TCA Press Tour, Summer 2010: Day 6

Day 6 of the TCA Press Tour was all about the American Broadcasting Company – that’s ABC to you and me – presenting their slate of programming for Fall 2010, along with a couple of new entries that are technically midseason entries but will likely find themselves slotted into the schedule sooner than that. (You know how it goes: there’s always a show or two that gets the boot within a couple of episodes, thereby giving one of the relief squad a chance to go in early.)

Give Kevin Brockman, ABC’s head of publicity, full credit for getting the first big laugh of the day: he walked onto the stage holding a giant stuffed pink elephant named Binky, allowing him to be flanked by the real elephant in the room while addressing the metaphorical one, which was the somewhat unexpected departure of Steve McPherson, the network’s former President of Entertainment.

“On Tuesday, we issued a statement announcing Steve McPherson’s resignation from ABC Entertainment Group,” said Brockman. “I realize you all may have questions, obviously. That is what you do for a living. But to save us some time and hopefully make this as productive as possible, I just want to say that Tuesday’s statement still holds. It is literally all we are going to say on the subject. So you may ask, but you will get the same answer. So I’m just saying please know that is the statement. We have given it. We will give it again if we need to. But in the spirit of trying to make things as productive today, just realize that that’s where we are. We really have nothing more to add.”

And, indeed, they did not. Someone tried a bit later in the morning to get Paul Lee, McPherson’s hastily arranged replacement, to say something on the matter, but…well, we’ll get to that in a moment. First, let’s talk about the panel that preceded Mr. Lee’s executive session.

Detroit 1-8-7

Can it really be possible that “Detroit 1-8-7” is the first police drama to be set within the city of Detroit? That would seem to be the case, and yet it seems like such an incredible oversight that it’s never been done before. More impressive, however, is the fact that the show is actually being filmed in Detroit.

“There are a lot of benefits to shooting in Detroit,” said producer David Zabel. “Included in that is that there is a bit of an infrastructure forming of crew. We are filling out our crew with a lot of locals. A lot of locals are working on the show, and hopefully in the long run what will then happen is that a lot of the locals who are working at mid-level positions are going to get better at these jobs and rise up and be doing more of the key department-head work as well. Overall, they’ve been doing quite a bit of feature work in Detroit, so there’s some aspects there that are well in place, but there are some things that are a little bit of a learning curve, and we’re sort of going through that together. A lot of the key department heads are from Los Angeles for now, but the vast numbers of the crew are largely local hires. In certain key departments we had to bring from L.A. in order to have qualified people so that we could deliver the show. Also, they are shooting seven features right now in Detroit, so even the talent pool that exists locally in Detroit is spread a little thin right now. But as the series goes on, I think we’re going to get more and more people that are local working on the show.”

As happy as I am for Detroit that they’ve got this series filming in their fine city, I must say that I got more than a little bored with the plethora of questions about that particular aspect. I was much more interested in the fact that the original conceit of the series as seen in the pilot which was screened for us in advance of the TCA tour – the detectives were being filmed as part of a documentary – has been thrown out the window due to the fact that, as a result of an unfortunate event in Detroit, the city has banned documentary filmmakers from following police officers around. With that having been put into play, they couldn’t exactly show such a thing going on within “Detroit 1-8-7,” now, could they?

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Greetings to the New Season: ABC – UPDATED

Another day, another network upfront. Now it’s time to say hello to ABC’s Fall 2010 line-up. No accompanying videos at the moment, but you can get an idea of what to expect from the descriptions they’ve provided…and be sure to let us know what you think of the potential of the new series!

UPDATE: Hey, look: ABC came through with videos!

MONDAY

8 – 10 PM: Dancing with the Stars

10 – 11 PM: Castle

TUESDAY

8 – 9 PM: No Ordinary Family: The Powells are about to go from ordinary to extraordinary. After 16 years of marriage, Jim and Stephanie’s relationship lacks the spark it once had, and their family life now consists of balancing work and their two children, leaving little time for family bonding. During a family vacation set up by Jim in an attempt to reconnect, their plane crashes into the Amazon River. But this is where the fun starts for the Powells, as they soon discover that something’s not quite right. Each of them now possesses unique and distinct superpowers. But saving and savoring their family life will be equally important, as they try to find purpose for their new powers and embark on a journey to find out what defines and unifies them.

The Powells are a totally relatable family who happen to be a little bit amazing. Michael Chiklis (“The Shield”) stars as Jim Powell, Julie Benz (“Dexter”) as Stephanie Powell, Romany Malco (“The 40-Year-Old Virgin”) as George St. Cloud, Tate Donovan (“Damages”) as Mitch McCutcheon, Autumn Reeser as Katie Andrews, Christina Chang as Yvonne Cho, Kay Panabaker as Daphne Powell and Jimmy Bennett as JJ Powell. The pilot was written and executive-produced by Jon Feldman. The series is executive-produced by Feldman, Greg Berlanti, Morgan Wandell and David Semel, who also directed the pilot. Joe Hartwick, Jr. serves as producer.

9 – 10 PM: Dancing with the Stars (Results Show)

10 – 11 PM: Detroit 1-8-7”: What does it take to be a detective on America’s most dangerous streets? Get ready to be part of the action when a documentary crew rolls with some of Detroit’s finest, offering an insider’s glimpse behind the curtain of a Homicide Unit. The cameras unearth the crisis and revelation, heartbreak and heroism of these inner city cops — moments of raw exposure when they address us directly, as well as private moments when they forget they’re being filmed.

There’s the damaged but driven Detective Louis Fitch, a wily homicide vet who is the most respected — and most misunderstood — man in the division; Detective Damon Washington, Fitch’s new partner, who finds the first day on the job is a trial by fire, complicated by the imminent birth of his first child; Detective Ariana Sanchez, sexy, edgy and beautiful, who has emerged from a rough background to become a rising star in the department; Narcotics undercover cop John Stone, a streetwise smooth talker, clever and quick with a smile made for the movies, who is teamed with Sanchez — a combustible pairing rife with conflict and sexual tension; Sergeant Jesse Longford, a 30-year veteran struggling with his impending retirement from the force and the city he loves, who, together with his partner, Detective Aman Mahajan — a fully Americanized son of Indian immigrants — form an amusing mismatch of experience and enthusiasm, intellect and instinct, old school and new world, but whose combined skills have never encountered a case that couldn’t be cleared; and all are headed by Lieutenant Maureen Mason, a strong-willed single mom struggling to balance home and work. “Detroit 1-8-7” stars Michael Imperioli (“The Sopranos”) as Detective Louis Fitch, Jon Michael Hill as Detective Damon Washington, James McDaniel (“NYPD Blue”) as Sergeant Jesse Longford, Aisha Hinds (“True Blood”) as Lieutenant Maureen Mason, Natalie Martinez as Detective Ariana Sanchez, D.J. Cotrona as Detective John Stone and Shaun Majumder as Detective Aman Mahajan. The pilot was written by Jason Richman. Executive producers are Richman, David Hoberman, Todd Lieberman and David Zabel. Jeff Nachmanoff directed the pilot.

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