A roundtable chat with Kate Bosworth and Danny Huston of “The Warrior’s Way”

The movies often make for strange companions, if not actual bedfellows. So it was that a bunch of entertainment writers at the junket for the genre-blending martial-arts western fantasy, “The Warrior’s Way,” met with a pair of actors with a definite air of  beauty-and-the-beast about them.

Kate Bosworth of Kate Bosworth is, oddly enough, the beauty of the pair. Perhaps best known as Lois Lane in the unfairly maligned “Superman Returns,” Bosworth has appeared in a number of films, including a solid appearance as Sandra Dee in Kevin Spacey‘s offbeat Bobby Darin biopic, “Beyond the Sea.” She also played porn star John Holmes’ teenage girlfriend in the fact-based “Wonderland” and was the female lead in the gambling-themed hit, “21.” Bosworth launched her career starring in the short-lived “Dawson’s Creek” spin-off, “Young Americans,” which wrapped in 2000 and followed that up with the lead role in the surfing-themed “Blue Crush” in 2002.

Danny Huston is often cast in the role of beastly types and authority figures, and usually a combination of both. He was the leader of the cold weather vampires in “30 Days of Night,” a memorably creepy power broker in “Children of Men,” and the mutant hating Col. William Stryker in “X-Men Origins: Wolverine.” He was also the despicably ultra-vicious desperado/gangleader brother of Guy Pearce in the 2005 mega-grime Australian western, “The Proposition.”

Danny Huston of It’s also mandatory that I mention that Huston is about as “Hollywood royalty” as people get, being the son of acting and directing great John Huston, whose best remembered acting role remains as the deeply evil Noah Cross of “Chinatown” and whose iconic films included “The Maltese Falcon,” “The Treasure of the Sierra Madre,” and, still going strong decades later, “Wise Blood” and “Prizzi’s Honor.” That additionally means that Danny Huston’s grandfather was the early Hollywood star and character actor Walter Huston and his half-sister is Oscar-winner Angelica Huston. Still in his forties, he also was a director early on in his career, helming 1988’s “Mr. North.”

Bosworth and Huston were there to promote their roles in “The Warrior’s Way,” which was released this last weekend in a modest wide release. In the film, the first English language starring vehicle for Korean superstar Jang Dong-gun, Bosworth plays Lynne, a knife-thrower in training bent on revenge against the man who killed her family and attacked her. Naturally, that man is the Colonel (Huston), a mask-wearing evildoer who was badly disfigured by Lynne as a young girl, so it’s clear these two just aren’t going to get along.

Off screen, however, the two got along just fine as they sang the praises of the film which none of us entertainment journalist types had actually seen. About 10-15 minutes worth of clips had been shown to us the night before, prior to a very pleasant reception with some really delicious sushi and yakitori treats. The next day we got more American style fare at the Beverly Hilton. Did I mention that the food is often the best part of a press day?

The conversation started around some of the costumes used in the film. One journalist asked Kate Bosworth if she enjoyed the costuming aspect of movie-making. This might have turned into a very interesting piece if she’d said, “God, no, I hate it!” But, of course, that’s not how she feels.

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Box office preview: It’s the boy-who-lived versus the-girl-with-the-hair

Yep, though there is only one new major release, the real action this weekend is going to be between the two very strong holdovers: the third week of Warner’s “Harry Potter and the Deathly Hallows: Part One” and week #2 of “Tangled,” which may be well on its way to reviving Disney’s supposedly endangered princess brand. Figuring out which will emerge on top i’s really a matter of how much the respective films drop off and, as jolly Carl DiOrio wisely admits, involves a big guess. Still, he and Ben Fritz seem to agree that power-haired Rapunzel has some slight edge over horcrux-seeking Harry.

Both films did roughly equivalent business last weekend, though the Potter juggernaut earning extremely well over the entire Thanksgiving period. Still, family animated comedies traditionally have great holds, while the madness of the Potter fans generally makes for huge openings with huge drop-offs to follow. Fritz expects about $18 million for the Potter film and about a 50% drop off for “Tangled,” which I guess would mean roughly $23-25 million or so. I wouldn’t be surprised if the drop-off were small, though post-holiday doldrums could also hamper overall box office this weekend.

This week’s one major new release, a martial arts fantasy shot in New Zealand but set in a sort of Never-Never land version of the American West, “The Warrior’s Way,” is opening in a relatively very modest 1600 theaters. That’s probably a good thing because the film, which was made independently but is being distributed by upstartish Relativity Media, doesn’t appear to be generating any excitement. It’s been in the can for some time, though it boasts an interesting cast including Geoffrey Rush and Danny Huston in supporting roles as well as Kate Bosworth and talented Korean superstar Jang Dong-gun (“Typhoon“), whose been compared to Johnny Depp, as the butt-kicking super-swordsman lead.

The Warrior's Way

In an attempt to square the marketing circle, members of the press were shown clips from the film, wined and dined (in this case saki’d and sushi’d as the post-not-screening reception was held at an apparently very good Japanese restaurant) and allowed to interview some of the stars — including, in my case, Tony Cox of “Bad Santa” and “The Imaginarium of Dr. Parnussus.” We’ll see how well the approach works. Ben Fritz is extremely pessimistic about its chances, jolly Carl is more jolly, but even he admits it’ll be somewhat lucky to break $10 million. This one’s best hope might be in the international market, but the refusal to show the film in its entirety to the press should be a tell to wary audiences.

There’s more because, as awards season heats up, several very interesting films are opening in limited release. Among them is “I Love You Phillip Morris.” It’s the long delayed but well-regarded same-sex romantic comedy and true-crime tale with Jim Carrey and Ewan McGregor as lovers on the run. Also opening in a relatively aggressive 18 theaters is a very likely Oscar contender and already one of the most discussed genre-blending films of the year, “Black Swan.” It’s being described frequently as Powell and Pressberger’s “The Red Shoes” meets Polanski’s “Repulsion” and that’s good enough for me. More about that to come, for sure.

Natalie Portman and Vincent Cassel in

  

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What Else Ya Got? “Edge of Darkness”

It’s hard to know what to expect out of a Blu-ray these days when the cover art detailing the included content fails to do just that. For instance, while the two-disc release of “Edge of Darkness” initially appears to be light on bonus material, there’s actually much more than Warner Brothers is letting on. None of it is particularly memorable stuff, but there’s still enough here to suggest that, even though it underperformed at the box office, the film had a big enough fan base (or at least the possibility of one) to warrant the added effort.

Focus Points

Much like last year’s release of “The Dark Knight,” “Edge of Darkness” rounds up a series of nine mini-featurettes covering everything from working with Mel Gibson and Martin Campbell, to adapting the miniseries for the big screen. Composer Howard Shore also discusses how he uses music to connect the audience to the protagonist, Campbell reminisces about directing the BBC miniseries, and writer William Monahan talks about his contributions to the script. Though none of them really stand out on their own, there’s enough good material here that they would have been better off putting together a single making-of featurette.

Deleted & Alternate Scenes

Mostly throwaway stuff, like Craven grieving over his daughter or threatening Danny Huston’s slimeball businessman. There is one substantial scene where Ray Winstone’s fixer is given all the details behind his new assignment, although it’s hard to imagine where this would have fit into the movie. It’s a major piece of exposition that would have undoubtedly ruined the mystery behind Craven’s investigation, but it also helps give Jedburgh a little more purpose. In the end, it was probably a smart decision to just cut it, as it’s more damaging than helpful to the film.

Though it would have been nice to have included an audio commentary by Campbell or Gibson, Warner’s two-disc release is still a far better showing than expected. The inclusion of a digital copy remains one of the most pointless “special features” around, but at least you can put it to good use and give it away to a friend. After all, if you’re buying Blu-rays for anything other than the movie, you have no one to blame but yourself.

  

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