TCA Tour, Jan. 2009: “George Carlin: The Mark Twain Prize”

There were an obscene number of celebrity deaths in 2008, but very few of them hit quite as hard as the loss of George Carlin. He’s one of those guys who I just kind of figured would be around forever, secretly suspecting that he couldn’t die until he had nothing left to grouse about. So much for that theory. It’s particularly bittersweet that, only four days before his death, the Kennedy Center for the Performing Arts announced that Carlin would be the 2008 honoree of the Mark Twain Prize for American Humor. The good news, however, is that the decision was made to give him the prize posthumously, the first time such a thing had been done.

As you can imagine, it didn’t take much effort to accumulate a star-studded list of names to pay tribute to Carlin, and the PBS panel to promote “George Carlin: The Mark Twain Prize” included two of them: Richard Belzer and Lewis Black.

The first question posed was one that should’ve been expected by anyone familiar with Carlin’s work: how can PBS properly pay tribute to a man whose most famous routine involved the seven words you can’t say on television?

“I learned a long time ago that if you’re in a church, you don’t do certain things, and if you’re in someone’s home, you don’t do certain things,” said Belzer. “If the philosophy of the network is not to offend people who they think might be offended, I don’t think this hurts this show. George Carlin is so brilliant, his use of language is vast and compelling, that a few bleeps might even be enticing. I don’t think it diminishes how great George is, how important the show is, and the function that PBS serves over time. I mean, civility in manners are defined in different ways. If it were up to me, we’d have all the words you’d want, but I am not a network.”

Executive producer Peter Kaminsky followed up on Belzer’s comments, clarifying, “It goes beyond the
network. It’s the law. The Supreme Court will come down on you heavy. This case is…I mean, I think one of the legacies of George is he started something in the Supreme Court and 40 years later, or whatever, 30 years later, we’re still arguing about it. It’s very much front burner, and we hope to see that change in a new administration.”

Black, unsurprisingly, chimed in on the matter as well. “What will happen if the words were actually said?” he asked. “Children would panic? They don’t hear the words at home? I think what Richard
said is absolutely true, and I think it’s bullshit.”

For her part, Kelly Carlin McCall – George’s daughter – finds the whole matter hilarious. “My dad’s view on this was that if you actually bleep the words, they become dirtier, so it’s a beautiful irony for me,” she said. “I just find it very strange.”

She also acknowledged that her father was extremely happy when he got the news about the Twain prize, which is impressive, given that he didn’t tend to take awards very seriously. “He saw the game of it all,” she said. “It was a bunch of bullshit. But there was something about this prize that meant something to him. He did call me when he found out about it; he was very excited. I think in the last five years he really started to take in that he was the elder statesman of this genre, of these people. He took that seriously. I think he was really getting that, wow, these people really want to honor him in that way. I don’t know how he would have sat there and taken it all in. I would love to have known.”

The best series of comments from the panel…?

Read the rest of this entry »

  

You can follow us on Twitter @moviebuffs and on Facebook as well.

Related Posts

Five Reasons to Mourn George Carlin That Aren’t Stand-Up Related

5. Herbie Fleck (“With Six You Get Eggroll“)
4. Eddie Detreville (“The Prince of Tides“)
3. Frank Madras (“Outrageous Fortune“)
2. Cardinal Ignatius Glick (“Dogma“)
1. Rufus (“Bill and Ted’s Excellent Adventure,” “Bill and Ted’s Bogus Journey“)

I also remember enjoying “Justin Case,” a TV movie that was written and directed by Blake Edwards, where he played the ghost of a private detective who attempts to solve his own murder…but it’s been 20 years since I’ve seen it, so I might be giving it too much credit.

So long, George.

  

Related Posts