizzi’s Honor” and “Winter Kills,”, you might know that it’s the story of what happens when a Soviet/Red Chinese brainwashing unit gets its hands on a group of captured soldiers, including Raymond Shaw (Laurence Harvey, who makes aloof bitterness very cool), the highly estranged step-son of a Joe McCarthy-like senator. Frank Sinatra does maybe his best acting work as a traumatized fellow soldier who realizes something might be up because of some very strange and very bad dreams he’s having — and the fact that he keeps calling the unpleasant Shaw “the kindest, bravest, warmest, most wonderful human being I’ve ever known in my life.”

It’s a brave blend of politics, off-the-wall black comedy (what was called “sick humor” back then), suspense, and borderline Jacobean classical tragedy. Frankenheimer had a knack for making political material work dramatically, and also for drawing out strong performances. Janet Leigh (“Psycho“) was perfect as the female love interest, who was written so oddly by Richard Condon and screenwriter/playwright George Axelrod that many have theorized she’s actually an operative of some sort — an idea capitalized on in Jonathan Demmes’ disappointingly morose 2004 remake. The greatest casting coup here, however, is Angela Lansbury’s absolutely chilling turn as Raymond Shaw’s hated extremist Washington-hostess mother. She wasn’t the only less-than-pleasant character Lansbury ever played, but there’s something about what happens when actors who make a career largely playing nice people play extremely not-nice people that can be electrifying.

I also can’t resist mentioning the fight scene between Sinatra and Henry Silva as a North Korean spy, which Frankenheimer was often proud to mention was the first use of martial arts fighting styles in an American film. Seeing it again, it’s not only more brutally effective than I remembered as Sinatra and Silva all but destroy Laurence Harvey’s Washington apartment, but — especially in the initial moments when Sinatra instinctively begins fighting the Silva character without even knowing who he is — it’s pretty obvious to me now that it had to be one of the main inspirations for the terrific first fight scene in “Kill Bill, Volume I,” in which Uma Thurman and Vivica A. Fox lay waste to a Pasadena living room.

The Blu-Ray is, by the way, not a deluxe restoration, but it includes all of the excellent features that earlier DVDs have included and the print has been kept in excellent enough shape that a new restoration isn’t really necessary. It looks great. Super highly recommended, though pricey.

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Movie Moments: Chita Rivera

Unlike the other arts recipient of the Presidential Medal of Freedom, Sidney Poitier, Broadway legend Chita Rivera hasn’t had an extensive career in movies. In 1960, she originated the role of Rosie in the first Broadway production of “Bye Bye Birdie.” When the time came to do the film version, however, Hollywood blew its shot at having a positive portrayal of a Latina actually be played by a Latina. Instead of using Ms. Rivera, a great dancer and singer, the part went to Janet Leigh, a “name” whose considerable talents were mainly in acting.

Still, a few years later, the great director-choreographer Bob Fosse choose to include Ms. Rivera in his first film, “Sweet Charity.” Unfortunately, 1969 was exactly the wrong year to release a more or less traditional musical. “Charity” bombed, forcing Fosse to completely rethink the musical form for the movies and Rivera to keep plugging away in New York. Fortunately, that means we have a couple of great movie-moments from this semi-forgotten classic featuring Chita Rivera as Nickie, a tough-talking taxi dancer. Here, along with friends Helene (Paula Kelley) and Charity Hope Valentine (Shirley MacLaine), she reconsiders her career choice.

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