A Christmas movie . . . already?

John Cho (L) and Kal Penn, cast members in the motion picture comedy “A Very Harold & Kumar 3D Christmas”, attend the premiere of the film at Grauman’s Chinese Theatre in the Hollywood section of Los Angeles on November 2, 2011. UPI/Jim Ruymen

I’m not complaining, as we see John Cho and Kal Penn attend the premiere of “A Very Harold & Kumar 3D Christmas” at Grauman’s Chinese Theatre in Hollywood. But isn’t this a little early?

The movie should be fun as it has a good rating on Rotten Tomatoes. Jason Zingale agrees:

Following the disappointment of “Harold & Kumar Go to Guantanamo Bay,” not to mention co-star Kal Penn’s surprising decision to accept a job at the White House, the likelihood that fans would ever see another Harold & Kumar adventure again seemed pretty slim back in 2008. And yet here we are, three years later, discussing the newest film in the ongoing stoner buddy franchise. But while my expectations were relatively low going into “A Very Harold & Kumar 3D Christmas,” it’s actually a big improvement over the last sequel, hewing much closer to the spirit of the original film by refusing to take itself too seriously while still maintaining a certain level of tact that was sorely missing from the disastrous second installment.

I didn’t mind the second installment, but only because the characters are always fun. If the movie is better this time, this should be a crowd-pleaser.

  

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Now, if we could only get the dragon into the hot tub…

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We’re getting off to a late start on this week’s box office preview, but it’s not like there’s a huge amount of suspense over what movie will rule the box office this early Spring weekend. Still, it’s not all skittles and beer out there.

America’s theater owners have decided to do a solid for the home entertainment business by trying to take advantage of the current 3-D mania by raising already inflated ticket prices during a still very rough economy/”jobless recovery.” I’m betting that whatever gains the owners see from this will be short term — especially as 3-D films become common as dirt with 3-D retrofits lowering the perception of quality — but that’s a rant for another day. However, one more thing, can someone explain to me how all the major chains increasing their prices over the same weekend doesn’t sound suspiciously like collusion, and if I’m right, how that can be legal?

In any case, the movie which will be generating a rude surprise at the box office for families nationwide is Paramount/Dreamworks digitally animated family fantasy-comedy, “How to Train Your Dragon.” The Hollywood Reporter‘s Greg Kilday is reporting that interest is increasing and as much as $40 million seems possible. Especially considering those extra inflated ticket prices and we know that once the family is at the box office, it’s far too late to turn back, I wouldn’t it expect it to go higher. Moreover, it sounds like people will be getting a dandy movie for their (too much) money. The reviews for this one are darn near Pixar-esque — in other words hugely positive — at least in terms of the Rotten Tomatoes numbers and when that many critics like a mass audience film, believe it not, most people will like it too.

With all due huge respect to Roger Ebert, who is predicting the film will come in at #2 based on his site traffic  (he gave it only the mildest possible positive review and unlike others was not wowed by its 3-D either, it appears), this seems like the closest thing there is to surefire hit. Moreover, my spies in the family world tell me child interest has been high for weeks.

Hot Tub Time Machine
Still, I wouldn’t bet against a healthy showing for the film Mr. Ebert expects to be top new release this week, “Hot Tub Time Machine.” My spies in the middle-aged-overgrown-child-world (primarily: me, myself, I) tell me that interest in this raunchy but (I’m hoping) clever farce with a strong comedy cast and a instantly get-able premise has also been high for some time.

On the other hand, while some may be whispering of a coup along the lines of “The Hangover, my gut tells me it’s simply not the same kind of film and I don’t see this having the same kind of wide appeal. For all its guy-humor, “The Hangover” was a surprisingly sweet-tempered and almost low-key film by modern comedy standards, “Hot Tub Time Machine” seems to be more in the “Harold & Kumar” range of low-comedy that works for (relatively) high IQs. Anyhow, the film benefits from probably better than average reviews for this kind of comedy (62% “Fresh”).  Kilday is talking in the high teens. I suspect it’ll do well and perhaps more than that, but not shockingly so.

In any case, it generated the best RT pull quote I’ve seen in awhile, courtesy of A.O. Scott, who finds an undercurrent of melancholy amidst the low comedy:

It’s fun, it’s sad, and it’s kind of sad that it’s so much fun.

Read the rest of this entry »

  

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Wednesday night at the movies

I’ll be taking tomorrow off, so this’ll have to hold you….

* Several blogs, including The Vulture, are commenting on Disney’s refusal to greenlight a sequel to the Sandra Bullock/Ryan Reynolds hit comedy, “The Proposal.” Apparently, Disney is only interested in either franchise pictures with commercial spin off possibilities (i.e, toys and video games) or small-budget youth-themed films.

Ryan  Reynolds and Sandra Bullock in

* So, after everything we’ve seen from him over the last eleven years or so, I’m supposed to believe George Lucas getting more involved will improve the reportedly troubled “Red Tails”? I just hope he stays far, far away from the actors.

* The Playlist has a fascinating peak at an apparent early draft of P.T. Anderson’s not-about-Scientology screenplay.

* The late John Hughes will get a special Oscar tribute this year.

* Nikki Finke on the latest version of the often remade Wuthering Heights. They might as well just go all-out and make Heathcliff a vampire in this one, from the sound of it.

* The British trade, Screen Daily, is the latest pub to go behind a paywall. Anne Thompson has some salient thoughts.

* “American Pie 4” may come to us from the “Harold & Kumar” writers. “Middle-Aged Pie”? (H/t /Film.)

* Remember that wacky/fascinating rumored Lars von Trier/Martin Scorsese remake(s) of “Taxi Driver” rumor I mentioned a couple of days back? Not at all surprisingly, it was just a rumor.


Benecio del Toro chills out in
* Devin Faraci of CHUD provides a listen to that unused rock music score for “The Wolfman.” Yup, it’s hard to imagine how it could possibly have worked with a period horror film, but then I probably would have told Quentin Tarantino that using an eighties David Bowie song in a World War II movie wasn’t such a great idea, either.

Actually, much as I love “Inglourious Basterds,” I’m still not convinced about that particular touch.

  

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