Met Them at the Greek — a press day chat with Russell Brand, Jonah Hill, Rose Byrne and Nicholas Stoller of “Get Him to the Greek”

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If you saw “Forgetting Sarah Marshall” — and I hope you have as its one of the stronger comedies to be made over the last several years — you’ll likely have noticed the strong comic chemistry between British comedy sensation Russell Brand as three-quarters insane, recovering addict rock star Aldous Snow and Jonah Hill (“Superbad“) as a resort waiter and somewhat overly devoted fan of Snow’s. Well, you’re not the only one, and so we have the somewhat slapdash, sometimes brilliant, and ultimately winning new comedy, “Get Him to the Greek,” which once again brings us Brand as Aldous Snow, who, since the events of “Sarah Marshall” has suffered a failed marriage to rocker Jackie Q (Rose Byrne), had a seven-year old son, and removed the “recovering” from his addiction — kind of impressive since “Sarah Marshall” was only two years ago.

Nevertheless, having fallen headlong off the wagon, Snow needs help arriving on-time and semi-cognizant for an important TV appearance, a sound check, and a special comeback performance at L.A.’s Greek Theater. The task falls to ambitious young record company assistant Aaron Green (Hill, playing a different character than in “Sarah Marshall”), a huge fan of Snow’s in a sweet but rocky relationship with his improbably adorable doctor girlfriend (Elizabeth Moss of “Mad Men“). Frequently vomit-stained hijinks ensue as Green and Snow barely survive a number of unfortunate events, including a nearly apocalyptic visit to the set of “The Today Show,” one of the most truly mad Las Vegas sequences in film history, and the kind of freaky three-ways that would make most porn producers blanch. It’s all wrapped up with the sort of good-hearted traditional morality which reminds us that the producer is the Walt Disney of male-centric, R-rated comedies, Judd Apatow.

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Here, have some movie news with your left over brisket

If you’re noticing that film bloggers and journos seem to grasping at news straws, blame the Passover/Easter spring break slow down. Anyhow, as folks work off all that schmaltz and matzoh at the gym, let’s nevertheless briefly consider a few items of some interest.

* For starters we have the kind of “breaking news” that isn’t really news at all. It’s looking like “The Hangover 2” is going to be a lot more expensive than the first because, you know, the cast would like to be paid a lot more this time and there was a lot of haggling. Can’t blame them . However, as much as I liked the first movie, it did not in any way cry out for a sequel. As the first commenter at Deadline|New York says, lightning doesn’t strike twice — except, of course, when it does. We’ll see.

* More sequel news  — well, rumor reported as news — Will Smith is supposedly “locked in” for “Independence Day” sequels. (H/t Anne Thompson.) Momentum may be building here and the story could be true. Director Roland Emmerich dropped a hint or two about it in a recent interview with our own David Medsker recently. We’ll see.

* And, you know how I always make a big deal about not prejudging movies. The E*Trade talking baby movie is sorely tempting me to make an exception. No. We won’t see.

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* Three brief items from THR. First, pretty Kaley Cuoco of “The Big Bang Theory” will be going cinematic in a partially animated flick comedy that involves Russell Brand voicing the Easter Bunny; it’s called “I Hop.” Also, LeBron James‘ next coach might be director Malcolm D. Lee. And, finally, two comedy writers who apparently enjoy bowling have been hired to work on the “Baywatch” movie, Brian Gatewood and Alessandro Tanaka. Tanaka has the kind of cross-ethnic name that, I think, could influence a guy to go into comedy, though I’m thinking “Kazuhiro Saperstein” would have been even better.

* I’m late to the viral video party, but the “Scarface school play” vid isn’t nearly as funny as it sounds. I guess thinking it was “real” could help, but how could anyone think it was real?

* The new film from master documentarian Errol Morris (“The Fog of War,” “Standard Operating Procedure“) sounds really interesting and potentially even more controversial than any film he’s made because it’s apparently lighthearted. Some might not agree that’s appropriate given the main character’s crime. Read the Playlist’s description and see if you agree.

http://theinspirationroom.com/daily/2009/etrade-babies-in-2009/etrade-baby-golf
  

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