Greetings to the New Season: NBC

When the season finales begin to air, then you know that it’s only a matter of time before the network upfront presentations begin. If you’re not familiar with the concept of the upfront, it’s when the networks formally roll out their fall schedules, providing advance warning about the slate of new programming for the next season, thereby allowing for several months of snarky comments about series which no one has even seen yet. Give credit to NBC, though: they’ve actually offered up clips for virtually every one of their new shows in order to get the buzz going as quickly as possible…be it positive or negative. Check out what they’ve got to offer, then let us know what you think!


8 – 9 PM: Chuck

9 – 10 PM: The Event: an emotional, high-octane conspiracy thriller that follows Sean Walker (Jason Ritter, “The Class”), an Everyman who investigates the mysterious disappearance of his fiancée, Leila (Sarah Roemer, “Disturbia”), and unwittingly begins to expose the biggest cover-up in U.S. history. Sean’s quest will send ripples through the lives of an eclectic band of strangers, including: newly elected U.S. President Martinez (Golden Globe nominee Blair Underwood, “In Treatment”); Sophia (Emmy Award nominee Laura Innes, “ER”), who is the leader of a mysterious group of detainees; and Sean’s shadowy father-in-law (Scott Patterson, “Gilmore Girls”). Their futures are on a collision course in a global conspiracy that could ultimately change the fate of mankind. Ian Anthony Dale (“Daybreak”) and Emmy winner Željko Ivanek (“Damages”) also star in the ensemble drama. Stark (“Medium,” “Facing Kate”) serves as executive producer, Evan Katz (“24”) serves as executive producer/showrunner, Nick Wauters (“The 4400,” “Eureka”) is creator/co-executive producer and Jeffrey Reiner (“Friday Night Lights,” “Trauma”) is the director/executive producer.

10 – 11 PM: Chase: a fast-paced drama that drops viewers smack into the middle of a game of cat-and-mouse as a team of U.S. marshals hunts down America’s most dangerous fugitives. Kelli Giddish (“Past Life”) stars as U.S. Marshal Annie Frost, a cowboy boot-wearing deputy whose sharp mind and unique Texas upbringing help her track down the violent criminals on the run. Cole Hauser (“K-Ville”), Amaury Nolasco (“Prison Break”), Rose Rollins (“The L Word”) and Jesse Metcalfe (“Desperate Housewives”) also star as members of Frost’s elite team. Jerry Bruckheimer (“CSI” franchise, “The Amazing Race,” “Pirates of the Caribbean” films), Jonathan Littman (“CSI” franchise, “The Amazing Race,” “Cold Case”) and Jennifer Johnson (“Cold Case”) serve as executive producers, while KristieAnne Reed is co-executive producer. David Nutter (“The Mentalist,” “Without a Trace” “The X-Files”) directed and is executive producer of the pilot, which was written by Johnson.

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NBC kills “Southland” in a manner which will annoy even those who DIDN’T watch it

It’s one thing to kill a show when it’s been struggling in the ratings but hasn’t managed to gain a sufficient foothold with viewers. It’s quite another to pull the plug after the show has been renewed for a second season, several episodes have been completed for said season, and it hasn’t even made it back to the airwaves yet.

Sadly, you’ve probably deduced that it’s the latter which has happened to NBC’s “Southland.”

The news broke yesterday via The Hollywood Reporter, who revealed that production on the John Wells-produced cop series is being shut down before any episodes of its second season even make it to air. “Southland” was originally slated to make its return to NBC on at the same time the rest of NBC’s new shows emerged, but instead of having Season 2 kick off on September 18th, the 9 PM timeslot was filled on that Friday by “Dateline NBC.” So it has remained ever since. Plans had been afoot for the series to come back on October 23rd, but…well, obviously, those plans changed.

You barely need to read between the lines of Wells’ statement on the matter in the Reporter’s article to see that it was uttered through gritted teeth:

“I’m disappointed that NBC no longer has the time periods available to support the kind of critically-acclaimed series that was for so many years, a hallmark of their success,” Wells said. “We remain extremely proud of ‘Southland’ and are actively looking for another home for the series.”

Wells may have managed to maintain his politeness in the midst of being profoundly pissed off, but the same can’t be said of Michael Cudlitz, one of the stars of the show. offered up a piece about the show getting its walking papers from the Peacock and cited Cudlitz’s comments on his Twitter account, which – as of this writing, anyway – remain out there for the world to see:

* Don’t go quietly…….. People need to know when they fuck up this big. Saw ep 2.1 …….. Dumb fucking people.

* season was so fucking good this year…….. I mean good.

* we are still in production. The shows are very, very good………… They have broken their word. I should know better.

* Honestly, not bitter. Kinda pissed. I still believe the show would have done well on Fri.

I reckon we’ll never know if “Southland” would’ve succeeded on Friday nights or not, but here’s hoping that someone…maybe TNT?…will be agreeable to saving the series and giving it a chance to play out for at least a little bit longer. Wells and his cast sat for a panel during the TCA tour in August, and the plans for the upcoming season sounded promising. This actually was a surprise to me…not because I didn’t like what I’d seen during Season 1, but because when NBC’s President of Primetime Entertainment, Angela Bromstad, talked about it, it sounded like it was going to be turning into a show that would feel more at home on CBS.

“I think we’ve made some creative adjustments. I think they tried to do too much in those six episodes, and instead of re-piloting the pilot and letting the audience get more familiar with these characters, they sort of…you know, it became very serialized, and they were a large, large ensemble. So it’s really going to focus on Regina King and Ben McKenzie and the two sets of officers and detectives and sort of focus on, you know, crimes and how they come together.”

To me, that sounded like they were basically going to be getting rid of the type of stuff that Wells brought to shows like “E.R.” and “The West Wing.” But when we talked to Wells later in the tour and Bromstad’s comments – which he hadn’t heard – were brought up, he first smirked and said, “Well, I think we are all interested in reading what Angela had to say to you the other day,” then tried to calm us down:

The show we are making is the show that we wanted to make. I think that, for people who have been watching the show, they will recognize it as the same show, and I think some of the more serialized elements that began to take over a couple of the final episodes will be less serialized, so that someone who shows up and just watches that episode will fully understand what’s happening in the episode. But we are very proud of the show we were making last year, and I think for most casual viewers of the series, they will not see a significant difference in what the show is bringing to them when they watch it. What they had asked us to do when we were coming back was to make certain that the characters of the patrol officers and the detectives were appearing in every episode. When we originally began planning the series, we had talked about doing episodes that would be solely about one group or one character, and they’ve asked us not to do that in the future or move towards that. They would like it to be an ensemble show, which has all of the characters in it on a weekly basis.

In the end, I think you have to trust Wells’ track record as a producer and presume that he and fellow producer Christopher Chulack would’ve still made Season 2 of “Southland” more than worth checking out.

In closing, I feel like I should offer up this comment from Wells during the “Southland” panel about NBC’s decision to wipe out five hours of programming in favor of “The Jay Leno Show.” I don’t think I’m wrong in suggesting that he might well have offered a more succinct response if the panel had taken place on NBC’s TCA day rather than on the Warner Brothers lot, but whatever the case, it strikes me as ample proof that, although he might not be happy that NBC has kicked “Southland” to the curb, he’s probably thrilled at the possibility that he has a chance to peddle his wares elsewhere:

“Well, you know, it would be disingenuous for me to say anything other than this is what I do for a living, and we lost five hours’ worth of time periods that had been known throughout the history of the network for putting some really terrific shows on. So I wish NBC and Jay Leno well, personally. He’s a very nice guy. But I hope he falls flat on his face and we get five dramas back. I mean, you know, that’s what I do for a living. That’s what I think should be on network television at 10:00. It should be an opportunity for narrative programs to be on the air. So it’s only one more thing that’s going to force more and more dramas into the basic cable and pay cable world. And they made the decision that they felt was necessary to make for financial purposes and whatever other decisions they had, but I hate it.”


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NBC: The Fall Schedule

It’s 2-for-1 day with the upfronts, with NBC following ABC in announcing their fall schedule. The National Broadcasting Company was already in a crap ratings position even before they decided to try the radical maneuver of giving Jay Leno the 10 PM timeslot, so they really can’t lose very much by trying such an experiment. It still sucks for fans of scripted television, though. Fortunately, the people at the Peacock have still found it in their heart to offer up a few new series, and they’re also trying the shared-timeslot concept in earnest, as you’ll see below.


8:00 PM – Heroes

9:00 PM – Trauma

From executive producer Peter Berg comes the first high-octane medical drama series to live exclusively in the field where the real action is. Like an adrenaline shot to the heart, the show is an intense, action-packed look at one of the most dangerous medical professions in the world: first responder paramedics. When emergencies occur, the trauma team from San Francisco General is first on the scene, traveling by land, by sea or by air to reach their victims in time. From the heights of the city’s Transamerica Pyramid to the depths of the San Francisco Bay, these heroes must face the most extreme conditions to save lives — and give meaning to their own existence in the process. Starring are Derek Luke, Cliff Curtis, Anastasia Griffith, Aimee Garcia, Kevin Rankin, and Jamey Sheridan.

10:00 PM – The Jay Leno Show


8:00 PM – The Biggest Loser
10:00 PM – The Jay Leno Show


8:00 PM – Parenthood

From the executive producers of the box-office hit “Parenthood,” Ron Howard and Brian Grazer, and writer/executive producer Jason Katims, this contemporary re-imagining of the blockbuster film depicts the colorful and imperfect Braverman family – four grown siblings sharing the headaches, heartaches, and joy of being parents. The star-studded cast includes Peter Krause, Maura Tierney, Craig T. Nelson, Dax Shepard, Bonnie Bedelia, Monica Potter, Erika Christensen and Mae Whitman. When Sarah Braverman (Tierney), a financially strapped single mother, returns home to her parents and siblings in Berkeley, Calif., after packing up her Fresno apartment and uprooting her two inconvenienced kids, Amber (Whitman) and Drew (Miles Heizer), she is greeted by her opinionated father, Zeek (Nelson), and strong mother, Camille (Bedelia), who are privately dealing with their own marital issues. As Sarah is reunited with her siblings — sister, Julia (Christensen), and brothers Crosby (Shepard) and Adam (Krause) — all struggling with issues of their own, it’s clear that the Braverman reunion is just what they need to face the everyday challenges of modern family life.

9:00 PM – Law & Order: Special Victims Unit

10:00 PM – The Jay Leno Show

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