Weekend box office: A crime caper, a demon (non) con, and some bulked up Na’vi head to the ‘plex

The good news is that it seems pretty clear that “Vampires Suck” will not be the #2 movie again this weekend. The not-quite-news is that, with the reign of “The Expendables” also almost certainly over, there is some real doubt about what will be #1 because of the special extended edition, all 3D, release of box office champion “Avatar” in over 800 theaters.

While Ben Fritz confesses to some actual confusion, jolly Carl DiOrio cautiously leans toward the heist thriller “Takers” to take the weekend with some amount in the “teen millions.” Although our own Will Harris found some things to like in a thoroughly mixed review, the thriller is being out-and-out bashed by many critics, with the consensus being that the film, which stars Chris Brown, potential A-lister Idris Elba, and “Avatar” leading-female-life-form Zoe Saldana (well, Will says she’s hardly there), is a tinsel-laden rehash or, as Cinemablend’s Josh Tyler puts it (via Rotten Tomatoes pull quote):

The logical result of watching Heat over and over and over until your brain burns out, and then wondering what it would look like if the whole thing were remade as a Smirnoff Vodka commercial.

Doing better critically is this week’s other new wide release, “The Last Exorcism.” Producer Eli Roth’s first foray away into PG-13 scares, the movie boasts a premise that actually threatens to justify one more shot at the increasingly large horror mock-documentary subgenre with a premise I know I’ve seen somewhere before in some form. It’s about an avowedly phony exorcist who opts to document his own con job only to find himself beset by…well, just guess. It’s a premise ripe for laughs and satire as well as scares and a majority of critics find this an auspicious debut for first time helmer Daniel Stamm.  There’s been some viral promotion for this film. Considering the style and the no-name cast, I’m sure the budget for this “Exorcism” was good and low and that’s nearly always a smart move, especially with an attempt at horror that’s more than just frightening.

One proviso, however. Most seem to agree that the ending is a let down. One thing about the most commercially successful entries in this genre, they might not have been great cinema in the usual sense, but they had wowser endings.

Robert Duvall, Bill Murray, and Lucas Black In the indie world, the year’s next candidate for break-out film turns out to be “Get Low,” which will almost no longer be a limited release as it expands onto 570 screens. Yes, I’m one of the very few writers not to be the least bit charmed by the film. So, what’s the voice of one-almost-lone movie critic versus a wave of good reviews and enormous, well-earned goodwill built up by three great stars like Robert Duvall, Sissy Spacek, and Bill Murray? Don’t answer that.

  

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Bullz-Eye’s Pacino and De Niro on the QT

They’ve been linked since 1974 and “The Godfather: Part II.” Al Pacino, with only one major performance behind him, had become a major star with a perfectly modulated performance as reluctant Mafia prince Michael Corleone in “The Godfather.” Two years later, Robert De Niro‘s energetic work as the young Vito Corleone in the universally acclaimed sequel transformed the respected working actor into an almost instant superstar. The laws of time and space dictated that they could not appear together as father and son (this wasn’t “Back to the Future: Sicilian Style”), and so the two remained on separate tracks. Even in Michael Mann’s hugely successful 1993 action drama, “Heat,” the ballyhooed Pacino-De Niro collaboration was mostly limited to a single scene over a cup of coffee at a pricey Beverly Hills eatery. It was as if all that intensity could only be contained in a few minutes of caffeine-fueled conversation and posturing.

The release of the new cop thriller, “Righteous Kill,” promises more Bob-and-Al interaction, but there’s no reason these two acting powerhouses with Italian surnames can’t share the screen comfortably. There’s no taking away from the power of their most iconic non-“Godfather” roles: screwed-up vigilante-in-training Travis Bickle (“Taxi Driver”); hapless would-be bank robber Sonny Wortzik (“Dog Day Afternoon”); troubled boxer Jake LaMotta (“Raging Bull“); ultra-ambitious immigrant gangster Tony Montana (“Scarface“); or quick to kill wise guy Jimmy Conway (“Goodfellas“). And there’s a lot more to these two performers than barely concealed rage, well-wrought angst and occasional bouts of scenery munching.

Take a look at our list of 20 somewhat less well known performances showcasing the less obvious attributes of these two Italian-surnamed dynamos, and then come back and let us know what performances you might have added (or subtracted).

  

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