Weekend box office preview: Will “The Roommate” breach “Sanctum”? Does anyone care?

It’s Superbowl weekend and that means partially empty theaters on Sunday as a good chunk of the nation drinks beer, eats various high fat and sodium foods, and obsesses either over the game or the commercials. Between that and possible lingering effects of the big storm being suffered through by my easterly Premium Hollywood/Bullz-Eye colleagues in the Midwest and the East, you’re talking about less than optimum movie-going conditions. And, this week, it’s certainly looks like a battle between two less than optimum movies.

To be specific, we have “The Roommate” from Sony/Screen Gems which features “Gossip Girl” star Leighton Meester and the similar looking Minka Kelly of the acclaimed “Friday Night Lights” in a what sure looks like a retread of one of those “the _______ from hell” movies of the eighties and nineties. I never actually saw it, but the model in this case appears to be 1992’s “Single White Female” but set in a dorm room — scarier because the personal space is even smaller, I suppose.

909285 - The Roommate

It’s also scarier because it’s not being shown to critics and the trailer for this alleged thriller actually gave me a couple of good laughs. Even so, hopes are reasonably high for this very young female skewing PG-13 flick to top this very top-able weekend. The L.A. TimesBen Fritz and THR‘s Pamela McClintock both pass on the general opinion that the take will probably not be much more than $15 million and quite possibly significantly less. On the other hand, “The Roommate” only cost $16 million to make so, it’ll make back its budget and it doesn’t seem to me like the studio is blowing much on marketing this one either. Today was the first I’ve heard of it.

The other major new release, which has been on my radar to some degree, is an underwater Australian thriller shot in 3D that is pushing the name of its producer as hard as it can. I guess James Cameron can afford to sully his brand name with what sure looks like a sub-par effort if he wants to. It’s not nice to judge a movie you haven’t seen but with mostly bad reviews and a trailer showing off some scary moments and some surprisingly poor acting it’s hard to hope it’ll be terribly good.

Pamela McClintock reports that Universal is downplaying expectations with a guess of $6 to 8 million. $10 million is apparently too much to hope for. Considering that men are the primary audience is here, if you want to treat a movie theater like your own inner sanctum, I suggest seeing this around 6:00 on Sunday in a theater in or near Wisconsin or Ohio.

In limited release in some 26 theaters according to Box Office Mojo, we have a film with a title that must be on movie marketers’ minds every Superbowl weekend: “Wo Zhi Nu Run Xin.” That’s, transliterated Mandarin for “What Women Want.” The remake of the rather funny Mel Gibson/Helen Hunt 2000 fantasy rom-com from Nancy Myers is back at us from China with Andy Lau and Gong Li.

  

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Sunday morning movie left-overs

Think of this as the cinematic equivalent of cold pizza, which can be a surprisingly delicious breakfast. What follows, then are some trailers I’ve been meaning to run all week but haven’t had the opportunity as yet.

We’ll start with the latest trailer for Christopher Nolan’s much anticipated “Inception.” This Philip K. Dickish tale seems to be summer’s best hope for a quality megablockbuster and, if it fails to deliver, there are going to a lot of disappointed movie fans and film studio folks.

Read the rest of this entry »

  

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Ladies and gentlemen, we have our new Kato

So says Sony and Nikki Finke.

And he can sing.

He can do the other thing, too.

I didn’t see Taiwanese pop-star turned actor/martial artist Jay Chou in “Curse of the Golden Flower,” but if he can hold his own with Gong Li and Chow Yun Fat (though I understand his Asian reviews were less supportive than English-language critics), I think he can manage Nicolas Cage‘s sure-to-be-nuts villain and Seth Rogen’s jokey Green Hornet.

Screenrant
has some more.

  

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