A roundtable chat with Kate Bosworth and Danny Huston of “The Warrior’s Way”

The movies often make for strange companions, if not actual bedfellows. So it was that a bunch of entertainment writers at the junket for the genre-blending martial-arts western fantasy, “The Warrior’s Way,” met with a pair of actors with a definite air of  beauty-and-the-beast about them.

Kate Bosworth of Kate Bosworth is, oddly enough, the beauty of the pair. Perhaps best known as Lois Lane in the unfairly maligned “Superman Returns,” Bosworth has appeared in a number of films, including a solid appearance as Sandra Dee in Kevin Spacey‘s offbeat Bobby Darin biopic, “Beyond the Sea.” She also played porn star John Holmes’ teenage girlfriend in the fact-based “Wonderland” and was the female lead in the gambling-themed hit, “21.” Bosworth launched her career starring in the short-lived “Dawson’s Creek” spin-off, “Young Americans,” which wrapped in 2000 and followed that up with the lead role in the surfing-themed “Blue Crush” in 2002.

Danny Huston is often cast in the role of beastly types and authority figures, and usually a combination of both. He was the leader of the cold weather vampires in “30 Days of Night,” a memorably creepy power broker in “Children of Men,” and the mutant hating Col. William Stryker in “X-Men Origins: Wolverine.” He was also the despicably ultra-vicious desperado/gangleader brother of Guy Pearce in the 2005 mega-grime Australian western, “The Proposition.”

Danny Huston of It’s also mandatory that I mention that Huston is about as “Hollywood royalty” as people get, being the son of acting and directing great John Huston, whose best remembered acting role remains as the deeply evil Noah Cross of “Chinatown” and whose iconic films included “The Maltese Falcon,” “The Treasure of the Sierra Madre,” and, still going strong decades later, “Wise Blood” and “Prizzi’s Honor.” That additionally means that Danny Huston’s grandfather was the early Hollywood star and character actor Walter Huston and his half-sister is Oscar-winner Angelica Huston. Still in his forties, he also was a director early on in his career, helming 1988’s “Mr. North.”

Bosworth and Huston were there to promote their roles in “The Warrior’s Way,” which was released this last weekend in a modest wide release. In the film, the first English language starring vehicle for Korean superstar Jang Dong-gun, Bosworth plays Lynne, a knife-thrower in training bent on revenge against the man who killed her family and attacked her. Naturally, that man is the Colonel (Huston), a mask-wearing evildoer who was badly disfigured by Lynne as a young girl, so it’s clear these two just aren’t going to get along.

Off screen, however, the two got along just fine as they sang the praises of the film which none of us entertainment journalist types had actually seen. About 10-15 minutes worth of clips had been shown to us the night before, prior to a very pleasant reception with some really delicious sushi and yakitori treats. The next day we got more American style fare at the Beverly Hilton. Did I mention that the food is often the best part of a press day?

The conversation started around some of the costumes used in the film. One journalist asked Kate Bosworth if she enjoyed the costuming aspect of movie-making. This might have turned into a very interesting piece if she’d said, “God, no, I hate it!” But, of course, that’s not how she feels.

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“Generation Kill” is must-see TV

I just mowed through the seven-hour HBO mini-series, “Generation Kill,” like nobody’s business.

It’s based on Evan Wright’s book of the same name. At the time, Wright was a Rolling Stone writer that was embedded with the 1st Reconnaissance Battalion‎ of the United States Marine Corps during the first days of the invasion of Iraq. The teleplay was written by “The Wire” creator David Simon, so it’s no surprise that it has the same gritty feel and sense of humor of that series.

The story revolves around the Hummer in which Wright rode, which often was the point vehicle as the battalion moved deeper into Iraq, but the miniseries branches out at times to follow the events of other parts of the battalion. It relies heavily on the dynamic between Sgt. Brad “Iceman” Colbert and Cpl. Josh Ray Person. The former plays the straight man to the non-stop shtick running from Person’s mouth. This humor balances out the nail-biting intensity of the group’s military missions.

Politically speaking, the miniseries doesn’t get on a soapbox, but it dives into both the positives and negatives that resulted from the invasion. There’s an overwhelming sense of naivety amongst the officers and soldiers about just what kind of a clusterf*ck they were getting themselves into. Once Saddam’s army fell, they thought their mission was over, but little did they know that they were just getting started.

“Generation Kill” is not for the faint of heart, but I’d highly recommend it for anyone who enjoyed “Band of Brothers.” It’s available on DVD now.

For a much more in-depth review, check out Jason Zingale’s take on Bullz-Eye.com.

  

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Please, won’t you lend a television critic a hand?

The Television Critics Association has officially begun the gearing-up process for its 25th annual awards, which will honor the finest work of the 2008-09 season as selected by the association’s 200-plus member critics and journalists. One of those members is yours truly, and I figured I’d see what the readers of Premium Hollywood had to say about the nominations and who they’d like to see win the various categories. I’ll have to submit my votes by June 10th, but since the winners won’t be announced until August 1st (the ceremony takes place at The Langham Huntington Hotel and Spa in Pasadena, CA, with Chelsea Handler opening the ceremony), so speak up quickly. There are a couple of things I’m on the fence about, and I’d be interested to hear your thoughts before I make my final selections.

PROGRAM OF THE YEAR

* “Battlestar Galactica” (SciFi Channel)
* “Lost” (ABC)
* “Mad Men” (AMC)
* “Saturday Night Live” (NBC)
* “The Shield” (FX)

OUTSTANDING ACHIEVEMENT IN COMEDY

* “30 Rock” (NBC)
* “The Big Bang Theory” (CBS)
* “The Daily Show” (Comedy Central)
* “How I Met Your Mother” (CBS)
* “The Office” (NBC)

OUTSTANDING ACHIEVEMENT IN DRAMA

* “Breaking Bad” (AMC)
* “Friday Night Lights” (NBC/DirecTV)
* “Lost” (ABC)
* “Mad Men” (AMC)
* “The Shield” (FX)

OUTSTANDING ACHIEVEMENT MOVIES, MINI-SERIES AND SPECIALS

* Summer Olympic Coverage (NBC)
* “24: Redemption” (Fox)
* “Generation Kill” (HBO)
* “Grey Gardens” (HBO)
* “Taking Chance” (HBO)

OUTSTANDING NEW PROGRAM OF THE YEAR

“Fringe” (Fox)
“The Mentalist” (CBS)
“No. 1 Ladies’ Detective Agency” (HBO)
“True Blood” (HBO)
“United States of Tara” (Showtime)

INDIVIDUAL ACHIEVEMENT IN COMEDY

* Alec Baldwin (“30 Rock”)
* Steve Carell (“The Office”)
* Tina Fey (“30 Rock”)
* Neil Patrick Harris (“How I Met Your Mother”)
* Jim Parsons (“The Big Bang Theory”)

INDIVIDUAL ACHIEVEMENT IN DRAMA

* Glenn Close (“Damages”)
* Bryan Cranston (“Breaking Bad”)
* Walton Goggins (“The Shield”)
* Jon Hamm (“Mad Men”)
* Hugh Laurie (“House”)

OUTSTANDING ACHIEVEMENT IN CHILDREN’S PROGRAMMING

* “Camp Rock” (The Disney Channel)
* “The Electric Company” (PBS)
* “Nick News” (Nickelodeon)
* “Sid the Science Kid” (PBS)
* “Yo Gabba Gabba” (Nickelodeon)

OUTSTANDING ACHIEVEMENT IN NEWS & INFORMATION

* “60 Minutes” (CBS)
* “The Alzheimer’s Project” (HBO)
* “Frontline” (PBS)
* “The Rachel Maddow Show” (MSNBC)
* “We Shall Remain” (PBS)

HERITAGE AWARD

* “ER” (NBC)
* “M*A*S*H” (CBS)
* “Saturday Night Live” (NBC)
* “The Shield” (FX)
* “Star Trek” (NBC)

  

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